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Posted on July 26, 2021

Photography Atelier 34
Various
September 8 – November 8, 2021

Reception September 26, 2021 4 PM with opportunity to hear about the artists work

sisters
© Lora Brody
house on cliff
© Joy Bush
star trail
© Marcy Cohen

face side view
© David Comora
fence in woods
© Kathy DeCarlo-Plano
woman crusade
© Miren Etcheverry

waiting for train
© Eric Frere
jar on shelf
© Cassandra Goldwater
tree strip
© Deborah Kaplan

2 trees
© Matthew Kaufman
flowers on wheel
© Rebecca Loy
gorge
© Maureen McKeon

umbrella day
© Camille Neville
red fence
© Hope Pashos
3 in yellow
© Anne Piessens

tree
© Anne Smith Duncan
smoke stacks
© Mike Slurzberg
big stone
© Lynne Stuart Lamson

gravestone
© Carole LoConte Tedesco
end of earth
© Aimee Towey-Landry
woman with flowers
© Maria A. Verrier

woman's hair
© Andrew Wang
hand on window
© Jeanne Widmer

Photography Atelier is a 12-session portfolio and project building course for emerging to advanced photographers offered through the Griffin Museum of Photography. Now in its 25th year, the Atelier class 34 was led by photographer Molly Lamb.

Exhibiting photographers of Photography Atelier 34 are:

Lora Brody  Sisters

My hand-made Ziatype photographic images explore relationships between sisters, opening a window into their personal narratives.

Joy Bush Places I Never Lived

While photographing the facades of houses in a sleuth-like fashion, I fantasize about who lives there and what life is like on the inside. It is about imagining my life, and who I would be, in a different place.

Marcy Cohen The Birds, the Sky and the Sea

This series is about escaping the loneliness and horror of the pandemic through an enhanced connection with the natural world. The subject matter birds, the sky and the sea are metaphors for a world beyond everyday concern and are intended to provoke positive emotions during dark times.

David Comora The Space Between is both stimulus and response – a space to
experience the world anew.

Kathy DeCarlo-Plano Quiet

Images that find the tranquility, quietness and peace that is to be found in the world.  

Miren Etcheverry My Father’s Story

This project is about my father’s story. In 1940, when he was 15 years old, he escaped German occupied France to join General de Gaulle’s Free French forces.

Eric Frere  Color at the End of the Tunnel is a series of images taken at Maverick T Station over the pandemic during the winter and spring. It captures the transition from a sense of despair to a glimmer of hope.

Cassandra Goldwater Surface Tensions

Goldwater’s project explores surfaces as boundaries.

Deborah Kaplan Syllabary for a Natural World

It has been said that if we do not have a word for something, it is unacknowledged, hard to bring into consciousness as an actual thing in the world. This series, Syllabary for a Natural World, reaches back to prehistoric expressions of mark making to explore the innate complexity and language of the natural world, to restart a process of abstraction and understanding.

Matthew Kaufman Barren Riches

My images focus on the beauty inherent in the variety of un-adorned structure of trees and the relation of trees to their surroundings.

Carole LoConte Tedesco – They Existed

This project arose out of my lifelong interest in the visual language of death, having grown up around colonial New England cemeteries and the powerful imagery carved on gravestones. I photograph them as a way of honoring those lives and remembering, even in a small way, the people who lived them.

Rebecca Loy Reflections

This series uses flowers to represent our humanity and how we seek to come to terms with our reflections, both inside and out.

Maureen McKeon Passing Through is a contemplation of transition, impermanence, and remembrance as I enter the final stage of my life.

Camille Neville In ‘Musings’ I used my love of music and my own experiences as a musician to help spark creativity in my photography.

Hope Pashos – Ordered Chaos

Long exposure photography takes many moments of chaos and synthesizes them into one, singular, moment of order. Each is a series of movements captured as one frozen split second, never to be captured the same way again.

Anne Piessens  Origin Stories

These handmade collage images interpret fragments of my family ancestry, as experienced by girls and women.

Anne Smith Duncan Are You Listening? Do You See Me?

Research indicates that trees communicate with each other through scent, vibrations, and underground symbiotic networks. Their “wood-wide-web” mimics our human neural and social networks.

Mike Slurzberg  Greenscapes looks at green energy devices, and considers their influence on the world we see.

Lynne Stuart Lamson Reflecting on Water explores the rippled reflections on the water and the intricate designs within the water’s surface in an effort to be present in the moment, to gain new perspectives, and to wonder.

Aimee Towey-Landry Wandering Along the Horizon is an exploration of constructed color, light, and shadow evoking sculptural qualities and movement.

Maria A. Verrier Can’t You Hear Me

A buried voice comes alive in the making of these images, piecing together subconscious rumblings. Like a dream, the succession of images attempts to reconstruct the ideas, emotions, and sensations of a seventeen-year-old’s chaos.

Andrew Wang  Always an Outsider is a visual exploration of how the feeling of racism has become a pervasive thought in my life.

Jeanne Widmer The Longing of Silence

With this series, I am exploring some of the feelings of the pandemic: hemmed in with no end in sight, longing for family, for one on one contact with friends, for freedom from fear, and for ways I could comfort the many children and teenagers struggling and losing so much during those long days.

Photography Atelier Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP