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Posted on March 2, 2014

Photography Atelier 19
Atelier Participants
– March 30, 2014

Opening reception March 6, 6:30 – 8:30 PM

Apples on tree
Julie Williams-Krishnan
Abstract image
Vicki Diez-Canseco
Hay stacks
Trelawney Goodell

Clouds reflected on water
Karen Shulman
Chair and curtain
Andrea Rosenthal
Trees
Amy Rindskopf

Child on beach and life guard chair
Nan Campbell Collins
Trees
Vicki McKenna
Reflection of a sign
Mary Eaton

Dog and house
Linda Rogers
Fruit and containers
Kathleen Krueger
Laundry room
Tira Khan

City scene
David Feigenbaum
Toy
Miren Etcheverry
Laundry and wall
Ellen Slotnick

Tree
Gail Samuelson
red pitcher and vases
Dianne Schaefer
Trees in fall
Christy Stadelmaier

Doll with fly
Cassandra Goldwater
Empty bookstore
John Bunzick
Two pircture of the same woman at different ages
Lora Brody

Shed at night
Bob Avakian
Napkin tied with thread
Astrid Reischwitz

Photography Atelier 19 will present an exhibit of student artwork from March 6th through March 30, 2014 at the Griffin Museum of Photography, 67 Shore Road, Winchester, Massachusetts 01890. Photography Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography and taught by Karen Davis and course assistant, Meg Birnbaum.

On Thursday, March 6th, the public is invited to view the artwork and meet the artists at a reception from 6:30 to 8:30 p.m.

Photography Atelier 19 members include:
Bob Avakian, Lora Brody, John Bunzick, Nan Campbell Collins, Vicki Diez-Canseco, Mary Eaton, Miren Etcheverry , David Feigenbaum, Cassandra Goldwater, Trelawney Goodell, Tira Khan, Kathleen Krueger, Vicki McKenna, Jane Paradise, Astrid Reischwitz, Amy Rindskopf , Linda Rogers, Andrea Rosenthal, Gail Samuelson , Dianne Schaefer, Karen Shulman, Christy Stadelmaier, Ellen Slotnick, and Julie Williams-Krishnan

About the class:
Photography Atelier, in its eighteenth year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit and present their work to industry professionals.

Each participant in the Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Atelier students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit: www.photographyatelier.org. Instructor Karen Davis, will be happy to discuss the Photography Atelier at the reception on March 6th with anyone interested in joining the class.

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Here’s how to create your Griffin Member Profile

Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
5: If you are logged in and have already created a profile you also won’t see the add a profile button ( the button launches the form) but you will see an edit and delete icon next to your name and only yours.


6. Fill in your Artist Statement, Bio and upload up to 10 images.
NOTE Sharing your contact information is in your hands. You can select to make your phone and email public or keep it private. 

Once you have updated your information, it sends a ping to museum staff to approve the images and text, and your page will then be listed on the public website. The museum reserves the right to refuse content that is offensive, harmful, or divisive. Images that include graphic, explicit, or politically divisive content will not be approved. Please ensure all submitted images and text are appropriate for a public audience.

Member Directory

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    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

    hallmark moment this could be for the introduction of the work. Thank you for providing

    this incredible opportunity for budding visions and artists that know they have something

    greater to share with the world.

    Fran Forman RSVP

    Floor Plan

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