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Posted on March 6, 2017

Quarries of New England
Steven Keirstead
April 6 – May 28, 2017

Reception April 9. 2017 4-6 PM
Members Gallery talk 3:15 PM Steven Keirstead

Lime quarry
Marble quarry

In Quarries of New England, Steven Keirstead creates photographic diptychs and triptychs of abandoned rock quarries in the six New England states. Most of the early stone quarries ceased operations due to a change in construction techniques and road materials and the quarries reverted to a natural state. The last active New England quarry closed in 1963.

Keirstead’s series, Quarries of New England, is featured in the Atelier Gallery at the Griffin Museum of Photography from April 6th through May 28th, 2017. An opening reception will take place on Sunday, April 9th, 2017 from 4-6 PM. Keirstead will do an informal talk on his exhibition at 3:15 PM on April 9, 2017.

Keirstead says that his photo series “documents the rebirth of abandoned quarries as something else, as wildness reclaims what industry left behind.” He goes on to say that, “Slowly, human alterations to the landscape were obscured, but not erased. Vegetation grew back, open pits filled with water, iron and steel tools rusted, and wooden derricks rotted.”

Steven Keirstead was born in Saigon, lived Chiang-Mai, Thailand with his family for several years and all returned to their North Carolina hometown of Brevard. Keirstead received a B.A. in Biology/Art and Art History as well as a BFA from Rice University in Houston, Texas. Currently, Keirstead works as a biologist at Harvard University’s Knowles Undergraduate Teaching Laboratories, supporting labs in Life Sciences. He resides in Boston.

Steven exhibited in the group show Light and Vision 2 at the Rice Media Center during FotoFest 2010, in Fresh Works at Flash Forward Festival Boston 2011, in New England Scapes in 2011 at Gallery Seven in Maynard, Massachusetts, and at auctions for the Photographic Resource Center at Boston University. Steven organized a solo exhibit of his Quarries of New England portfolio at The Blue Hill Public Library in Maine in June 2015, and recently showed triptychs of Boston alleyways at night in the group exhibit Night Becomes Us at the Art Complex Museum in Duxbury, Massachusetts. Keirstead avidly continues his photographic endeavors.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP