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Posted on May 22, 2013

UNDER GLASS
Candace Gaudiani, Heidi Kirkpatrick, Ryan Zoghlin
– September 1, 2013

Heidi Kirkpatrick - Specimens
Opening reception June 13, 2013 7 PM
Members gallery talk John Tunney, 6:15 PM
Gallery talk by Heidi Kirk Patrick at 6:45 PM.

Mouth in silver frame
Heidi Kirkpatrick
Case of photos
Candace Gaudiani
Case with balloon image
Ryan Zoghlin

Note: From 7-23 to Sept1st The  Glass Vitrine Gallery is only sowing  the  work of  Heidi Kirkpatrick.

Under Glass, is an exhibition in the Griffin Museum of Photography’s Atelier Gallery glass vitrine, showcasing the work of Candace Gaudiani, Heidi Kirkpatrick, and Ryan Zoghlin. The exhibit will take place June 13 – July 10, 2013. The opening reception is June 13, 2013, at 7 PM with a members gallery talk by John Tunney at 6:15 PM

San Francisco area photographer Candace Gaudiani took photographs out train windows. “Traveling is dreaming,” says Gaudiani, “at least in a train when the monotonous sound of the rolling wheels is gradually carrying the traveler away into a kind of walking coma, and he perceives the landscape flying by as only apparitional: more patches of color than landscapes, more shapes and surfaces than architecture.”

A boxed set of Forty Eight States will be on view at the Griffin and is courtesy of Panopticon Gallery in Boston.

An established fine art photographer and educator based in Portland, Oregon, Heidi Kirkpatrick will exhibit from her body of work Specimens, courtesy of Panopticon Gallery in Boston. Her work explores the female figure, family narratives and contemporary issues of being a woman. Kirkpatrick applies film positives onto objects such as vintage children’s blocks, books, mahjong tiles and tins creating unique photo objects. “My work’” says Kirkpatrick, “is reminiscent of nineteenth century cased images…..where the hinged tins open and close to reveal or conceal the secrets they hold.”

Chicago photographer Ryan Zoghlin will showcase work at the Griffin from his series Aerotones too and Kiddieland. Zoghlin says that the images in Aerotones too are a continuation of his Airshow and Aerotones series. Zoglin says that the work is intended to be carried in ones pocket close to oneself for inspiration, to alleviate stressful parts of the day and to create sentimental value as opposed to monetary value. His Kiddieland images are small symbols of his memories from years of visiting Kiddieland in Melrose Park Illinois

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Here’s how to create your Griffin Member Profile

Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
5: If you are logged in and have already created a profile you also won’t see the add a profile button ( the button launches the form) but you will see an edit and delete icon next to your name and only yours.


6. Fill in your Artist Statement, Bio and upload up to 10 images.
NOTE Sharing your contact information is in your hands. You can select to make your phone and email public or keep it private. 

Once you have updated your information, it sends a ping to museum staff to approve the images and text, and your page will then be listed on the public website. The museum reserves the right to refuse content that is offensive, harmful, or divisive. Images that include graphic, explicit, or politically divisive content will not be approved. Please ensure all submitted images and text are appropriate for a public audience.

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    Floor Plan

    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

    hallmark moment this could be for the introduction of the work. Thank you for providing

    this incredible opportunity for budding visions and artists that know they have something

    greater to share with the world.

    Fran Forman RSVP

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