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Posted on February 2, 2020

Photography Atelier 31 Exhibition
Diana Cheren Nygren, Kathleen DeCarlo-Plano, Gabriel Garay, Cynthia Johnston, Sheryl Kalis, Naohiro Maeda, William Morse, Fern Nesson, Anne Piessens, Darrell Roak, Tony Schwartz and Jeanne Widmer
March 5 – May 16, 2020

The reception Sunday, March 15, 2020 4-6 pm has been cancelled.

City roofs with a pool
© Diana Cheren Nygren, “Rooftop Pool, Number 2”
A walkway with bridge in front
© Kathleen DeCarlo Plano, “X”
a house with tree in front
© Gabriel Garay

an abstraction resembling a flag
© Cynthia Johnston, “Stars and Stripes”
A door with blue painted wall
© Sheryl Kalis, “Blue”
assortment of papers arranged abstractly
© Naohiro Maeda, “Untitled 1”

close up of ground
© William Morse
white flashes in black field
© Fern Nesson
close up of rocks with trees in background.
© Anne Piessens, “After the Storm, Plum Island, MA”

waterfall in black and white
© Darrell Roak, “Beaver Brook Falls”
people playing cards
© Tony Schwartz
reflections in a store front window
© Jeanne Widmer, “Zia Clothing Outlet”

Photography Atelier is a portfolio and project building course for emerging to advanced photographers. Participants engage in supportive critical discussions of each other’s work and leave with a better understanding of the fine art industry and with an ability to edit, talk about and sequence their own work.

The Photography Atelier 31 exhibiton features the photographs by Diana Cheren Nygren, Kathleen DeCarlo-Plano, Gabriel Garay, Cynthia Johnston, Sheryl Kalis, Naohiro Maeda, William Morse, Fern Nesson, Anne Piessens, Darrell Roak, Tony Schwartz and Jeanne Widmer.

Diana Cheren Nygren
Project title: When the Trees Are Gone

“This series imagines city dwellers searching for moments of release in a world shaped by climate change, and the struggle to find a balance between an environment in crisis and manmade structures.”

Kathleen DeCarlo-Plano
Project title: Urban Awareness

“I feel passion for blending scale and geometry, while using available light, shadows, and leading lines to draw the viewer into looking at a city in a more deliberate manner.”

Gabriel Garay
Project title: Chasing Memory

“The connection that I’ve lost with the place I have spent all my life in, with all the change that has happened and is happening in Everett, MA and almost running from this place to grow as a person. I had lost a sense of the place I grew up in – so I found myself chasing what the town used to be to me.”

Cynthia Johnston
Project title: Somewhere in the Middle

“These works are a continuation of an ongoing project exploring the Midwestern geographical and political landscape.”

Sheryl Kalis
Project title: Still

“Still is a study of the unexpected moments I see when no one else is at home.”

Naohiro Maeda
Project title: Origami-Gram

“These photographs are portraits of origami as memory keepers. I bent, tore, arranged and rearranged origamis and became aware that they held the memory of my actions in their delicate physical shapes. The resulting images can appear both two- and three- dimensional, playing with the viewer’s perceptions of flatness and space in both the subject and picture plane.”

William Morse
Project title: Eruptions and Other Patterns

“A tree falls in the forest, followed by an explosion of new life in its shadow.”

Fern Nesson
Project title: All here, all now

“Here, now is all we have. We bring all of our past to the present moment and within us is all of the potential for the future.”

Anne Piessans
Project title: Meliorations

“In her mixed-media series titled Meliorations, Anne Piessens imagines ways to heal damaged landscapes.”

Darrell Roak
Project title: Noble Waterfalls

“Darrell Roak makes platinum photos of secluded waterfalls from around the world.”

Tony Schwartz
Project title: Boston’s Chinatown

“Chinatown is the only true immigrant-derived ethnic enclave left in Boston. My interest in this community was sparked by witnessing street scenes identical to those I experienced while visiting China.”

Jeanne Widmer
Project title: An Ode to a Town Village

“This series is my attempt to capture the clash of history and cultures, the textures and mood, and the simple poetic dignity and warmth of an intimate community which can and will be lost.”

 

See Photography Atelier 31 portfolios. In the meantime see previous years’ Atelier students work.

 

 

 

 

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP