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Pip Shepley

Posted on June 7, 2025

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Pip Shepley

Treasurer

Pip Shepley is a lens-based artist who is fascinated by the interplay of the artistic and technical sides of photography. Shepley frequently captures using infrared, his imagination piqued by capturing a subject which the eye cannot perceive. His photographs explores the unseeable feeling of a place or object by paring it down to a simpler level.
Currently he is exploring the capabilities of a camera obscura which he designed and built. The process merges tremendous digital control with the unpredictability and mystery of analog processes. It touches his passion for science and creativity.
Pip started photography while at Milton Academy, completing the offered courses as well as an independent study project in photography. He ran lab sessions and was photo editor of the yearbook and newspaper. He has since studied art and photography at many venues including Maine Media Workshops + College, New England School of Photography, Griffin Museum of Photography and MassArt. His teachers include Brenton Hamilton, Tillman Crane, Michael A. Smith, Jon Cone, Stephen Tourlentes, and David H. Wells. He continues to work with photographers John Paul Caponigro, Vincent Versace and Ron Rosenstock. Pip was a member of the Griffin’s Atelier 20 and 38.
Shepley’s photographs have been in over 60 exhibits, including the Griffin Museum of Photography, Center for Photographic Arts in California, A Smith Gallery in Texas, PhotoPlace Gallery in Vermont, Black Box Gallery in Oregon, and Rhode Island Center for Photographic Arts. He is a Board member of the BCA Photo Group in Bedford, MA, where he invites renowned photographers to present to the organization.
Shepley’s 32 year career at Mass. Electric Construction Co. was in the cradle-to-grave financial management of the design and building electrical mega-projects, primarily the signals, traction power and communications systems for rail systems throughout the US. He retired in 2013 after 17 years as Vice President.
Pip holds a BA in Romance Languages from Colorado College. He enjoys sailing, skiing, and hiking with his wife, artist Martha Wakefield. They live in Belmont, MA.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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