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Posted on January 14, 2013

Falling into Place
Patricia Lay-Dorsey
– February 3, 2013

Opening reception 7-8:30 PM
Members Galley talk 6:15 Patricia Lay-Dorsey

woman brushing her teeth
Patricia Lay-Dorsey
A woman looks in mirror
Patricia Lay-Dorsey

Patricia Lay-Dorsey was a marathon runner, long-distance cyclist, and dancer when she experienced her first unexplained fall in 1988.

Eight months later, she was diagnosed with chronic progressive multiple sclerosis. She was 45 years old.

Lay-Dorsey used art and poetry to express feelings about the changes she was undergoing, progressing from a cane, to a walker, to a motorized scooter.

“It was not until I got serious about photography that I dared look intimately at my body,” she says. “I started taking self portraits with the intention of showing from the inside the day-to-day life of a person with a disability: that person being myself.”

A series of her self-portraits, Falling Into Place, is featured in the Griffin Gallery of the Griffin Museum January 17 through March 3. An opening reception with the artist is January 17, 7-8:30 p.m.

Lay-Dorsey uses a wireless remote-control shutter release and self-timer on her camera to capture herself involved in every day activities.

“It is one thing to photograph someone else’s struggles and quite another to turn the camera on your own,” she says. “There is no place to hide.

“I tell myself that any pain I feel is worth it because these photographs will give people an inside view of what it is like to live with a disability,” she continues. “I realize now I was doing it for myself. I needed to become intimate with this stranger, my body.”

Lay-Dorsey says taking self portraits has “helped me see my body for what it is: a warrior, an ally, my best friend. It is an amazing partner who works unceasingly to help me live the life I choose.”

“Sure, I have to respect its needs and limitations, but in return it gives me the freedom to be myself, my true self. What more can I ask?”

Paula Tognarelli, executive director and curator of the Griffin Museum, says Lay-Dorsey “boldly leads the viewer to bear witness to her aging and disabled body. These photographs are also a means for her discovery as if reacquainting with an old friend.”

“She can no longer walk or run marathons, but Lay-Dorsey moves whatever she can to make a dance,” Tognarelli continues. “In her 70s, she’s active, determined, and certainly no bystander in life. Her photographs are hopeful and vibrant and inspirational to those of us who need a dose of resilience every now and again.”

A gallery talk for museum members by Lay-Dorsey is at 6:15 p.m. January 17, prior to the opening reception for all exhibits.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP