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Posted on June 19, 2017

Crustaceans
Susan Lapides
July 6 – October 1, 2017

Extended to October 1, 2017

Girl with lobster
© Susan Lapides, Maggie age 9
Girl with lobster
© Susan Lapides, Emily age 12
Girl with lobster
© Susan Lapides, Maggie age 9

Girl with lobster
© Susan Lapides, Camille age 16
Girl with lobster
© Susan Lapides, Jessica age 14
Girl with lobster
© Susan Lapides, Katherine age 16

Girl with lobster
© Susan Lapides, Matina age 14
Girl with lobster
© Susan Lapides, Catherine age 15
Girl with lobster
© Susan Lapides, Natalie age 12

Girl with lobster
© Susan Lapides, Kayla age 11
Girl with lobster
© Susan Lapides, Maggie age 15
Girl with lobster
© Susan Lapides, Rachel age 14

Girl with lobster
© Susan Lapides, Hannah age 10
Girl with lobster
© Susan Lapides, Carly age 17
Girl with lobster
© Susan Lapides, MacKenzie age 12

Girl with lobster
© Susan Lapides, Eleanor age 6
Girl with lobster
© Susan Lapides, Lila age 16
Girl with lobster
© Susan Lapides, Maggie age 16

Girl with lobster
© Susan Lapides, Rachel age 15
Girl with lobster
© Susan Lapides, Shirley, age 13
Girl with lobster
© Susan Lapides, Ella Age 7

Girl with lobster
© Susan Lapides, Sarah Age 12
Girl with lobster
© Susan Lapides, Delaney age 7

Artist: Susan Lapides

Title: Crustaceans

Artist Statement

In 2006, I began photographing my daughters and nieces with lobsters before we ate them for dinner. Lobsters are quite abundant in St. George, a small fishing town on the Bay of Fundy in New Brunswick, Canada, where we spend our summers, so lobster became just another meal and an adventure for my girls. They would always sit on the deck caressing the lobsters’ shells, trying to make them go to “sleep.”

What struck me was how differently each girl responded to the lobster. Some cradled it, some squirmed with their shoulders held tight, some raised it over their head as if to say: “this is just how one holds a lobster”.

Historically, there is a genre of photographic portraits of fishermen poising with their “Big Catch”, which symbolizes their masculinity. In my portraits the lobsters hold a metaphorical weight that shows how the girls engage with this weird alien creature in a way that reflects their personality.

There are many hidden layers and emotions in this improbable juxtaposition of a young girl and a lobster. There is nothing dainty or girly about holding a lobster, yet some of the girls make it so. My photographs show how these young women both defy and meet the expectations placed on them. The images also reveal the power dynamics between the girls and these creatures, which, although seemingly dangerous, will become dinner.

Bio

The photographs of Susan Lapides focus on people, culture, and place. The rugged landscape of the Bay of Fundy has inspired her three current bodies of work. They are St. George, Crustaceans, and “turq,” A Meditation.

A fine art photographer with a strong background in editorial photography, Lapides has exhibited her work widely, including solo exhibitions at Fidelity Investments (Boston), the Griffin Museum of Photography and the Saint John Art Centre in New Brunswick, Canada. Her fine art work is held in corporations and private collections throughout the United States, Canada, and France. Her editorial images have appeared in Life, Smithsonian, and many other national periodicals. Lapides graduated from Tufts University and the Museum of Fine Arts School. She resides in Boston and visits New Brunswick, Canada as often as she can.

http://susanlapides.com
susan at susanlapides dot com

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP