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Alina Saranti | Far From

Alina Saranti | Far From

$25.00

Far From Exhibition Catalog

Page Count: 20

Dimensions: 8.5″ x 8.5″

Cover: Softcover

Cover Image: Alina Saranti

Design: Meg Birnbaum

Publisher: Griffin Museum Press

© Year: 2025

Available!

Category: GMP Press
  • Description

Description

This catalog was printed in conjunction with the exhibition Far From, on display in the Griffin Gallery from July 5 – August 17, 2025.

The Griffin is pleased to present the work of Alina Saranti as part of our celebration of our member artists. Ms. Saranti was included in our 30th Annual Juried Members exhibition, winning the Directors Prize.


Artist Statement

“In my project Far From I want to make visible what landscape photography can look like for a female photographer with child rearing responsibilities.  I combine landscape photographs of the American West with embroidery to challenge the masculinity of traditional landscape photography and the myth of the West. Landscape photography was traditionally dominated by male photographers as it was deemed unsafe and impractical for women who were constrained to the domestic sphere, close to their housekeeping and child rearing duties. The myths of the American West, its rugged, open, wild landscape have also been closely associated with macho masculinity, the idea of the independent, tough man, ready to draw on his weapon, to conquer and defend the land. Landscape photography also contributed to the history of conquest of the West with its role in surveying and controlling.”

 

About Alina Saranti

Alina Saranti is a Greek photographic artist currently living in Los Angeles, having also lived in the UK and Turkey. Her work begins autobiographically and explores the synergies and tensions between text and image, the physical alteration of the photographic print, as well as themes of motherhood, place, our inner and outer landscapes, the personal and political.

After a ten-year career in journalism in Athens and London, writing mainly about international politics, she has shifted her focus to telling stories through photographic projects. Saranti received a BA in Philosophy, Politics and Economics from St Edmund Hall, University of Oxford, an MSc in International Relations from London School of Economics, and an MA in Photojournalism and Documentary Photography from London College of Communication, University of the Arts London (Distinction).

Saranti has won Director’s Prize at the Griffin Museum’s Annual Juried Members Exhibition, Honorable Mention at the Julia Margaret Cameron Award and at the Los Angeles Center of Photography’s Annual Members Exhibition. She has exhibited in galleries and museums in Athens, Barcelona, Boston, Calgary and New York. Her work has been featured in numerous publications including The Boston Globe, Opt West, Aesthetica Magazine, Source, Black River Magazine, Global Zoo Zine, and the Imagined Landscape Journal.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP