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Posted on February 12, 2018

States of Grace
Wendi Schneider
March 6 – April 10, 2018

Reception March 8, 2018 from 7-8:30 PM
Wendi Schneider will do an informal gallery talk at 6:15 PM on March 8, 2018.

© Wendi Schneider, “Island”
© Wendi Schneider, “Cypress”

© Wendi Schneider, “Tudor Rose”
© Wendi Schneider, “Betta”
© Wendi Schneider, “Flamingo”

Wendi Schneider’s “States of Grace” will showcase in the Griffin Gallery of the Griffin Museum on March 6th through April 10, 2018. The reception will be March 8th from 7 – 8:30 PM. Wendi will do an informal talk on “States of Grace” at 6:15 PM.

Artist’s Statement

In States of Grace, I illuminate beauty amidst the chaos. I’m calmed by the simplicity of a graceful line and the stillness of the suspended moment and am compelled to share an impression of the serenity I find there. I capture the ephemeral movement of light on organic forms, to preserve that mystical moment that stills time for me. Photographing intuitively – what I feel, as much as what I see – and informed by a background in painting and art history, I portray a personal interpretation by layering the images digitally with color and texture, to find balance between the real and the imagined.

The images are printed digitally with archival pigment ink on vellum. White gold, silver or 24k gold leaf is then applied behind the image, creating a silken luminosity on the print’s surface. Throughout history, civilizations have prized the use of precious metals for their beauty and sanctity. The leafing process suffuses the intrinsic value of the treasured subjects with the implied spirituality of the gold. The perception of luminosity varies as the viewer’s position and ambient light change. Within the limited edition, the prints may differ in color or texture, and, as the effect of gilding inherently varies, each of the limited edition prints is unique.

Paula Tognarelli, executive director of the Griffin Museum says, “There is an elegance that emanates from Wendi Schneider’s photographs. It can be seen in the turn of a flamingo’s neck, in hanging fog or flick of a betta fish tail. Schneider’s photographic gestures are not rare sightings but daily gifts from the natural world for those with the patience to see them.”

About the Artist

“I’m still drawn to the scent of oils and turpentine. The aroma evokes glimpses of my mother and grandmother at their easels at my childhood home in Memphis, coffee-with-chicory nights in the Newcomb studios in New Orleans, the inherited easel by the window overlooking Park and 35th St. in New York, and finally to it’s current home in Denver. I tend to see the world in vignettes, and am calmed by the visual balance of a good composition. I struggle to balance my need for solitude with time for interaction, and my anxieties with confidence. After years of creating images for book covers, Victoria Magazine and others, designing for print and web, art directing, and various artistic endeavors, I’m compelled to share an impression of the serenity I find in the simplicity of a graceful, organic line and the stillness of a suspended moment. My current work employs only tools of the earlier process – the luscious, soft brushes, nestled near my mother’s paint-splattered easel.”

Wendi Schneider is a visual artist currently working in photography and precious metals. Born in Memphis, she holds an AA in Art History from Stephens College in Columbia, MO and a BA in Painting from Newcomb/Tulane in New Orleans. She turned to photography in the early ‘80s to capture moments of her models for her paintings. Missing the sensuality of oils, she began layering glazes on her photographs to create a more personal interpretation. After she photographed, designed and produced the award-winning re-creation of the 1901 Picayune’s Creole Cook Book for The Times-Picayune, she moved to New York, where she photographed nearly 100 book covers and was a major contributor to the original Victoria Magazine. She moved to Denver in 1994, and after several decades of photography, design and art direction for clients, she recently returned to fine art photography.

Gilded vellum photographs from her current series States of Grace have been exhibited in more than 60 venues, including A Gallery For Fine Photography, The Griffin Museum of Photography and the Berlin Foto Biennale, and featured in Diffusion, B&W Magazine, Silvershotz, Adore Chroma, and as a Rule Breaker on Don’t Take Pictures. A Critical Mass finalist in 2017, Schneider has been honored by the International Photography Awards, the International Color Awards, the Gala Awards and the Julia Margaret Cameron Awards. She is represented by A Gallery For Fine Photography in New Orleans and Galeria Photo/Graphic in San Miguel de Allende, Mexico.

Website

LENSCRATCH Wendi Schneider

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP