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Posted on December 23, 2017

Tree Talk On-Line Exhibition
Various Artists
January 1 – June 4, 2018
© Cathy Immordino, “Leave Me Alone”
© Lauren Grabelle, “Escape Root”
© Timothy Hyde, “Japanese Cherry Tree, Tidal Basin”

© Adrienne Defendi, “Swept”
© Jan Arrigo, “Oak Shadow”
© Dawn Colsia, “Heart Root”

© Erik Gehring, “Flowering Dogwood”
© Larry Merrill, “Rochester, NY”
© Erica Martin, “Tree of Lights at Sunset, Black Rock City, NV”

© Becky Ramotowski, “Goose Island Oak”
© Julie Williams-Krishnan, “Nevermore 2”
© Eleanor Owen Kerr, “Levitation”

© Stephen Tomasko, “Untitled” from the series “Delira and Excira”
© Tracy Hoffman, “The Bedford Oak Tree”
© David Hebden, “Weeping Katsura”

© Don Russell, “Renior’s Olive Grove 5, Cagnes-sur-mer France 1991”
© Sandi Daniel, “Untitled #12”
© Deena Feinberg, “Follow Me”

© JP Terlizzi, “Perch, from the series Hunter’s Calling”
© Suzanne Révy, “November Diptych”
© Joshua Sarinana, “Surface and Consciousness”

© Melissa Eder, “Tree at Mom’s House”
© Emily Hamilton Laux, “Invaded Spruce”
© Susan Rosenberg Jones, “Joel in Maine 2017”

Polly, Point Reyes National Park, CA 1988 ©Arthur Griffin courtesy of the Griffin Museum of Photography
© Arthur Griffin, “Ft. Reyes”
© Nancy Fulton, “Acacia Trio: on the Crater’s Rim, Tanzania”
© Yvette Meltzer, “Through the Mist”

© Mike Zeis, “Mountain Side Tree”
© Jan Nagle, “Firepit”
© Charlyn Zlotnik, “Untitled”

© Gary Beeber, “Wallpaper, Dining Room, Sylvester Manor”
© Robin Repp, “Marae Grave”
© Sheri Lynn Behr, “Asbury Park Palm Tree”

© Albert Rodrigo, “Antropozoico”
© Scott Lerman, “Tree Ring 329”
© Alysia Macaulay, “LOVE”

© Donna Tramontozzi, “All Seeing”
© Zia Ayub, “Untitled”
© Yelena Zhavoronkova, “Tree”

© Barbara Kyne, “Crack in the World 28”
© Theo Carol, “Laundry, Mount Vernon, ME”
© Sara Silks, “The In Between”

© Michele Fletcher, “Snow Dust”
© Lee Kilpatrick, “Penobscot River”
© Roseanna Prevost, “Fire”

© Richard Cohen, “Passage”
© Robert Moran, “Foggy Morning”
© Lisa Cohen, “Swamplands”

The “Tree Talk On-Line Exhibition” features photographs by 47 photographers on view in our Virtual Gallery located on the Griffin’s website. The photographers are: Jan Arrigo, Zia Ayub, Gary Beeber, Sheri Lynn Behr, Theo Carol, Richard Alan Cohen, Lisa Cohen, Dawn Colsia, Sandi Daniel, Adrienne Defendi, Melissa Eder, Deena Feinberg, Michele Fletcher, Nancy Fulton, Erik Gehring, Lauren Grabelle, Arthur Griffin, Emily Hamilton Laux, David Hebden, Tracy Hoffman, Timothy Hyde, Cathy Immordino, Lee Kilpatrick, Barbara Kyne, Scott Lerman, Erica Martin, Alysia Macaulay, Yvette Meltzer, Larry Merrill, Robert Moran, Jan Nagle, Eleanor Owen Kerr, Roseanna Prevost, Becky Ramontowski, Robin Repp, Suzanne Révy, Albert Rodrigo, Susan Rosenberg Jones, Don Russell, Joshua Sarinana, Sara Silks, JP Terlizzi, Stephen Tomasko, Donna Tramontozzi, Julie Williams-Krishnan, Yelena Zhavoronkova, Mike Zeis, and Charlyn Zlotnik

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP