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Arthur Griffin: Down by the Sea

Posted on June 16, 2024

This online exhibition of Arthur Griffin’s work is an ode to the summer months approaching and his passion for photographing bodies of water along the east coast of New England. Born in 1903 in Lawrence, Massachusetts, Griffin developed into a celebrated photographer through his work for The Boston Globe newspaper and Life and Times magazines. He held a special admiration for photographing the celebration of the summer months by those who enjoyed spending their time by the sea.

New Harbor, ME
Back Cove, New Harbor, Maine

Griffin dedicated much of his photography to seaside towns in the summer to capture the happiness and relaxation of those who spent their time vacationing on the water. He specifically photographed these idyllic scenes of small-town charm in New Harbor, Maine.

Maine
Bailey’s Island, ME
Fishing (ME)

Griffin also captured people in their elements as they participated in well-loved summertime hobbies such as fishing. He highlighted the interactions of others between themselves and nature while engaging in these activities. Griffin made a point of evoking ideas of tradition and connection for his viewers with such photographs of human bonding activities.

Biddeford Pool, Maine
Biddeford, ME
Maine – Biddeford section

In Biddeford, Maine, Griffin photographed families passing time together on the beach and enjoying themselves, evoking emotions of familial love and ease for his viewers. These photographs also emphasize his tendency to capture horizons as shown in much of his work.

Cape Cod – windmill, boats
Nauset Beach, Cape Cod, Massachusetts. National Park.

Additionally, Griffin photographed several scenes along the coast of Cape Cod, Massachusetts, during his lifetime whether it be of groups riding horseback or abandoned boats crashing onto the shore. Such photographs highlight moments of movement concentrated into a single image of summertime activities.

To view more of Arthur Griffin’s photography, visit The Arthur Griffin Photo Archive.

Written & Curated by Aiko Dable – Intern, Spring 2024

Lisa Jo Spencer & Melinda McIntyre: The Body Project

Posted on June 16, 2024

The Body Project are a series of twelve self-portrait collaborations between photographers Melinda McIntyre and Lisa Spencer. Viewed individually, each image is an examination of individual body parts. When combined together as a diptych, the photographs create a new, more intimate dialogue. Some of the diptychs seem to suggest an actual dialogue between the two panels, while others play with shape, tension, and formal comparison. 

To create the diptychs, the artists shot one body part at a time in weekly installations. The images were produced without discussion or posing direction in separate workspaces 5,000 miles apart. The images were then revealed and combined as diptychs, with the one artist’s work augmenting, reinforcing, or changing the narrative of the other, often in playful and surprising ways. 

Clavicle
Hair
Shoulder Blades

While the project was originally designed as a self-portrait exercise – a depiction of the unsexualized, feminine form through the purely female lens – it quickly became a bonding experience and a trust exercise, as each artist learned to trust the other and trust the process of finding the narrative “between” photos. And while it was a coincidence that the two artists shared a similar hair type, skin tone, and body shape, it added an extra layer of interest to the project, as it was often hard for viewers (even the artist’s own parents) to distinguish who was who. Because the artists’ view and treatment of their own likeness is likely to change with age, Melinda and Lisa have committed to revisiting the project each decade.  This is Installment #1: The Thirties.


Melinda McIntyre is a photographer who recently repatriated to the US after 13 years abroad. Primarily a self-portrait and motherhood artist, Melinda takes pictures to “explore her role as an expat and mother in an ever-changing environment” as her family follows life in the Foreign Service. Her work has been featured in N- Magazine, Digital Camera Magazine, Click, The Foreign Service Journal, and This Detailed Life.  She is a juried member of the photography communities Click Pro and Hello Storyteller and has written and co-produced two self-paced courses – The Creative Collab and the Self Portrait Collab –  through Hello Storyteller platform. This is her first exhibition.

Lisa Spencer is a photographer, writer, and workshop leader based in Winchester, MA. She specializes in documentary storytelling. Named “Best Boudoir Photographer of 2024” by Click Magazine, her work has been featured in books, magazines, and online news content, including Winchester News. She is a juried member of the photography communities Click Pro and Hello Storyteller, and co-curator of the exhibit “Textures of Light” at the Viridian Moon Art Gallery in Bloomington, IN, an exhibition of fine art photography.  Her work has been selected for display at the Rhode Island Center for Photographic Arts and is currently on view in Winchester, MA as part of the “Our Town” exhibition.

30th Annual Juried Members Exhibition

Posted on June 2, 2024

We are pleased to showcase the artistry of our community in the 30th Annual Members Juried Exhibition. This exhibition showcases the wide diversity of our creative community in style, craft and vision. Juried by Mazie Harris, Assistant Curator of Photographs at the J. Paul Getty Museum, sixty-one photographs chosen from over 1,300 submitted images were selected to be exhibited in this show.

Join us in Saturday June 22nd at 6pm Eastern in Winchester for a celebration of the artists showcased in this exhibition.

An exhibition catalog of images from our in person exhibition, and our online showcase is available here.

Arthur Griffin Legacy Award: Barbara Peacock, “Cai and Claire”

Griffin Prize: Elizabeth Stone, “Negative / Positive NS44”

Directors Prize: Alina Saranti

Exhibition Award: Francisco Gonzalez Camacho

Honorable Mentions: Jennifer Bilodeau, “Perspective”, Sally Chapman, “Wave”, Francisco Gonzalez Camacho, “Diced”, Susan Moldenhauer, “Implosion, June 23, 2023”, Lisa Tyson Ennis, “Dontavius Williams, Public Historian“

Artists featured here:

Paul Adams, Mariette Allen, Robert David Atkinson, Mark Bargen, Donna Bassin, William Betcher, Jennifer Bilodeau, Philip Borden, Ronald Butler, Teresa Camozzi, Sally Chapman, Jo Ann Chaus, Fehmida Chipty, James Collins, Maura Conron, Seth Cook, Roy Crystal, Sharon Draghi, Amy Durocher, Yorgos Efthymiadis, Carol Eisenberg, Andrew Epstein, Laura Ferraguto, Teri Figliuzzi, Monique Fischer, Fran Forman, Andrew Foster, Suzanne Gainer, Hank Gans, Francisco Gonzalez Camacho, Amy Heller, Douglas Hill, Eric Kunsman, Margaret Lampert, Patricia Mcelroy, Susan Moldenhauer, Amy Montali, Hunter O’Hanian, Jane Paradise, Barbara Peacock, Linda Plaisted, Allison Plass, Robin Radin, Mary Reeve, Katherine Richmond, Karin Rosenthal, Angela Rowlings, Mari Saxon, Alina Saranti, Carla Shapiro, Anastasia Sierra, Frank Siteman, Elizabeth Stone, Lisa Tyson Ennis, Terri Unger, Carrie Usmar, Larry Volk, Babs Wheelden, Joan Wolcott, Holly Worthington and Andrew Zou.

Suzanne Theodora White | Dry Stone No Sound of Water

Posted on June 2, 2024

2023 Members Juried Exhibition Director’s Prize Winner Suzanne Theodora White’s series Dry Stone No Sound of Water is a deeply layered, textured look at how we see the landscape. Her constructions beg us to look deeper, to explore the frame, finding something familiar, yet seeing the world differently. Her still life images combine pieces of nature and photography to create new landscapes for us to transit.

I have a profound connection to the natural world and the human impact on our environment has been an overriding theme in my work throughout my years as an artist. The farm that I live on and have worked for decades, is my muse, where I record changes linked to climate disruption, time, and memory. Through an inter-disciplinary practice including photography, video, and site-specific installations, I explore issues of life, death, grief, and our cultural disconnect from nature. With my work I am asking, can art carry the burden of remembering the past, while confronting what the future may hold? From a fixed point on the map, I am a traveler through the Anthropocene.


About Suzanne Theodora White

Trained as a painter, Suzanne studied at the School of the Museum of Fine Arts, Tufts University, and has an MFA from Maine Media College. She was a two-time winner of fellowships awarded by the Boston Museum of Fine Arts. After receiving the first of these awards, she spent over a year on the road traveling alone, overland, through Europe, the Middle East, Asia, and the Far East. In the 1980’s and 90’s she made extended trips to South America to study birds in the Amazon basin and Central America.

Suzanne has had many solo exhibitions and has been included in group shows over her long career including Yale University, New Haven, CT; Cove Street Arts, Portland, ME; Museum of Fine Arts, Boston; The De Cordova Museum, Lincoln, MA; Newport Art Museum, Newport, RI; Art Institute of Boston; Thomas Segal Gallery, Boston, MA; and Colby College, Waterville, ME.

Suzanne lives in Maine with her two dogs and a large flock of chickens.

Lynne Breitfeller | After the Fire: Water Damaged

Posted on June 2, 2024

A 29th Annual Member’s Juried Exhibition prize winner, Lynne Breitfeller mesmerized us with her haunting black and white images, engaging in us the mystery of what is and what was. Learning the story behind them engaged us more, bringing technical process, along with emotion and loss and renewal as new objects to the conversation we have with these images. We are thrilled to fill the Griffin Gallery with this work, and produce a catalog of the images and text to be available during the exhibition.


After the Fire: Water Damaged, explores photographs as memory by examining the shape-shifting potential of altered images. As a result of a fire above my studio, water impacted my negatives destroying a third of my archive. Much was discarded, but I retained a collection of the work.

During the pandemic, I rediscovered the kept artifacts. Water on emulsion transformed their compositions and morphed the remains into new forms and meanings shaped by happenstance.

By working with the damaged pieces, I came to terms with the loss of my photographic legacy and saw the images anew.  The memory of what was had shifted into something different. Our experience of remembering the past can change each time it is revisited, it is elastic.

This series made me consider ideas of transience and new incarnations, the impermanence of possessions, and memory.

About Lynne Breitfeller

Lynne Breitfeller is a photographer who explores human relationships, memory, loss, transience, and humor in her work. In the series After the Fire: Water Damaged, she examines the shape-shifting potential of altered images. The title refers to the fire that occurred above the artist’s studio, which destroyed her archive. The photographs were forever altered by water on emulsion and transformed into new forms and meanings through happenstance. The physical alteration of these images reflect the idea that our experience of remembering the past can change each time it is revisited. Lynne Breitfeller states, this series made her “consider ideas of transience and new incarnations, the impermanence of possessions, and memory.” The exhibition invites the viewer to reconsider the elasticity of memory and discover new meanings out of “damaged” photographs.

Lynne Breitfeller lives in New Jersey. She received her B.A. in English from William Paterson University and studied photography at the International Center for Photography (NY), Los Angeles Center for Photography (CA), and Maine Media College (MA). After a two-decade career in text book publishing, she returned to the visual arts. Her work has been exhibited at The Griffin Museum of Photography (MA), Center for Fine Art Photography and Colorado Photographic Arts Center (CO), Vermont Center for Photography (VT), Los Angeles Center for Photography, and Marin Museum of Contemporary Art (CA), and Montclair Art Museum (NJ) amongst others. She was recognized in Photolucida’s 2023 Critical Mass Top 50, received first place in Soho Photo National Competition 2023, and was a finalist 2022 Lucie Foundation’s Open Call 2022, Portrait Category. Her work has been featured in Lenscratch, Fotofilmic, Analog Forever, Silvergrain Classics, SHOTS, and All About Photo magazines.

Laila Nahar | Night Rain Press

Posted on May 18, 2024

Unfolding Color of Life: Old Dehli

We are thrilled to highlight Laila Nahar and her extraordinary books from her own press, Night Rain. Laila was selected for a highlight in the Griffin Museum 13th Annual Photobook Exhibition, and we are bringing her work back to highlight again for our 14th Annual exhibition, as well as showcase her incredible book Unfolding Color of Life: Old Dehli. We are pleased to have received a gift of Unfolding Color of Life for our Griffin Museum library.

Laila Nahar is a lens-based artist and book-maker in California, USA. She lived her life in stark cultural contrast, born and brought up in Bangladesh and eventually migrated to US in her late 20’s for pursuing higher studies in Engineering. Laila recently retired from the high-tech industry after 24 years to devote full-time for the passion of her life as a photo and book artist.

Living with the Tides
The Sundarbans

Laila is primarily a self-taught photographer and book-artist exploring belonging, memory, cultural and collective identity. She took documentary classes with Eugene Richards, Frank Espada, Amy Arbus, Keith Carter, Nevada Wier and Emin Ozmen (Magnum). Lately, she has become increasingly fascinated with hand-made photo book making and attended workshops with Elizabeth Avedon, Void Impromptu (Publisher), Melanie McWhorter, Center of Book Arts in NYC, Yumi Goto and Susan Kae Grant. 

Laila attended CODEX 2024 with seven of her handmade Artist photobook in 2024. Her handmade Artist photobook ‘Will you come to Rome with me?’ selected for the DUMMY AWARD24 shortlist. Her project ‘Unfolding: Color of Life – Old Delhi’ handmade artist photobook has been selected for the ‘13th Annual Self-Published PhotoBook Show’ (Nov-Feb23) in Davis Orton Gallery and Griffin Museum of Photography. ‘Unfolding’ also selected as one of best 55 photobooks in 2022 by Women and non-binary photographers on TheLuupe.com. Recently, it was selected as Honorable mention in “Back on the Shelf” FilterPhoto Book exhibition (Feb-Mar23) in Chicago. ‘I Have Been Here Before’ handmade photobook was selected for the ‘12th Annual Self-Published PhotoBook Show’ in Davis Orton Gallery and Griffin Museum of Photography (Feb22). This had been shortlisted in the Independent Category Lucie Photo Book Prize 2022; also, was reviewed in PhotoBook Journal and Thinkingaboutphoto. ‘Living With The Tides’ project is featured in the Inside-the-Outside magazine (Jan 2022).

In Stillness
The River, The Land and The People
housed in a handmade slipcase

Laila had solo exhibitions from ‘Memories from Bangladesh’ series in Steps Gallery (Arizona) and Nelson Gallery (California). Photographs from this series are in permanent collections of ASU and UCDavis photography Museums. Laila’s handmade artist photo books are in permanent collections of several University libraries including The Fleet Library, Rhode Island School of Design, Boatwright Memorial Library, University of Richmond, Virginia and University of Colorado Libraries, Boulder. Photographs by Laila has been displayed in several group exhibitions by Viewpoint Gallery, UC Berkeley, PH21, PhotoPlace, Griffin Museum of Photography and the curated fridge.

See more of Laila Nahar‘s hand crafted works on her website and on instagram @naharlaila

14th Annual Photobook Exhibition

Posted on May 18, 2024

The Griffin Museum is pleased to present its 14th Annual Photobook Exhibition. Curated by Karen Davis, Director of Davis Orton Gallery and Crista Dix, Executive Director of the Griffin Museum, the team selected 50 self-published photobooks to showcase during this summer exhibition.

Artists included in the exhibition (in alphabetical order)

Robert David Atkinson, Paul Baron, Adrien Bisson, Sarah Bossert, Anna Clem, Pamela Landau Connolly, Lee Cott, Barbara Dombach, Andrew Epstein, Joanna Epstein, Kevin Flynn, Steve Genatossio, Bill Gore, Joe Greene, Rohina Hoffman, J.W.Johnston, Helen Jones, Kevin B. Jones, Gregory Jundanian, Marky Kauffmann, Kay Kenny, Seymour Leicher, Susan Lirakis, Arrayah Loynd, Mara Magyarosi-Laytner, Fruma Markowitz, Larry Merrill, Ney Jose Mila, Colleen Mullins, Fern Nesson, Nancy Nichols, Camilo Ramirez, Mary Pat Reeve, Irene Reti, Sarah Salomon, Elliot Schildkrout, Lauren Shaw, Francine Sherman, Marc Sirinsky, William Mark Sommer, Sean Sullivan, Donna Tramontozzi, Lori Van Houten, Terri Warpinski, Thomas Whitworth, Caren Winnall and Eric Zeigler & Aaron Ellison.

About Karen Davis –

Karen Davis is a teacher, curator, photographer, and photobook artist. For over fifteen years,
from 2009 to 2024, she was co-owner/director of Davis Orton Gallery, Hudson, NY, where she exhibited photography, mixed media, and photobooks of emerging, mid-career, and established artists. She has been an invited reviewer of portfolios for the New England Portfolio Reviews (NEPR), Photolucida in Portland, OR, FotoFest in Houston, TX, and Critical Mass (online/Photolucida).
Karen taught “Photography Atelier,” a portfolio development course at Radcliffe Institute, Lesley University, and the Griffin Museum of Photography from 1999 to 2014 and co-taught “Making Art in Two Languages: Word and Image” at Radcliffe Institute, New England School of Art and Design, Lesley Seminars, Tufts ExCollege, and the Griffin Museum. Since 2015, she has taught online for the Griffin Museum, “Portfolio Development and Marketing Your Fine Art Photography” (PDMFA), and “The Self-Published Photobook Workshop” (SPPW).
Karen’s photographs are in the collections of CPW, Kingston, NY, the Lishui Museum of Photography (China), and the Houghton Rare Books Library, Harvard University, and can be seen at the Massachusetts Museum of Contemporary Art (MASS MoCA). Her photobook, “Still Stepping: A Family Portrait” was featured in the photoblogs, “What Will You Remember?”, Lenscratch, and Elizabeth Avedon’s Journal. Her photobook, “The McCann Family,” was selected by blurb as a “Staff Pick.”

Barbara Peacock | American Bedroom

Posted on May 18, 2024

One of our featured artists books during our 14th Annual Photobook Exhibition, Barbara Peacock’s celebrated American Bedroom is showcased here. Produced by Kehrer Verlag, American Bedroom is an intimate and personal survey and portrait of America at it’s most private and vulnerable. This series, started in 2017 and continuing into 2023 shows the private spaces in a public way, we feel as if we are part of the families that inhabit the space.

Barbara Peacock has also been selected as the Arthur Griffin Legacy Award Winner in our 30th Annual Member’s Juried Exhibition on the walls of the Griffin Museum from June 20 – July 28, 2024.

My interest lies in the poetic resonance of ordinary subjects. I photograph the commonplace, working-class Americans, unseen, unheard, beneath notice, and yet the very fabric of our nation. I am passionate, but not sentimental about America as evident in my monograph Hometown. I am drawn to the quiet magisterial beauty of people and pursue to make the ordinary extraordinary. With this project, I illustrate my love and influence of painting. When I was a child, I watched my mother paint by window light and as a result, I am drawn to painting and interior light. American Bedroom is a cultural and anthropological study of Americans in their private dwelling: the bedroom. The nature of the project is unguarded portraits of individuals, couples, and families that reveal the depth of their character, truth, and spirit as well as America at this time in history. The images are paired with poetic and pithy quotes from each subject and are full of subtle details that invite us to contemplate the idiosyncrasies of each enigmatic life. The scope of the project is the entire United States.

About Barbara Peacock –

Barbara Peacock is an assignment photographer and director living in Portland, Maine. She studied fine arts at Boston University School of Fine Arts, and photography and filmmaking at The School for the Museum of Fine Arts / Tufts University. She began as a street photographer and gradually became an assignment lifestyle photographer and director. Her commercial clients include Disney, Nickelodeon, French’s, Arm & Hammer, Stride Rite, Merck Pharmaceutical, Tylenol, Wells Fargo & Toyota. Editorial clients include People, Newsweek, Real Simple, Family Circle, Oprah, Family Fun. In 2016 she published Hometown –1982-2015 – A thirty-year photographic project of the small town where she grew up and continued to live as an adult. Published by BazanPhotos Publishing, Brooklyn NY. Printed in the USA by Puritan Capital. Her current project, American Bedroom- reflections on the nature of life is a cultural and anthropological study of Americans in their private dwelling; their bedrooms. It encompassed the entire United States and took seven years to complete. Published by Kehrer-Verlag & Printed in Heidelberg, Germany, and released in Europe 2023 – to be released in the US in May 2024. Since starting American Bedroom in 2016, Barbara has won the Getty Editorial Grant, the Women Photograph/Getty Grant, three LensCulture Awards, four Top 50 Critical Mass Awards, and was named one of the Top 100 Photographers in America 2020. She founded a non-profit organization ‘The Nightingale Project’ that teaches art and photography to needy children. The program travels with a mix of adults and high school students. Journeys so far have been to Haiti, Cambodia and New York.  

Sue Michlovitz | Breathe in Water

Posted on May 18, 2024

Sue Michlovitz’s beautiful hand made book, Breathe in Water, is one of the four featured artist books highlighted in our 14th Annual Photobook Exhibition in the museum this summer. Michlovitz’s pays careful attention to detail in this stunning monograph, designed by Michlovitz and Caleb Cain Marcus of Luminosity Lab. The book and special editions are available in our Museum Shop here.

The look, sound and smell of bodies of water are prominent in my visual and tactile memories—calm waters invoke a blend of relaxation while revealing memories, reflecting on where I am in my life. Turbulent water stirs up my angst, creating a tension to pull through and restore calm. Visualization of water and breathing techniques are my preferred methods of meditation, which take me back to those reflective times. These feelings are the source of inspiration for my collection ‘Breathe in Water’.

Time spent by and in bodies of water have held importance and significance in my life—ranging from days teaching swimming and canoeing. I gain solace from kayaking in Midcoast Maine region to vacations by mountain lakes and ocean beaches.

This body of work is presented in a series of large scale archival pigment prints and as a fine press book.

About Sue Michlovitz –

Sue Michlovitz is a visual artist working in photography, book arts/artist books, and mixed media. Exploring abstract forms to create her color photographs, her art shows scenes that may go unnoticed by others. Michlovitz is also a physical therapist (hand specialist), was a university professor, and a textbook author/editor. Her clinical practice, medical mission and community outreach volunteerism in Guatemala and on the Navajo Nation required astute observation skills of movement patterns and interpersonal interactions, skills that feed and influence her artistic expression.

Michlovitz’s photographs have been shown at the State of the Art Gallery (Ithaca, NY), Camden Public Library (Camden, ME), Arts in the Barn at Cushing Historical Society (Cushing, ME), Cove Street Arts (Portland, ME), Photoville 2022 & 2023 (Griffin Museum of Photography, Winchester, MA), Maine Jewish Museum, (Portland, ME), Rockport Public Library (Rockport, ME), Blue Raven Gallery (Rockland, ME), and The Parsonage Gallery (Searsport, ME).  Her books have been displayed at the Michael Good Gallery (Rockport, ME) and the Maine Museum of Photographic Arts (Portland, ME). Her handmade book Arts Muse was featured in the Griffin Museum of Photography virtual exhibit in Photography Book Initiative, Fall 2021.

She serves on the Board of Trustees of the Center for Maine Contemporary Art (CMCA) and is a member of the MidCoast Maine Book Arts collective.

Michlovitz earned a Master of Fine Arts (MFA) in Media Arts at Maine Media College, Rockport, ME and Doctor of Philosophy (PhD) in Orthopedic Physical Therapy at MCP-Hahnemann University (now Drexel University), Philadelphia, PA. She lives in Camden, ME.

See more work from Sue Michlovitz on her website and follow her on Instagram on @s_michlovitz_photo

Carole Glauber | Personal History

Posted on May 18, 2024

We are pleased to highlight Carole Glauber’s Personal History published by Daylight Books.

Personal History records the lives of my sons, Ben and Sam—a span covering 30 years. I used a 1950’s Kodak Brownie Hawkeye camera for this work, which I tried by chance, and discovered I related to the soft colors, the imperfections, and the transcendent quality of the image. At centerstage are my sons who we can watch mature from an early age to becoming young men.  

This is a book for everyone, for young children to see, discuss, point and identify; and for parents and grandparents to reflect and connect to their lives and experiences. It is also a book for collectors, photobook enthusiasts, photographers, and for thinkers and writers.  

About Carole Glauber –

Carole Glauber is an internationally exhibiting, award-winning photographer and photo-historian, based in Israel since 2017. She has a B.S.Ed in History and a M.Ed. and is the author of two books: Personal History (Daylight Books) and Witch of Kodakery: The Photography of Myra Albert Wiggins 1869-1956 (Washington State University Press).

Her photographs have been exhibited in the United States, Israel, Europe, China, and Australia including PH21 Gallery in Budapest, ValidFoto in Barcelona, Head on Photo Festival in Sydney, Festival Pil’Ours in France, Muza House in Ra’anana, Israel, and The Center for Fine Art Photography, Blue Sky Gallery, ASmith Gallery, Soho Photo Gallery, the Griffin Museum of Photography, and the Dr. Bernard Heller Museum  amongst others in the United States.

Her book Personal History has received six international medals including a silver medal from the PX3 Prix de la Photographie, Paris and three gold and bronze medals from the Budapest, Tokyo, and Moscow International Foto Awards. Her photography honors include PX3 Prix de la Photographie, Paris, the International Photography Awards, the Tokyo International Foto Awards, the Julia Margaret Cameron Awards, the Pollux Awards, the Mobile Photography Awards, PHmuseum, and the International Krappy Kamera Competition in the Soho Photo Gallery in New York City.

She is the recipient of a Peter E. Palmquist Photographic History Research Fellowship, a Winterthur Museum Fellowship, an Oregon Humanities Research Fellowship, and numerous grants for her photographic research. Her books and photographs are in many libraries and collections including The British Library, the Rijksmuseum, Victoria & Albert Museum, Museum of Modern Art, San Francisco Museum of Modern Art, and Princeton, Columbia, Yale, Harvard, and Brandeis University libraries. She continues her studies and teaching of History of Photography and making photographs of her experiences and observations based on her curiosity and sense of spontaneity.

Glauber currently lives and works in Ra’anana, Israel

See more of Carole Glauber’s work on her website, and on instagram @carole_glauber

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Here’s how to create your Griffin Member Profile

Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP