• Skip to main content
  • Skip to footer

Griffin Museum of Photography

Member Login
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • Function Rentals
    • FAQs
  • Exhibitions
  • Events
    • Programs
    • Online Programs
    • Receptions
    • Focus Awards
  • Learn
    • Education
    • Photography Atelier
    • Education Policies
    • New England Portfolio Review
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Become a Member
    • Donate
    • Leave a Legacy
    • The Griffin Fund | Annual Appeal 2022
    • John Chervinsky Emerging Photographer Scholarship
  • Shop
  • Buy Tickets
    • Admission
    • Membership
  • Get Involved
    • Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Members in Focus
    • Get in Touch
  • Member Login

Posted on January 31, 2022

Silent Scenes
Stephen Albair
March 15 – June 5, 2022

Artist Reception 20 March, 2022 - 4 to 6pm Eastern
Online Artist Talk - 5 April, 2022 - 7pm Eastern / 4pm Pacific

Some things Never Change © Stephen Albair
watching tv
How Dare you Not Be Me © Stephen Albair
candle on chair
The Beginning Anticipates the End © Stephen Albair

girl hummel with bird
Lost in Longing © Stephen Albair
woman terracotta statue
Blue Muse © Stephen Albair
deer in woods with mirror
Controlled Burn © Stephen Albair

shadow of toy on a wall
Shadow Man © Stephen Albair

About Stephen Albair –

Life’s ambiguities—love, loss, and longing—are subjects for my artworks. Found objects combined together in a tight space link, and create a dialogue. The silent conversation becomes a reflection of my experiences as an artist, teacher, traveler, and twin. This process is based on traditional tableau photography in which models on a stage remain motionless for an observer. The camera simply records the scene.
In my works, Found objects combined together in a tight space link, and create a dialogue. Just as there are many ways of looking at the past and the present, tableaus narrate many possibilities. Story threads diverge while the viewer searches for meaning. The resulting photograph has a painterly quality which reveals and conceals layers of information. While specific interpretations are left to the viewer, according to their own experiences, my staged objects create an expectation that something meaningful just happened—or is about to.

Footer

.

781-729-1158
email us

67 Shore Road, Winchester MA 01890
Purchase Museum Admission
Hours: Tues-Sun Noon-4pm
amazon smile logo
Please read our TERMS and CONDITIONS and PRIVACY POLICY
All Content Copyright © 2023 The Griffin Museum of Photography · Powered by WordPress · Site: Meg Birnbaum & smallfish-design
MENU
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • Function Rentals
    • FAQs
  • Exhibitions
  • Events
    • Programs
    • Online Programs
    • Receptions
    • Focus Awards
  • Learn
    • Education
    • Photography Atelier
    • Education Policies
    • New England Portfolio Review
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Become a Member
    • Donate
    • Leave a Legacy
    • The Griffin Fund | Annual Appeal 2022
    • John Chervinsky Emerging Photographer Scholarship
  • Shop
  • Buy Tickets
    • Admission
    • Membership
  • Get Involved
    • Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Members in Focus
    • Get in Touch
  • Member Login

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP
  • Guest NameGuest AddressGuest City State Zip 
    Please Provide names and addresses of guests