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Posted on February 14, 2016

Flooded
Susan Keiser
– April 26, 2016

A reception is Tuesday, March 29, 2016 at 6:30-8:00 p.m

A doll man's body sinks in water. Head above water.
Susan Keiser
A woman doll lies in water with head above.
Susan Keiser
A woman dolls head above water.
Susan Keiser

A woman holland a deer model are under water. The woman's head is not below water.
Susan Keiser

Susan Keiser photographs a family of mechanical dolls after a flood. She tells us “a flood can be an overflow of water or the outpouring of tears.” In each photograph “fresh visions appear, images aggregate into chapters, and the river flows on.”

Susan Keiser’s Flooded will be featured in the Griffin Museum’s Atelier Gallery at the Stoneham Theatre in Stoneham, MA, February 18 – April 26, 2016. It runs parallel to the theater’s productions of “Sorry” and “Sweet Charity.”

A reception is Tuesday, March 29, 2016 at 6:30-8:00 p.m.

“My photographs describe my world, not the day-to-day of it, but the sun-born visions and night-bound terrors that can’t be seen or understood until pictured,” says Keiser.

“I work with a family of four-inch dolls, mass-produced over six decades ago. Once models of conformity, they are now faded and scarred, imbued by years of handling with unique personal histories, memories incarnate,” says Keiser. “I have multiples of each family member, and all have stories to tell, secrets to expose, emotional truths to tell. Intuitive, improvised, my photographs are created entirely in-camera and in available light.”

“Susan Keiser is a storyteller, psychic, and poet,” says Paula Tognarelli, executive director and curator for the Griffin Museum of Photography. “She builds her stories out of water and its power over us and leaves it to the viewer to discern the fiction from fact.”

Keiser was a Senior Editor at Oxford University Press and Manager of the Rock and Native Plant Gardens at The New York Botanical Garden. In addition to her photographic work Keiser has created site-specific sculptures commissioned by public and private institutions, including the Milwaukee Art Museum, Walker Art Center in Minneapolis, Rockefeller Center in New York, and the International Design Conference in Aspen. A New Yorker, Susan Keiser attended Pomona College and holds a BFA from Cooper Union and a diploma from The New York Botanical Garden’s School of Professional Horticulture. The recipient of a National Endowment for the Arts grant, she was a resident teaching artist at the Lincoln Center Institute, curated a collection of handmade paper art for The Neurosciences Institute in La Jolla, California, and was selected for the viewing program and Artist Registry of The Drawing Center in New York.

Susan Keiser’s photographs have been juried into exhibitions at a wide range of institutions and galleries across the country.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP