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Posted on June 14, 2016

Secret Art Histories
Rebecca Clark
June 16 – July 10, 2016

Reception June 16, 2016 7-8:30
6:15 Gallery Talk Moly Lamb

Rabbit, girls face and arm
Bird, bowl of fruit , peaches and face

Rebecca Clark feels that there are secret stories hidden beneath the surface of old master portraits. Inspired by this, Clark borrows, juxtaposes and integrates parts of paintings to create a new fiction of her own invention.

Clark’s series, Secret Art Histories, is featured in the Griffin Gallery at the Griffin Museum of Photography June 16th through July 10th, 2016. An opening reception will take place on June 16th, 2016 from 7-8:30pm. Molly Lamb will lead a members’ talk and at 6:15pm before the reception. The talk and reception are free and open to the public.

“I gather the elements used to create the multi-layered and surrealistic compositions by photographing original paintings hanging in museums,” says Clark. “I approach each painting like a photographer, isolating and selecting parts from the larger whole,” she says. “I transform, manipulate, and interweave photographs of multiple paintings to construct a historic painting that was never painted.”

Rebecca Clark is a Professor of Art at the Community College of Rhode Island. She received her MFA from Rhode Island School of Design, and a BA in Art History and East Asian Studies from Oberlin College. She has had solo exhibitions at the Pearl St Gallery in Hartford, Connecticut and the Davis Orton Gallery in Hudson NY. She resides in Connecticut.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP