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Posted on March 7, 2018

The Divers
Arthur Griffin
March 8 – July 18, 2019

Reception March 8, 2018 at 7 PM
Wendi Schneider talk at 6:15 PM

© Arthur Griffin, "Two Boys Jumping". Two boys jump into water.
© Arthur Griffin, “Two Boys Jumping”
© Arthur Griffin, "Jump". A boy dives from a cliff into water.
© Arthur Griffin, “Jump”
© Arthur Griffin, "One Diver". One boy dives into water.
© Arthur Griffin, “One Diver”

We all remember that suspenseful moment. The one right before you jump, when your feet are still on the ground, and time slows down as you contemplate leaping into the unknown water below. For some, the experience is one of play and excitement. For others the recollection may incite different feelings, possibly of anxiety and fear or of wonder at what lies beneath in the water below. These images, culled from Arthur Griffin’s archives, are frozen transitory moments depicting divers suspended in air and swimmers floating in water. Now frozen in time, Arthur Griffin has captured these brief moments in between take off and landing and just before they sliced the water. The images are reminiscent of childhood, of places hidden in the woods reserved for summer vacations, or of public city pools, where children gather to keep cool. Arthur’s photographs are reflections of a familiar experience; one that many can recollect.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP