• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Griffin Museum of Photography

Hours: Tues-Sun Noon-4pm
By Appointment Only. No walk-ins.

  • About
    • About the Griffin
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • Focus Awards
    • Members in Focus
    • Selections in Griffin Museum Portfolio 2015
    • Arthur Griffin Photo Archive
  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Exhibition Archive
  • Programming
    • Education
    • Events
    • Receptions
    • Photography Atelier
  • Directions
  • Blog
  • Support Us
    • opens in a new windowBecome a Member
    • opens in a new windowDonate
    • Leave a Legacy
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • John Chervinsky Emerging Photographer Scholarship
  • opens in a new windowShop
  • Function Rentals
  • FAQs
  • Contact
  • 0 items

Posted on January 15, 2020

Single Figure
David Marlin
March 5 – July 12, 2020

The reception March 15, 2020 4-6 PM has been cancelled. There will be a reception in June when the Main Gallery reception is determined, 7- 8:30 PM

  • Window Washer in a grid on building opens IMAGE file

Artist Statement
The news stories and famous faces that I photographed number in the thousands. I had a front row seat on life itself. I covered the great and near great, and the homeless eating out of dumpsters. I filmed kings and queens, presidents, and princes of the church. I recorded militants and pacifists, and great revelations in medicine. My camera and I were witness to the wise counsel of the experts of our time. I had a great passion for covering television news during the journalistically exciting period of the 50’s through the 80’s, a time that produced a constant flood of headline stories. You never knew what the next phone call would bring.

However, artists, sculptors, photographers, and other creators of art, can hold their work in their hands or stand back and behold it with their eyes. That’s not the case for a photojournalist or producer of television news. Our work is so fleeting. Unless it is a story of a very unusual news event that gets played over and over, once the film or tape runs on the news—it’s gone forever. Great effort and creativity vanishes, for the most part never to be seen again—only remembered. Knowing this motivated me, if possible, to try and capture the essence of the moment with my still camera.

Although miles and miles of film and videotape have traveled through my motion picture cameras recording the great and the extraordinary, I have actually gained a deeper sense of satisfaction of my life’s work through the still camera. If I was fortunate enough to have the time or presence of mind while filming for television to also make an image or two with my Leica or Nikon, either a portrait, landscape, or some other related image, I could eventually make a memorable print, hang it on the wall and say, “I did that—I was there!” – DM

Bio
David Marlin’s career in broadcast television spanned 4 decades filming the faces and events of our time.  As a photojournalist for both television and print, he has won dozens of awards, principally for CBS News and 60 Minutes.

David learned his photographic skills in Boston’s old black and white studios of the 40’s and 50’s and as a Signal Corps photographer during the Korean War. Television news and documentaries influenced his style, and for years he was considered New England’s top network cameraman.

Covering television news also gave David many opportunities to use his skills as a still photographer. He made hundreds of portraits of newsmakers and well-known personalities while on network assignments. Five of Marlin’s portraits have recently been acquired by the National Portrait Gallery at the Smithsonian in Washington, DC.

In addition to traveling throughout New England to photograph many of the nature studies seen on the network’s “Sunday Morning” program, some of the most memorable stories that Marlin filmed include the Andrea Doria lying on it’s side before it sank in the Atlantic, presidential candidate Edmund Muskie weeping in the New Hampshire snow, President John F. Kennedy at the Summer White House in Hyannisport, and Ted Williams hitting a memorable home run in his final at bat for the Red Sox.

David Marlin’s filming career has been wide-ranging, starting at the end of the newsreel era and continuing through the production of images on videotape and computers. As a film editor, lighting director, and wire service photographer, his work has been used to communicate and inform. As a Director of Photography he has filmed, produced, and directed corporate, educational, and documentary programs for a blue-chip client list including the Harvard Business School, Polaroid, Charrette, Cross Country Group, Institute of Contemporary Art, and the Alfred P. Sloane Foundation.

 

Footer

opens in a new window.

781-729-1158
opens in a new window opens in a new window opens in a new window opens in a new window
67 Shore Road, Winchester MA 01890 Purchase Museum Admission
opens in a new window amazon smile logo
Please read our TERMS and CONDITIONS and PRIVACY POLICY
All Content Copyright © 2021 The Griffin Museum of Photography · Powered by WordPress · Site: opens in a new windowMeg Birnbaum & opens in a new windowsmallfish-design
/* ----------------------------------------- */ /* View slug: emergencymessage - start */ /* ----------------------------------------- */ #emergency-message{ width:100%; padding: 10px 20px 5px; background-color:#d1673a; } #emergency-message h3{ color: #fff; text-align:center; } #emergency-message a {color:#fff; text-decoration:underline;} #emergency-message a:hover {color:#437FC1; text-decoration:underline;} /* ----------------------------------------- */ /* View slug: emergencymessage - end */ /* ----------------------------------------- */
/* ----------------------------------------- */ /* Content Template: showssingle - start */ /* ----------------------------------------- */ #gallery-images{ width:600px; float:right; } #show-body{ border-top:solid 1px#d1673a; float: left; padding-top:10px; margin-top:15px; } .location_meta{ float:left; width:100%; font-size: 88%; padding-top:10px; margin-top:10px; /* ----------------------------------------- */ /* Content Template: showssingle - end */ /* ----------------------------------------- */
MENU
  • About
    • About the Griffin
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • Focus Awards
    • Members in Focus
    • Selections in Griffin Museum Portfolio 2015
    • Arthur Griffin Photo Archive
  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Exhibition Archive
  • Programming
    • Education
    • Events
    • Receptions
    • Photography Atelier
  • Directions
  • Blog
  • Support Us
    • opens in a new windowBecome a Member
    • opens in a new windowDonate
    • Leave a Legacy
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • John Chervinsky Emerging Photographer Scholarship
  • opens in a new windowShop
  • Function Rentals
  • FAQs
  • Contact
  • 0 items

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP
  • Guest NameGuest AddressGuest City State Zip 
    Please Provide names and addresses of guests