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Posted on March 6, 2018

Witness and The Book of May Be
Dawn Watson
May 3 – July 29, 2018
Book in slipcase
© Dawn Watson “Witness” Artist Book
trees
artist book
© Dawn Watson “The Book of Maybe” Artist Book

skyline
© Dawn Watson, All Rights Reserved
water
© Dawn Watson, All Rights Reserved
hand dangling
© Dawn Watson, All Rights Reserved

Witness

The time is 5AM on a late summer morning, at the change of seasons when the earth is warm and the air is cool and a fog has risen. These trees, standing tall for over a hundred years in the hills of New Hampshire, were destroyed by a freak storm in the spring of 2016. Witness, a series of images in both print and artist book, invite us to honor and remember, to enter in and be present to the wonders all around us. Trees bear witness, holding the mysteries of the world told through folklore and fantasy, science and study, revealing secrets and answers, offering comfort and healing. Past events and processes are recorded in the rings of growth, marking time, age and conditions. Not just metaphor, communities of trees take care of their own, nurturing and protecting by a symbiotic network rooted below the surface, spread by threads of fungi, connecting one tree root system to another. This connectivity is echoed through out the natural world.

Arches water color paper for binding, band and 3 fold cover wrap
8.25 x 14 inches, concertina binding
Belly band of paper with image detail
Nine images ©2012 printed on Epson Hot Press Natural paper
Archival cardboard box

Limited edition, excluding 2 artist books, 2 exhibition copies
Edition #1-2 $275.00
Edition #3-4 $300.00
Edition #5-6 $325.00
Edition #7-8 $350.00
Edition #8-10 $375.00

The Book of May Be

As if waking from a dream state, “The Book of May Be” explores malleability of memory. This diminutive body of work, nested in a slipcase and wrapper, is a series of 2 x 2 inch diptychs, each in conversation with its partner and in relation to the other snippets of image and memory. These images string along like an old film strip, collaged from bits and pieces of story, sounds, smells, places and people creating a visual tone poem. Though we think of life as linear, it is always in a flow state, shape-shifting as in a lucid dream where memory, time, and place converge out of sequence and clouded recall.  Maybe it was, maybe it wasn’t, maybe it will be…

36 images, 2 in x 2 in accordion fold
Epson Ultra Premium Presentation Matte Paper
Four fold wrapper/slip case, various materials, by Linda Lembke
Archival cardboard box

Limited edition, excluding 2 artist books, 2 exhibition copies
Edition #1-2 @ $200
Edition #3-4 @ $250
Edition # 5 @ $275
Edition # 6 @ $350

Bio

Dawn Watson is an artist and activist. Her work examines the fragility of both the natural environment as well as our relationship to it and to each other. After twenty-five years as a dancer and choreographer, Watson transitioned to photography, finding affinity in the visual storytelling offered by both live performance and the captured image. She has exhibited her photographs and artist books throughout the United States including The Griffin Museum of Photography, Albrecht-Kemper Museum, Tilt Gallery, Tang Museum, and a solo exhibition at the Los Angeles Center for Photography.

 

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP