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Posted on December 28, 2015

Domesticated: Seeing Past Seduction
Yorgos Efthymiadis
– March 6, 2016

Reception January 14, 7-8:30 PM
Members’ talk Yorgos Efthymiadis 6:15 PM January 14, 2016

2 guns in a wooden case.
Untitled 06
A gun on an orange rug.
Untitled 18

Yorgos Efthymiadis photographs guns from various collections. He finds most guns by referrals. He photographs each gun on carpets, chairs, tablecloths or pillows found in the homes of the collectors.

Efthymiadis’ series, Domesticated: Seeing Past Seduction, is featured in the Griffin Gallery at the Griffin Museum January 14 through March 6, 2016. An opening reception with the artist takes place on January 14, 7-8:30 p.m. Yorgos Efthymiadis has a members’ talk on his exhibition Domesticated: Seeing Past Seduction at 6:15 PM. The talk is FREE.

“When [guns] are seen as antiques, their initial purpose is camouflaged. The viewer, allured and captivated, tends to overlook and forget the past, mesmerized by the weapons’ fine craftsmanship, and artistry,” says Efthymiadis. “Yet, just beneath the surface, their artistic presence is haunted by a past that cannot be changed.” he says.
“The history of violence cannot be erased by transforming weapons into inert objects of beauty or works of art,” he says. “Although not visible, the blood, the mud, the fear and desperation will always be there.”
.
Yorgos Efthymiadis lives in Somerville, MA. He graduated from the School of Business Administration and Economics at the Technological Educational Institute in Thessaloniki, GR with an MBA. Later he graduated from the New England School of Photography with a dual concentration in fine art and architectural photography. Efthymiadis is represented by Gallery Kayafas in SoWa. His work has been exhibited at the Danforth Museum, the Photographic Resource Center, Griffin Museum of Photography, The Nave Gallery, Somerville, Cambridge Art Association, San Diego Art Institute, Filter Photo Festival, Chicago, Photo Place Gallery, Vermont, Flash Forward Photography Festival, Boston, The Fence at Photoville, Boston and SohoPhoto Gallery, NY.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP