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Posted on November 7, 2021

Snow Dreams
Kay Kenny
February 28 – June 4, 2022

All work for sale. See contact sheet.

animal in snow
© Kay Kenny, “weasel”
sitting in the snow
© Kay Kenny, “weasle and mouse”
how much wood
© Kay Kenny, “woodchuck”

trudging along
© Kay Kenny, “turtle and coyote”
raccoon in shadow
© Kay Kenny, “racoon”
light shadows
© Kay Kenny, “racoon 2”

slinking along
© Kay Kenny, “salamander”
slow goes it
© Kay Kenny, “racoon and turtle”
fly away with me
© Kay Kenny, “igret frog”

above my head
© Kay Kenny, “rabbit and crane”
turtle trot
© Kay Kenny, “geese and turtle”
crane walk
© Kay Kenny, “crane”

where's bullwinkle
© Kay Kenny, “flying squirrel”
dancing dragon fly
© Kay Kenny, “frog dragonfly”
bing bing bing
© Kay Kenny, “coyote rabbit”

hop over bird
© Kay Kenny, “frog and bird 2”
the mouse that roared
© Kay Kenny, “coyote and mouse”
ding dong the bird is dead
© Kay Kenny, “deadbird”

three's company
© Kay Kenny, “coyote and deer and bluebird”
dearly couple
© Kay Kenny, “possom and deer”
fenced birds
© Kay Kenny, “birds”

follow the leaf
© Kay Kenny, “coyote and leaf 1”
keep following the leaf
© Kay Kenny, “coyote and leaf 2”
leap at leaf
© Kay Kenny, “coyote leap”

kit and caboodle
“Snowdreams” Contact Sheet

Statement
This is a daydream: through the long cold months of winter the ghosts of summers past are drawn as a memoir in graphite and colored pencil on a photograph of the snow-covered landscape.

The landscapes are rendered in platinum palladium on watercolor paper.

Each image is 15”x22” one of a kind print $1200 each unframed.

There are 24 images available for purchase. A contact sheet with titles is included in the photographs.

Bio
Received a BFA from Syracuse University, MA from Rutgers University, and MFA from Syracuse University (all in Visual Arts).

Painter, photographer. Writes art criticism and articles on the visual arts for arts magazines. Photography teacher for over twenty-five years at New York University, and the International Center of Photography in New York City.

Soho Photo Alternative Photography award Third place2021, Margaret Cameron Photography Award, Honorable Mention 2019, 2016 NJSCA Artist Fellowship for Works on Paper. 2015 Arthur Griffin Legacy Award, Griffin Museum, 2009 Honorable Mention in FineArts Photography Lucie Awards. Three-time recipient of NJSCA fellowship award. Numerous one-person shows, most recently inCasa Columbo Museum, Jersey City, NJ 2019

Griffin Museum of Photography, Winchester, MA 2019, Hunterdon Art Museum, Clinton, NJ 2019, as well as Medellin, Columbia, Taipei,Taiwan, Lubbock, Texas and New York City. Curated several exhibits, including ”Memory & Loss”, a five-person photo-based exhibit at the Mary Anthony Gallery in New York City. Her work is in several notable corporate, museum and private collections. Recent publications about her work include Photography’s Antiquarian Avant-Garde, by Lyle Rexer, Abrams Publishing, Light & Lens,Photography in the Digital Age, & Photographic Possibilities by Robert Hirsch, Focal Press as well as several other photography books. Photo Insider Magazine featured an interview with her about her work in their June issue 2001.

Her co-curated exhibit (with Orville Robertson) “Manifestations: Photographs of Men”, opened at the Southeast Museum of photography in 2004. Collections include Pfizer Corporation, New York, NY

The Buhl Collection, New York, NY, Southern Alleghenies Museum, Loretto, PA, Colombo Centro Americano, Medellin,Colombia, Prudential Insurance Company,Newark,NJ, Milwaukee Art Museum, Milwaukee, WI, Bristol-Meyers Squibb, Lawrenceville, NJ. Taiwan Photo-Fest, Taipei, Taiwan, Nantong Museum, China, Brooklyn Museum Artist Books Collection, Newark Public Library Artist Books Collection,Philadelphia Free Public Library, PNC Corp., New Brunswick, NJ, Provident Bank,NJ, Smith College Museum of Art, Northhampton, MA

View Kay Kenny’s website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP