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Posted on April 1, 2013

The Clouds: Experiments in Perception
Stephan Sagmiller
– June 2, 2013

Opening reception April 11, 2013
Members talk Stephan Sagmiller 6:15 April 11, 2013

A painted sky and top of tree
Stephan Sagmiller
A painted sky on a wall and paint peeling
Stephan Sagmiller

In a project that questions the definition of nature, Stephan Sagmiller juxtaposes photographs of painted skies from dioramas at the Natural History Museum with actual skies photographed throughout the United States.

A series of his images, Clouds: Experiments in Perception, is featured in the Griffin Gallery of the Griffin Museum April 9 through June 2. An opening reception with the artist is April 11, 7-8:30 p.m.

“It is often the case that individuals define nature vis-à-vis photographs, paintings, and simulations over their own independent observation,” Sagmiller says.

He says his juxtaposition of painted and actual skies “unsettles the landscape, opening up space for the viewer to reflect.”

“When I put together the skies in the museum and the skies out in the world, they collapsed into one another,” Sagmiller explains. “I saw no reason to continue to delineate between reality and artifice as I had in my previous bodies of work.

“All the clouds I experienced – whether natural phenomena or painted artifice – became equally important. My images were simply fragments of other fragments. No fragment was more authoritative than any other fragment: together they formed a compelling personal collection.”

Sagmiller adds, “It is not possible to entirely untangle the concept of nature from landscape photography, the history of painting, or the romantic ideals often embedded in these forms of representation. However, even a small rupture opens up the possibility for reflection and questioning: What is nature? What do we know about nature? How do we know what we know?”

Sagmiller is a photographer and educator based in New York City. He has a master of fine arts degree from the Rhode Island School of Design.

He gives a gallery talk for museum members at 6:15 p.m. April 11, prior to the opening reception for all exhibits.

For this show, the Griffin created an exhibition catalog. It is available in the museum’s online gift shop. It is one of many upcoming Griffin Museum of Photography publications. All books are being designed by Meg Birnbaum.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP