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Posted on November 11, 2012

Relics
Robert Moran
November 15 – January 13, 2013

Reception December 13: 6 – 8 PM

A vintage radio
Robert Moran
A vintage tv with rabbit ear antenna
Robert Moran

Robert Moran’s personal photography projects have taken him around the world. But for this series of images, he focused his lens on “common objects that are past their prime.”

Of the objects in the series, Moran says, “Once relied upon, they have been forgotten or discarded. I photographed each item singly in order to reveal its individual essence.

“Cracks and scuffs of hard use. Mended hinges. Patches worn smooth by frequent polishing”

Moran adds, “I came to appreciate how often function dictates form, and how frequently the form is right.”

He said in some cases the objects were used for years by one person, while in other cases they passed through many hands.

“They’ve been used in homes, offices, a school gym, and taken on house calls by a country doctor,” Moran says. “All of them have stories.”
Selecting and photographing the items caused him to “think about the events in my life to which objects have borne witness. In a sense, they are our partners in life.”

Moran says that over the years he has taken pictures of everything from classic cars to icebergs “and now…a table fan.”

“Each time, I strive to capture something of my subject’s essential spirit,” he says. “In this project, I have tried to achieve that by selecting items that display a unique aura, and in many cases, reveal wear and tear obtained from many years of use.”

Moran, a fine art photographer, lives on Mount Desert Island off the coast of Maine. His interest in photography began at age 12. After studying art at the University of Maine, he ran several businesses over the course of 20 years.
During that time, he pursued personal photography projects on trips to Africa, Asia, and the South Pacific. His recent undertakings have taken him to Cuba and Antarctica.

Moran’s work has been shown in galleries and museums throughout the U.S. His photographs are included in private collections in the U.S., as well as in Australia and Europe. His award-winning photographs have recently been published in The Photo Review, Shots Magazine, and B&W + Color Magazine.
The Griffin satellite gallery, which had been at 4 Clarendon St. in Boston’s South End over the past year, has moved back to its renovated and expanded space in Belmont.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP