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Posted on May 22, 2013

UNDER GLASS
Candace Gaudiani, Heidi Kirkpatrick, Ryan Zoghlin
– September 1, 2013

Heidi Kirkpatrick - Specimens
Opening reception June 13, 2013 7 PM
Members gallery talk John Tunney, 6:15 PM
Gallery talk by Heidi Kirk Patrick at 6:45 PM.

  • Mouth in silver frame opens IMAGE file
    Heidi Kirkpatrick
    Heidi Kirkpatrick
  • Case of photos opens IMAGE file
    Candace Gaudiani
    Candace Gaudiani
  • Case with balloon image
    Ryan Zoghlin
    Ryan Zoghlin

Note: From 7-23 to Sept1st The  Glass Vitrine Gallery is only sowing  the  work of  Heidi Kirkpatrick.

Under Glass, is an exhibition in the Griffin Museum of Photography’s Atelier Gallery glass vitrine, showcasing the work of Candace Gaudiani, Heidi Kirkpatrick, and Ryan Zoghlin. The exhibit will take place June 13 – July 10, 2013. The opening reception is June 13, 2013, at 7 PM with a members gallery talk by John Tunney at 6:15 PM

San Francisco area photographer Candace Gaudiani took photographs out train windows. “Traveling is dreaming,” says Gaudiani, “at least in a train when the monotonous sound of the rolling wheels is gradually carrying the traveler away into a kind of walking coma, and he perceives the landscape flying by as only apparitional: more patches of color than landscapes, more shapes and surfaces than architecture.”

A boxed set of Forty Eight States will be on view at the Griffin and is courtesy of Panopticon Gallery in Boston.

An established fine art photographer and educator based in Portland, Oregon, Heidi Kirkpatrick will exhibit from her body of work Specimens, courtesy of Panopticon Gallery in Boston. Her work explores the female figure, family narratives and contemporary issues of being a woman. Kirkpatrick applies film positives onto objects such as vintage children’s blocks, books, mahjong tiles and tins creating unique photo objects. “My work’” says Kirkpatrick, “is reminiscent of nineteenth century cased images…..where the hinged tins open and close to reveal or conceal the secrets they hold.”

Chicago photographer Ryan Zoghlin will showcase work at the Griffin from his series Aerotones too and Kiddieland. Zoghlin says that the images in Aerotones too are a continuation of his Airshow and Aerotones series. Zoglin says that the work is intended to be carried in ones pocket close to oneself for inspiration, to alleviate stressful parts of the day and to create sentimental value as opposed to monetary value. His Kiddieland images are small symbols of his memories from years of visiting Kiddieland in Melrose Park Illinois

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    • About the Griffin
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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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