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Posted on February 6, 2021

Spirit: Focus on Indigenous Art, Artists and Issues
Toni Cervantes, Jeremy Dennis, Donna Garcia, Pat Kane, Meryl McMaster, Shelley Niro, Kali Spitzer & Bubzee, Will Wilson and Kiliii Yuyan
May 26 – July 9, 2021

Reception June 10, 2021 7 PM Virtual or in Gallery still to be determined.

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Preliminary Information
The scope of the work reflects the intricate nature of indigenous identity. Ten artists have created images that reveal expressions of pain, resiliency, resistance, healing, tradition, history and celebration.

The exhibition includes NatGeo photographer, Kiliii Yuyan’s sweeping landscapes, internationally acclaimed artist Meryl McMaster’s dream-like self-portraits, Projects 2020 award recipient Donna Garcia’s historical recreations, and Sundance Film Festival invitee Shelley Niro’s work focused on women and indigenous sovereignty. Canadian documentarian Pat Kane, Fine Art photographer Will Wilson and newcomers, Jeremy Dennis, the collaboration of Kali Spitzer & Bubzee and photojournalist Toni Cervantes round out the show.

Spirit: Focus on Indigenous Art, Artists and Issues is an initiative designed to educate the public, through lens-based art, regarding the true history of indigenous people and recruit advocates for indigenous issues everywhere, but with a specific focus on the US and Canada, where native lands and people аre still coming under attack everyday.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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