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Posted on December 19, 2020

Tokie Rome -Taylor, A Selection of Photographs
Tokie Rome -Taylor
January 7 – February 14, 2021
child with corona
© Tokie Rome -Taylor, “Ancestors Speak, Soft as Cotton”
girl with corona
© Tokie Rome -Taylor, “Draped and Covered”
girl in gold
© Tokie Rome -Taylor, “A Communing of Ancestors”

girl in white dress
© Tokie Rome -Taylor, “Child of God”
girl with gold bowl
© Tokie Rome -Taylor, “An Offering”
child with hat
© Tokie Rome -Taylor, “And a Child Will Lead Them”

girl all in white
© Tokie Rome -Taylor, “Preparation of Seer 2”
girl with magnifier
© Tokie Rome -Taylor, “See Me”
girl in white
© Tokie Rom -Taylor, “Complete the Awakening”

checking out the view with binoculars
© Tokie Rome -Taylor, “Scout”

Statement
I use portraiture, Creolization, and found objects as artifacts to create conduits of memory. Creolization, a hybridization of African cultural traditions and those of the new world of the Americas. It was a means of survival, a subversive rebellion for identity and autonomy from those that would otherwise oppress them. This was a necessity of African people from the diaspora, who are led to believe that all signs of our history, status, spiritual and cultural practices were erased upon arrival to the Americas. I use common western symbolic elements of wealth and status; jewels, lace, velvet, etc. to psychologically shift the internal narrative of the viewer towards elevation of the subjects, acceptance, expanded perception and expectation.

I am connecting to my own personal history as a southern girl, taught nothing of her history. Longing to understand my place as a daughter of the Diaspora, my journey to connecting to home has been  led by me  paying attention to energy, signs, and intuition as ancestral guidance to create works that explore race, history, spirit, memory and material culture as  a means of connecting to my past. This connection is one the south has not taught its children. As a child of the south, I grew up with a void. The conversations around my artwork strive to explore these rituals, material artifacts as a means of channeling our history. The children in my works act as the conjurers. They welcome with their innocence and purity, a spirit open to ancestors and a rewriting of their history.

Bio
Tokie (Rome) Taylor is a native of Atlanta, Ga and currently lives on the outskirts of the city. She received her BA in Arts Education with a focus on Photography and Drawing from Morris Brown College, in Atlanta, GA and M. Ed, and Specialist from Lesley University. Tokie’s work explores themes of time, spirituality, and identity. She often integrates found objects as artifacts and conduits of memory.

Her exhibition and awards record includes several national exhibitions such as ​PhotoLucida Critical Mass 2020, Women ​WOMEN (UN)SILENCED​ A Survey of Contemporary Black Artists​ Gallery 1202, Gilroy, CA, 37 Juried Exhibition, Masur Museum, Monroe LA, Zuckerman Museum of Art GA, Dalton Gallery, Agnes Scott College, “APG- Alan Avery Selects” Atlanta, GA. among others. Tokie is a ​Funds for Teachers Fellowship​ recipient, studying photography in Santa Fe, New Mexico and in San Francisco, California. She is an Honorable Mention recipient for the International Photography Awards (2019)- sponsored by the Lucie Foundation. She is a 2019 recipient of the 2019 Virginia Twinam Smith Purchase Award.Tokie’s work has also recently been added to the Petrucci Family Foundation Collection of African American Art.

Additionally, Tokie devotes her time to her 5 children, as well as teaching and inspiring young artists as an arts educator in Atlanta, GA.

See Tokie Rome -Taylor’s website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP