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Posted on April 3, 2015

Bending Time: Antique Photo Collage
Susan Goldstein
– May 31, 2015

Reception May 7, 2015 6:30 – 8:30

A collage with Kodak cardboard slide months and a bodybuilder line drawing.
Susan Goldstein
A collage with a women's head with a colorer over eyes an a mannequin in a suit.
Susan Goldstein

Susan Goldstein has been creating hand assembled collages from vintage photographs, ephemera and discarded objects and printed matter found in flea markets, garage sales and antique stores around the country. For the artist finding the elements to construct these one-of-a-kind art objects is like excavating on an archeological dig.

Susan Goldstein’s Bending Time: Antique Photo Collage will be featured in the Griffin Museum’s Atelier Gallery at the Stoneham Theatre in Stoneham, MA, April 2 – May 31, 2015. It runs parallel to the theater’s productions of “Neville’s Island” and “How to Succeed in Business.”

A reception is May 7, 2015 at 6:30-8:00 p.m.

“The only requirement I have imposed on myself when finding elements to incorporate into my artwork is that each collage includes some element that is a photograph, negative, or other material related to making an image using a camera and film,” says Goldstein.

“I always credit the photographer when known as well as identify the subject used in the artwork if a name or location has been noted on the print,” says Goldstein. “Sometimes a print is signed by the photographer or a portrait is identified by name, but more often than not I am working with nothing more than an anonymous visual record.”

“In Bending Time: Antique Photo Collage, Susan Goldstein assembles images that hint at the absurd, add a touch of surprise for the viewer, and express her wry sense of humor and wit,” says Paula Tognarelli, executive director and curator for the Griffin Museum of Photography. “Each unique art piece evolves from an explorative creative journey.”

Originally from Indianapolis, Indiana where she was born, Susan Goldstein graduated from the University of Colorado, Boulder CO in 1976. After graduate study in Photography, Goldstein has had a varied photographic career. She has worked at newspapers doing freelance editorial work as well as photographing historic architectural sites. All the while in her career Goldstein found time to pursue her fine art personal projects.

Her work is collected in institutions such as the Museum of Fine Arts Houston and the Museum of Modern Art, Joaquim Paiva Collection, Rio De Janiero, Brazil S.A. She has exhibited widely in Denver, CO where she resides.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP