October 1 – November 30, 2025
In 1916 women were over 60 years into the battle of the American Suffrage Movement. Frustrated by President’s Wilson’s inaction on the matter, The National Woman’s Party decided to put their fate directly into women’s hands by launching a radical campaign that sent hundreds of Eastern suffragists out to the 12 western states where women had the right to vote. Their request was a simple one; put aside all political agendas and cast a protest vote against President Wilson and his fellow Democrats.
Inez Milholland was appointed special “flying envoy” to make a 12,000-mile swing through the west in October leading up to the 1916 Presidential and Congressional election.
Inez, traveling with her sister Vida, delivered some 50 speeches in eight states in 28 days. Battling chronic illness and lack of sleep, her four-week itinerary, brutal even by today’s travel standards, consisted of street meetings, luncheons, railroad station rallies, press interviews, teas, auto parades, dinner receptions, speeches in the West’s grandest theaters, and even impromptu talks on trains while on her way to the next destination.
On October 24th, 1916 in Los Angeles, she collapsed on stage while giving her final public words, “Mr. President, how long must women wait for liberty?” Her health forced her to stop the tour and she died 30 days later at the age of 30, making her the sole martyr of the American Suffrage Movement. Inspired by her devotion, the movement continued to grow, and ultimately led to the 1920 ratification of the 19th Amendment.
Standing Together retraces the sisters’ journey as a determined Inez persuaded standing-room-only crowds throughout the west to vote for the enfranchisement of women.
Jeanine Michna-Bales is a fine artist working in the medium of photography. Her work explores our fundamentally important relationships – to the land, to other people and to oneself – and how they impact contemporary society. Her work lives at the intersection of curiosity and knowledge, documentary and fine art, past and present, anthropology and sociology, and environmentalism and activism. Her practice is based on in-depth research – taking into account different viewpoints, causes and effects, political climates – and she often incorporates primary source material into her projects.
Michna-Bales’s latest photographic essay on the American Suffrage Movement, Standing Together, is featured in the July/August 2020 double-issue of Smithsonian Magazine and will be released as a comprehensive publication and traveling exhibition in the Spring of 2021. Her work has appeared in solo and group exhibitions around the United States, including The Phillips Collection, Moving Walls 23: Journeys at Open Society Foundations, the traveling exhibition Southbound: Photographs of and about the New South, featured in numerous publications and online, and is held in many institutional and private collections. Among other honors, her work was selected for the 2016 Documentarian of The American South Collection Award from the Archive of Documentary Arts at Duke University.
Jeanine Michna-Bales Portfolio
instagram: @JMBalesPhotography
