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Posted on December 24, 2017

Tidelines
Vivien Goldman
January 1 – April 10, 2018
tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman
tideline
© Vivien Goldman
tideline
© Vivien Goldman

tideline
© Vivien Goldman

Statement for Tidelines
At the confluence of the Atlantic Ocean and Nauset Inlet at ebb tide on the Outer Cape, the outgoing tide stencils mountain ranges and deserts on the sand, leaving strands of sea weed and small stones scattered in its wake. Just after sunrise or in the gloaming, the sky creates mountains of its own. It is the world transforming itself into other realities, every day, again and again, each day different from the last. It is a continual and endless re-creation of the world at low tide.

I return to this land where the tide washes ashore every day and night, sweeping wide the sand between the marsh and dune. It is a challenge to return again and again to find the familiar landscape utterly remade. I am unable to preserve these ephemeral displays except by taking note and watching. Perspective challenges the eye to make sense of scale and of everyday familiar shapes that have been distorted by the tide.

– Vivien Goldman

Bio
Vivien Goldman is a fine art photographer who lives in Brookline, MA and spends much of the year on Cape Cod photographing. She began her career as a large format black & white photographer, and several years ago incorporated color and digital technology into her practice. She has exhibited her work in group and solo shows nationally and internationally including the 4th Biennial of Fine Art and Documentary Photography in Berlin, Germany; the New York Photo Festival, PRC in NYC exhibition in Brooklyn, NY, and the Danforth Museum’s Community of Artists annual exhibition in Framingham, MA. She has had solo exhibitions of her work at Hebrew College and the Boston Psychoanalytic Society and Institute in Newton, MA. Her work has been exhibited at PhotoPlace Gallery and Darkroom Gallery in Vermont, and she was a finalist in the 7th and 8th Annual Julia Margaret Cameron Competitions of Women Photographers.

Vivien was a Project Manager for International Development Projects at the Harvard Institute for International Development before going back to graduate school and earning an MLIS at Simmons College with a major in photographic archives.  She has studied photography at the Maine Media Workshop, the New England School of Photography, and attended numerous workshops on the zone system, darkroom and alternative processes.

Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP