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Posted on July 2, 2016

STILL LIVES
ELIOT DUDIK
– August 28, 2016
South Carolina Reenactor
Eliot Dudik
Union Reenactor

In completing this project, Eliot Dudik says he has, “…since learned that the motivations compelling [Civil War] re-enactors are incalculably complex, but generally address themselves to the preservation of history and appropriate honor for the fallen.”

Dudik’s series, Still Lives, is featured in the Atelier Gallery at the Griffin Museum of Photography July 14th through August 28th, 2016. An opening reception will take place on July 14th, 2016 from 7-8:30pm. Eliot Dudik will lead a workshop and gallery talk for members at a later date. The talk and reception are free and open to the public.

“My deeper curiosity and exploration began after hearing a re-enactor say
I don’t die anymore,” states Dudik. “…the idea of controlling one’s death, choosing when and where to perform and re-perform one’s demise, says something powerful about our relation to historical representation—about our need for it, and about its conditions and limitations.”
“These portraits provide a sense of the diversity of actors existing in this community, many of whom devote their lives to this performance, and strive to immortalize them in a fabricated state of tranquility as they hover above the ground they fight for.”

Eliot Dudik is a photographic artist, educator, and bookmaker exploring the connection between culture, memory, landscape, history, and politics. In 2012, Dudik was named one of PDN’s 30 New and Emerging Photographers to Watch and one of Oxford American Magazine’s 100 New Superstars of Southern Art. He was awarded the PhotoNOLA Review Prize in 2014 for his Broken Land and Still Lives portfolio, resulting in a book publication and solo exhibition. Broken Land was most recently published as a feature in the July/August 2015 issue of Smithsonian Magazine. FLASH FORWARD 2015 chose the series for publication and exhibition in Toronto and Boston.

His photographs have been installed in group and solo exhibitions across
the United States and Canada. Eliot taught photography at the University of South Carolina from 2011 to 2014 before founding the photography program within the Department of Art and Art History at the College of William & Mary where he is currently teaching and directing the Andrews Gallery at the college.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP