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Posted on December 10, 2021

Soho Photo Gallery International Alternative Processes Competition 2021
Various
December 10 – February 27, 2022

Virtual Reception December 15th, 2021, 5 PM via Soho Photo's Zoom Account.

mantel piece with clouds
© Steve Wilson, “Pere La Chaise,Paris,” Toned Cyanotype
flower head with three color swatches
© Melanie Walker, “Trumpet Sketch,” Tri-color gum and Cyanotype
press of a woman with hat
© JP Terlizzi, “Iron Maiden”

round fruit shown in blue
© David Sokosh, “Cantaloupe,” Cyanotype
window scene inside a window
© Larry Smukler, “Doorway,” Platinum/Palladium
negative of a food source
© Sara Silks, “Herb Garden,” Cyanotype on Unryu

bank with snow and water
© Oyunsuran Shagdarsuren, “River Mukhar,” Platinum/Palladium
pink botanical on a black field
© David Rothenberg, “Plant,” Lumen Prints
man with beard and dressed in a black turtle neck
© Mendez-Etchepare, “Xavi,” Wet Collodion

blades of golden grass
© Mahala Mazerov, “Chrysanthemum Kodda Bumi, Invincible Light,” 24K Gold Leaf on Vellum
flowers floating in a grey field
© Fruma Markowitz, “Fireflies in Tall Grasses,” Lumen Prints
fishy fishy swimming in a circle
© Chris Manfield, “Blue Climate,” Cyanotype on Tree Ring

field of flowers in a blue background
© Rosemary Macuga Thellman, “Ghost Daisies,” Cyanotype
like hills but undulating in space
© Liz Liguori, “Metaclouds,” Darkroom painting with light and chemistry
abstraction of yellow, orange and black
© Poppy Lekner, “Shield,” Photogram on Instant Film

thinking as a bright light
© J.K. Lavin, “Contemplation,” Cyanotype
house with a portrait on it
© Geoffrey Keillorr, Arte Urbana Polyptch Panel 1, Image Transfer onto Birch
costume with black outline and pink bodice
© Marky Kauffmann, “Bust Dress Original,” Chemigram

curtains that dip and light shining through
© Joy Kardish, “Lives Remembered,” Lith Print
ferns over a book
© Marcy Juran, “Secrets,” Cyanotype
green goggles on a white background
© Anne Hopkins, “Scuba,” Image Transfer to Goggles

2 leaves in a circle that have a country pattern
© J.J. Golding, “Mandala 278 (together),” Cyanotype Photograms
blossoms floating in air
© Annette Golaz, “Hydrangea #3,” Tricolor Cyanotype
city scene in a war like zone
© Ruth Guse and Dorothea Bornemann, “Frankfurt Skyline Overview,” Concrete Photography

figures on leaf embracing
© Rheana Gardner, “In the world’s broad field of battle,” Chorophyll Print
clam speaking from a book pedestal
© Mitch Eckert, “Soliloquy,” Cyanotype
2 tall buildings against the sky
© Dmitry Donskov, “Capital Towers. Russia,” Gumoil

snowing in the night time scene with tree
© Virgil DiBiase, “Untitled,” Platinum/Palladium
seeds exposing from pod
© Tillman Crane, “Fireworks (Milkweed Pod 1),” Platiinum/Palladium
diyptych as a story board
© Cathy Cone, “Socks,” Malde-Ware Platinum/Palladium

searching for clams in the sea
© Lisa Cohen, “Shellfishing,” Photographic Transfer on Metal
plants in a bunch against a black background
© Stuart Clook, “Tree fuchsia,” Platinum over Silver Leaf
garden statue surrounded by vines
© Sally Chapman, “Ode to Amy,” Cyanotype and Pastels

chest black stripes on a woman
© Sophie Caretta, “Close your eyes,” Wetplate Collodium on Tintype
woman signing with arms on chest
© Ronald Butler, “Mummy…How did you feel when you were young?,” Wetplate Collodium
eye burning like fire
© Diane Bush, “Warhead #9,” Bleach on C-Print

woods scene with water
© Lynne Buchanan, “The Only Choice is to Follow Light,” Platinum/Palladium
tent top against the sky
© Lara Brody, “Carousel,” Ziatype
leaf pic with masks and people
© Megan Bent, “Quarantine Day 280,” Chlorophyll Print

heart leaf with a person standing
© Laurie Beck Peterson, “Man in Doorway,” Chlorophyll Print
shore scene with palm trees
© Geoffrey Agrons, “Curragh,” Platinum/Palladium
exposure grid to measure tone values
© David Todd, “Contrast Filters,” Honorable Mention, Cyanotype

round plant on gravel path
© Gregory Spaid, “Leaf Cut #10, Poplar, 2018,” Honorable Mention, Cameraless Photograph
bald man dissolving from the head
© Rocco Rinaldi-Rose, “Untitled,” Honorable Mention, Fiber based Silver Gelatin with olive oil resist
shadow and animal in the woods
© Kay Kenny, “Raccoon,” Third Place, drawn as a memoir in graphite and colored pencil on a photograph of the snow-covered landscape as Platinum/Palladium

boxes with clouds on the sides
© Lisa Nebenzahl, “Meshes,” Second Place, Photo Gravure
drawn man's yellowish toned face
© Robert Schultz, “Being Seen:Frederick Douglass,” First Place, Its process involves the chlorophyll print, scanography, and finally the piece is an archival print. First, a chlorophyll print was made of the Douglass portrait in a hosta leaf. Then I scanned the leafprint to obtain a digital copy, enlarged that copy, and cropped it tightly.
gallery pamphlet with info for the opening reception description and timing

View the reception video at SoHo Photo Gallery.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP