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Posted on May 24, 2018

Primal Waters
Catherine Wilcox-Titus
June 14 – July 15, 2018

Reception June 14, 2018 7 - 8:30 PM
Sheri Lynn Behr Gallery Talk June 14, 2018 at 6:15 PM

Water in a circle
© Catherine Wilcox-Titus
Water in a circle
© Catherine Wilcox-Titus
Water in a circle
© Catherine Wilcox-Titus

Statement
Many of the swamps, ponds, and streams that were once plentiful still remain. Water, though a simple molecular formula, is an extraordinary substance subject to dramatic physical change depending on ambient conditions. Recent interplanetary explorations have confirmed that water, so fundamental to life, is distributed throughout the solar system. Early life forms may have emerged in the fecund swamps and ponds that surround us. Primal Waters is a close study of these dynamic systems where the surface always changes according to fluctuations in temperature, currents, and wind. I study the surfaces for patterns and naturally occurring geometric arrangements that intrigue me.

Most often, the shallow waters along the shore display the most dramatic effects of increasingly extreme temperature variations. This is where the freeze/thaw cycles of water, ice, and snow are most visible.  In warmer weather, the pollen deposits on the surface make the subtle currents and whirlpools visible. Episodic overgrowth of “invasive species” such as milfoil or algae blooms indicate an ecosystem under new kinds of stress. All these stressors have given rise to phenomena I have never seen before.

The black surround on each image was first suggested in the field while I handheld a lens hood in front of camera. The blackness appealed to me, since I wanted to evoke the idea of an intense gaze as though seen through a microscope or telescope. The black surround at once distances the viewer and concentrates the view. I aim to choose just the right amount of black; too much makes the image too distant, too little doesn’t hold the image still enough for intense focus.

In some of the images, I like the confusion of scale. With the black surround some of the images, particularly the pollen patterns, could be mistaken for the shifting cloud and vapor systems on distant planets suspended in space.
– CWT

Bio
Catherine Wilcox-Titus has pursued creative expression in words and images for over 40 years. The poetry of images has most recently engaged her full attention, and she has explored this medium in film and digital formats.

She has exhibited her work in collaborative two-person shows, group shows, and solo shows. Primal Waters reflects work she has done in the past two years as she has explored the fresh water ponds, swamps, and streams that surround us. The close study of the surface patterns on the water and the aesthetic potential of these  dynamic systems continues to fascinate her.

She is the recipient of grants from ARTSWorcester and Worcester State University, and won awards in many regional exhibitions. She has a Ph.D. from Boston University in Art History and writes and lectures on topics in art from the 19thcentury to the present day. Catherine teaches at Worcester State University in Massachusetts and curates the campus gallery.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP