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Posted on April 6, 2008

Pins
Pelle Cass
September 11 – November 18, 2008

Reception Sept. 11

An interior view with pins.
Magazine articles with pins.
an abstract of a woman with pins.

August 22, 2008  (Winchester, MA)  To create a picture, Pelle Cass pages  through magazines, tears out images that conform to a preconceived idea, cuts and positions the snippets on cardboard, sticks colored map pins into the assemblage, and then he photographs the end product of all his efforts.

An exhibit of his work, Pins, is featured in The Atelier Gallery at the Griffin Museum September 11 through November 2.

“Among other things, there is a story about color itself here; how the color of the pins match up to the color in the pieces of paper I stick them into,’’ says Cass. “And how the pins also match up to the names of colors as they appear in several of these pictures. Other pictures are monochrome; all blue magazine snippets with only blue pins, for example. In other pictures, I deliberately mismatch the pins to the areas of color I place them in. Sometimes, I think of the pins as pixels, and by placing them here and there in a pattern, it is as if I am balancing the color of my composition.’’

Cass says the pins “can suggest aerial views and maps, color coding, the human figure, vegetation, taxonomy and collecting, and naturally, pain.’’ He adds that the magazine imagery often evokes “a foreign world of luxury and ease that seems deeply strange to me.’’

“Pelle Cass’ creative journey is as interesting to me as his final photographs,” says Paula Tognarelli, executive director of the Griffin Museum of Photography. “Each photograph seems to grow out of the nourishment supplied by Cass’ experience of the creative process.”

Cass, of Brookline, MA, studied photography at the University of New Mexico; the School of the Museum of Fine Arts, Boston; and the Minneapolis College of Art. He holds a B.A. in art history from the University of Massachusetts, Boston.

After a hiatus of more than a decade, he resumed photographing in 2002. He is represented by Gallery Kayafas in Boston and has participated in many group and solo shows. His work is held in the collections of many museums, as well as in private collections. It can be seen at www.pellecass.com.

Cass has been a Polaroid Collection Fellow. He also has been nominated for the ICA, Boston, Artist’s Prize and the Santa Fe Center for Photography Artist’s Prize.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP