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Posted on February 22, 2019

My Father, the Cowboy Actor
William Glaser
March 4 – June 3, 2019
Man
© William Glaser
Wedding ring
© William Glaser
Type written paper
© William Glaser

Road
© William Glaser
Wide open range
© William Glaser
© William Glaser

Laundry basket and hands
© William Glaser
Back of a man wearing cowboy hat
© William Glaser
Man holding a buck knife
© William Glaser

Dirty dishes
© William Glaser
Man sitting at a picnic table
© William Glaser
Someone eating food on a table with glasses and papers on it
© William Glaser

Paper with typing on it
© William Glaser
Man lying in bed
© William Glaser
Man holding a branding iron
© William Glaser

Man getting up out of bed
© William Glaser
Mountain and trees
© William Glaser
Cowboy at a computer
© William Glaser

Man with headset on
© William Glaser
Man vacuuming
© William Glaser
empty bed
© William Glaser

Typed written paper
© William Glaser

Statement
My Father, The Cowboy Actor

On December 19th, my Father made a surprise visit to my apartment in New York City. He got in late the night before from Flagstaff, Arizona and stayed the night at an old friend’s apartment in the Upper West Side. When he called me, I wasn’t sure what to expect or what to say since I hadn’t seen him in several years. When he came to my apartment, I made a portrait of him, and subsequently followed him around while he showed me what stood in place of his favorite bars, restaurants, and stores he used to peruse when he lived in New York City. After a week of being with my Father again, I realized I had to follow him back to his cabin in rural Arizona to photograph him and live with my Father for the first time.

For the first twenty-three years of my life, I never had a stable nor strong relationship with my Father. He was a distant member of our family that paid for our expenses, demanded time to see us on the weekend but was pushed away due to family dynamics and my preferred affiliation for my Mother. His career as an actor in New York City lasted twenty-five years, and upon the release of his children to higher education in places far from our hometown, he promptly left to become a cowboy just outside Flagstaff, Arizona. It’s only now that I’m beginning to comprehend the broken connection I have with my Father that I never cared to fix or understand. The man, my Father, Charles Glaser, is an enigmatic character and I attempt to comprehend his being and our relationship through Photography and Dialogue. By revisiting Charles’s old letters, documents and living with my Father in the desert, I attempt to trace my Father’s psychological journey while photographing his current self and the high desert that surrounds him.

Bio
William Glaser received his BFA in Photography from The Savannah College of Art & Design and travels extensively across the United States. William’s photographs celebrate regional- specific individuals and objects while exploring possible narratives.

Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP