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Posted on January 14, 2013

Memory
Sue D’Arcy Fuller
January 14 – March 31, 2013
We just wanted to do something exciting
We just wanted to do something exciting
Coincidence
Coincidence
Measuring up to Dad
Measuring up to Dad

The height of simplicity is a puzzle of complexity
The height of simplicity is a puzzle of complexity
A rose by any other name
A rose by any other name
The waves sang
The waves sang

It is by riding a bicycle that you learn a country best
It is by riding a bicycle that you learn a country best
Go with the flow
Go with the flow
There is something about Medford
There is something about Medford

Beauty is close to home
Beauty is close to home
One's destination is never a place
One’s destination is never a place
Dig deeper
Dig deeper

a slip of paper
marking a moment in time
sparks my memory


Artist’s Statement

In scanning my bookshelves, I noticed many books with tiny slips of paper sticking out; items that I had left behind. As I opened the books to pages marked with ticket stubs, receipts, handwritten notes, postcards, airline tickets and more, a flood of memories overtook me. Some memories were very specific regarding a place and time or a person; others suggested a new insight about my life… something learned.
I left the bookmarks on the exact pages where I found them, thinking that, consciously or not, there was a reason they were placed there. I chose not to alter the bookmarks physically, yet I sensed that I was slightly changing the memories they evoked merely by reminiscing with the benefit of time and experience.

This series of photographs represents memories, not only literal memories but more broadly, the human experience of reflecting on one’s life. The title of each photograph reflects this process of memory intersecting with time and experience.

Bio:
Photographer Sue D’Arcy Fuller’s recent work centers on personal discovery. Her photographs of her own books and the bookmarks left behind reveal a window into moments in time that have sparked her own memories and recall the commonality of all of our experiences.

She has exhibited her work at the deCordova Museum Salon Shows, the Post Road Center for the Arts, Memorial Hall at the Cary Library in Lexington, MA, and the Griffin Museum of Photography. Sue was also the studio photographer for the full length documentary AshBash: A love story, directed by Heidi Sullivan. The film is an award winner at the Boston International Film Festival 2012 and Woods Hole Film Festival 2012.
Sue has studied photography at the deCordova Museum, Mass College of Art, Westchester Art Workshops, New England School of Photography, and the Griffin Museum of Photography.

View Sue D’Arcy Fuller Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP