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Posted on April 3, 2012

State Fair
Christopher Chadbourne
June 7 – July 8, 2012

Reception Wednesday June 13, 7pm
Members Gallery talk 6:15pm

Women on a stage in ball dresses
A fire eater

June 1, 2012 (Winchester, MA)__Christopher Chadbourne is a Boston-based photographer and storyteller intrigued with “accidental communities” comprised of strangers who momentarily and randomly occupy a common physical space.

 

He uses the relationships between subjects and between subject and context to explore culture, rituals, and place.

 

A series of his photographs, State Fair, is featured in the Atelier Gallery at the Griffin Museum June 7 through July 8.  An opening reception with the artist is June 13, 7-8:30 p.m.

“State fairs are both America’s most democratic institution and a stage upon which the idiosyncrasies of human behavior play out against a backdrop of color, contextual complexity, and human diversity,” says Chadbourne.

He describes state fairs as “a place of sensual overload on the eyes, ears, and digestive track.” And, Chadbourne says, “”It is a beloved American ritual to which people come by the millions every late summer and early autumn.

“They represent the spectrum of American diversity – in income, ethnicity, race, age, education, and occupation,” he says. “In no other venue in America does such equality and diversity occur…I wanted to photograph this American institution – engulfed in the crowd – subject and context intertwined; to capute the exuberance, the motion, the color, the facial expressions that suggest stories buried within.”

And, Chadbourne says, he wanted to document the unique tradition of state fairs at a time when many of them are becoming extinct.  “While thriving in some states, the economic viability and the balancing act between the regional authentic and the anywhere generic are in many of the states increasingly precarious,” he says.

Chadbourne taught design for a decade in the graduate schools of design at Princeton,  Columbia, and Harvard. He was founder and creative director of a design firm that crafted stories, exhibits, and multimedia for some of the country’s most prestigious museums.

In the past year, his photography has been exhibited in galleries and museums in Boston and New York City. He was a Critical Mass finalist, was included in the New England Photography Biennial,  and was chosen as one of 10 photographers from New England whose work appeared in the International Flash Forward Festival in 2011 and the New York Photo Festival in 2012.

Chadbourne presents a gallery talk for museum members June 13, 6:15 p.m., prior to the public reception.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP