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Posted on March 4, 2016

PHOTOGRAPHY ATELIER 23
PARTICIPANTS
– April 3, 2016

March 10th, the public is invited to attend the artists’ reception from 6:30 to 8:00 p.m.

Bridge over water
Jurgen Kedesdy
Ceiling Reflection
Trelawney Goodell Ceiling Reflection
Abstract image
Stephen Shapiro

Sea sponge
Silke Hase
Bathtub Virgin
Virgin Warmth
Doll
Rick Branscomb-Zakim Bridge 1

Zakim bridge
Randi Freundlich
Pomegranate on a dish
Kathlee Herr-Zaya
Reflection of buildings
Judith Panagotopulous

Fireman's boots
Donna Tramontozzi-An Echo Half Heard
Abstract image
Dawn Colsia
Tree
Darrell Roak_Solitude-1

Foggy scene
Claudia Gustafson
Woman with wings and Sacred Heart on a tree a
Vanishing Point 267
Plug with wires going into it
Amy Rindskopf-Dreamed Botany #1

Window with flowers behind it
Two young girls in native costume
Mary Buonanno

The Photography Atelier 23 will present an exhibit of student and faculty artwork from March 10th to April 3rd, 2016. The Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography. You are invited to come view the photographs at the Griffin Museum of Photography, 67 Shore Road, Winchester, Massachusetts 01890. On Thursday, March 10th, the public is invited to attend the artists’ reception from 6:30 to 8:00 p.m.

Work by Atelier 23 members includes:
Andy Schirmer: Vanishing Points, explores how the evolution of pattern recognition in humans has produced both survival skills and aesthetics;
Amy Rindskopf: Dreamed Botany, unexpected views from the greenhouse;
Claudia Gustafson: Indelible Memories, is about the internal landscapes of the human experience. The themes for this series come from the artist’s time growing up in Lima, Peru;
Darrell Roak: Solitude, features very simple subjects, including abandoned structures and landscapes;
Dawn Colsia: Celebration of Trees, includes a Kauri tree from a New Zealand rainforest and a Dawn Redwood from the Arnold Arboretum in Boston, Massachusetts;
Donna Tramontozzi: Optical Shards, reflections worth a second look;
Jessica Wolfe: Flora, a series of macro photos that provide a surprising glimpse into exotic flowers and everyday beauty;
Judith Panagotopulos: Aging, represents things that with age have lost their utility but have gained beauty in the processes of aging;
Jurgen Kedesdy: Crossing The Merrimack, is a project documenting each of the 45 bridges that cross the Merrimack River in New Hampshire and Massachusetts;
Kathleen Herr-Zaya: Urban Reflections;
Mary Buonanno: Ripened Beauty, images that explore the affect that aging has on organic matter and how the aging process reveals a different type of beauty;
Randi Freundlich: Children of the World/Boston, portraits (and stories) of children from immigrant families living in Boston;
Rick Branscomb: Boston at Night, concentrates on dark, atmospheric views of Boston.
Ruth Nelson: In Your Face -The Mannequins Look Back, shows the mannequins as active participants, looking at the camera as though they were human, with consciousness and attitude, meeting the world in their individual ways;
Silke Hase: Ocean’s Edge, a project that reflects the artist’s love of water and photography, using the historic wet plate collodion process.
Stephanie Smith: Once Upon a Time, a collaboration between the artist and her 15-year-old daughter, exploring fantasy and reality;
Stephen Shapiro: The Interesting Life of Bubbles, a study of bubbles in motion;
Sally Chapman: Yards of Faith, a project that studies the public proclamations of faith in the artist’s neighborhood; and
Trelawney Goodell: REFLECTIONS: A Moment in Time, shows images reflected on the surface of a building tell us about the surrounding environment, the lighting at that moment, and the surface on which the image is reflected.

Instructor Meg Birnbaum will be available to discuss the Photography Atelier at the reception on March 10th with anyone interested in joining the class.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP