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Posted on March 6, 2013

Photography Atelier 17
Atelier Participants
– March 30, 2013

Opening reception March 28, 2013, 6:30 – 8:30 PM

The Photography Atelier 17 will present an exhibit of student and faculty artwork from March 7th to March 30th, 2013. The Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography. You are invited to come view the photographs at the Griffin gallery, 67 Shore Road, Winchester, Massachusetts 01890.

On Thursday, March 28th, the public is invited to attend the artists’ reception from 6:30 to 8:30 p.m.

Work by other 2013 Atelier members includes: Bob Avakian’s Landscape, Night and Dawn long exposure photographs; Betsy Constantine’s Sculptural Portraits of a Woman in the Autumn of Life; Jorge Galvez’ Self Portraits; Jane Paradise’s Portraits of Dune Shacks of the Peaked Hill Bars Historic district of Provincetown; Amy Rindskopf’s Elementary Vision, The Instant of Recognition – Photographs of Children; Judith Robinson-Cox constructed pictures using cut out shapes, objects and mirrors;; Linda Rogers’ collages of legacy objects, their original owners to present descendants; Gail Samuelson’s Self Portraits: Deconstructing Herself Turning Sixty; Dianne Schaefer’s Metamorphosis of Aging Structures; Alice Shafer’s The Beauty of Barns in Champlain County, Vermont; Dick Simon’s photographs Inside North Korea; Ellen Slotnick’s Ethereal Mood Landscapes; Christy Stadelmaier’s Ancient Colors, Shapes and Patterns from China’s Silk Road; Vicki McKenna chronicles the role of gardens, both formal or wild, large or small, as transitions between the natural and human built landscape, Trelawney Goodell’s multi-frame images of children at play, Assistant Instructor Meg Birnbaum’s portraits of “Sister Frieda Fabulous” of the Boston Order of the Sisters of Perpetual Indulgence getting ready for a Red Cross fundraiser; Instructor Karen Davis’ Life’s Little Procedures.

About the class:
Photography Atelier, in its seventeenth year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit and present their work to industry professionals.

Each participant in the Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Atelier students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit: www.photographyatelier.org. Instructor Karen Davis, will be happy to discuss the Photography Atelier at the reception on March 7th with anyone interested in joining the class.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP