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Posted on August 4, 2021

The Women's Postcard Project: I'm Speaking
Joan Lobis Brown
September 8 – December 31, 2021

Reception September 12, 2021 5 PM
The exhibition will remain up until weather permits. While scheduled tentatively into the winter, the Fall/Winter winds may require us to remove the outside banners early.

card with woman's arm raised
© Joan Lobis Brown

This outdoor exhibition at the Griffin Museum of Photography is placed on two large banners outside on the museum’s building. One is on the Winchester Rotary Terrace wall and one is outside on the back wall of the museum overlooking Judkin’s Pond. The museum’s back wall can be seen from across the pond on opposing shores. This exhibition is drawn from over 1300 postcards – from women and girls ranging in age from 6 to 99 years old, all received by the artist, Joan Lobis Brown who conceived and executed this project.

As Joan Lobis Brown states, “These women have drawn, collaged and written heartfelt, inspiring, humorous and poignant responses.

Originally this project was created to celebrate 2020 the 100th anniversary of the passage of the 19th amendment giving women the right to vote. The goal was to give as many women as possible a voice, with the hope that a collective wisdom would inspire other women.

Due to the pandemic, many celebrations including exhibitions of this project were indefinitely postponed or cancelled in their entirety.

However, our Vice President elect, Kamala Harris’s words during the vice-presidential debate, “I’m Speaking” give the project a new, meaningful, far-reaching and momentous focus. In fact, “I’m Speaking” is the new sub-title of this project.

We are aiming for 1,500 plus postcards, but there is no limit! To date, we have over 1300 postcards from girls and women in 49 states. As the pandemic dissipates, we will again reach out to women and girls from all over the United States.

There are 12 variations of the postcard, so each postcard is important for the construction of the presentation.

There are 6 different shades of pink – and 12 different postcards (with the position of the image either on the left or right).

The mosaic formed by the different colors, image placement, different handwriting, drawing and ink color, represent the diversity and individuality of each woman. The entire wall when seen from a distance represents the strength, wisdom and beauty of women in general.

Women and girls are invited to participate – to write, draw or collage – on the pink blank part of the postcard – something they would tell their younger selves. Something she wished she had known as a younger woman.

The postcards are anonymous.  Each woman is asked to sign only with her initials and age. Some women choose to write their full names. An analysis of the answers by age group is ongoing.” – JLB

This exhibition is presented to the public by the Winchester Cultural District and the Griffin Museum of Photography.

See more on Joan Lobis Brown’s web page.

The Women’s Project on Joan Lobis Brown’s website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP