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Boston

Illuminating the Archive of Arthur Griffin: Photographs 1935-1955, Part III

Posted on March 16, 2021

Boston Arts and Entertainment

By Madison Marone

AG Archive- Hatch shell
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Hatch Shell Boston Pops Concert: Boston, Massachusetts

Introduction

Arthur Griffin’s legacy lives on through the Griffin Museum of Photography. As an Exhibitions Assistant for the museum, I was struck by the beauty and historical value of his work. I’ve created this exhibition to highlight and provide context for Griffin’s photographs of New England.

Illuminating the Archive of Arthur Griffin: Photographs 1935-1955, views the region’s cultural heritage, traditions, and aesthetic through the lens of Griffin’s lesser-known work. The six-part exhibition explores how photography affects the way we relate to and understand the past. Each exhibit features historical, sociological, and creative interpretations of photographs from the museum’s collection.

AG Archive- outside of the museum
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Outside the Museum of Fine Arts: Boston, Massachusetts

This installment focuses on Boston’s arts and entertainment sector documented through Griffin’s photos. It is divided into three sections: music, fine arts, and theater. In the first section, we will be exploring the history of the two major orchestras in Boston: the Boston Symphony Orchestra and the Boston Pops. The second section covers the public’s interaction with the Museum of Fine Arts. The final section looks at the theater and live performances throughout the city. I’ve included video clips throughout this exhibit to provide additional context and bring each section to life.

Music

The Boston Symphony Orchestra (BSO) and the Boston Pops have long been recognized in the city’s music scene. BSO was founded in 1881, making it the second oldest of the five major American symphony orchestras. They are renowned for performing both classical and contemporary music. In 1885, the Boston Pops Orchestra was created as an offshoot of the BSO. They play light classical, popular music, and show tunes with the intention of making music more accessible to audiences. 

Both groups perform at Symphony Hall in Boston, however, for the Boston Pops the seating is reconfigured from an auditorium to cabaret-style. Each orchestra has alternative summer performance spaces. The BSO plays at the prestigious Tanglewood Music Center while the Boston Pops offers annual concerts at the Hatch Shell. The two conductors in Griffin’s photographs are Serge Koussevitzky (Boston Symphony Orchestra 1924-1949) and Arthur Fiedler (Boston Pops 1930-1949). They were influential music directors that helped the orchestras evolve to where they are today. Both orchestras have had a major effect on the Boston area by exposing generations to the joy of orchestral music.


If you would like to learn more and watch a performance, please see the following videos:

The Tanglewood Story (United States Information Services, 1949) includes Koussevitzky conducting and the history of Tanglewood Music Center. 

An Evening at Pops (PBS, 1978) includes highlights from the Pops Fourth of July show, interviews with Fiedler, Hatch Shell history, and features some of Griffin’s photographs. 


Griffin attended these performances as an audience member and photojournalist. His images of the orchestras were printed in the Boston Globe to help create excitement for their concerts. Photos include portraits of the conductors and establishing shots from the audience’s perspective. Details about his famous photo of the composer Paderewski can be found here: Arthur Griffin’s Image of Ignacy Paderewski. Griffin’s photos capture the energy of the musicians as they entertain and share music with people of all ages.

AG Archive- hatch at night
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Hatch Memorial Shell: Boston, Massachusetts
AG Archive- Boston Pops
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Arthur Fiedler conducting the Boston Pops Orchestra: Boston, Massachusetts
AG Archive- Hatch shell day
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Concert at the Hatch Shell: Boston, Massachusetts
AG Archive- Hatch shell with child
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Esplanade Concert: Boston, Massachusetts
AG Archive- Conductor 1
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Serge Koussevitzky conducting the Boston Symphony Orchestra: Boston, Massachusetts
AG Archive- Conductor 2
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Serge Koussevitzky conducting the Boston Symphony Orchestra: Boston, Massachusetts
AG Archive- Boston Symphony Orchestra
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Boston Symphony Orchestra: Boston, Massachusetts

Fine Arts

The Museum of Fine Arts was founded in 1870. It is a cultural and educational resource for visitors and locals alike. Visitors can see an array of artwork ranging from paintings to sculptures, textiles to ancient artifacts. Students have long visited the institution to sketch famous works of art and be inspired by what’s on display.


If you would like to take a look inside the museum, please see the following video:

A Visit to the Boston Fine Arts Museum (Bill A Graham, 2015) A montage of videos showing art on display at the MFA.


Griffin’s work captures the grandeur of this Boston landmark. In the following photographs, visitors are enjoying art and exploring the exhibit halls. Additional photos show the efforts that go on behind the scenes to create magnificent displays for the public to enjoy.

AG Archive- MFA monument
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Appeal to the Great Spirit Monument outside of the Museum of Fine Arts: Boston, Massachusetts
AG Archive- Visitors at the MFA
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Museum of Fine Arts: Boston, Massachusetts
AG Archive- Children at the MFA
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Exploring the Museum of Fine Arts: Boston, Massachusetts
AG Archive- Students at the MFA
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Students at the Museum of Fine Arts: Boston, Massachusetts
AG Archive- Inside the MFA
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Museum of Fine Arts: Boston, Massachusetts
AG Archive- fashion exhibit at MFA
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Preparing the exhibit: Boston, Massachusetts

Theater

Boston is a vibrant city with a large performing arts scene. In the 1940s, the city had over 50 theaters. Washington Street Theater District was a central location with an array of performance venues and restaurants. The buildings in this district include the Boston Opera House, the Paramount Theater, and The Colonial Theater. Famous performers and popular shows often toured in Boston ranging from musicals and experimental theater to vaudeville shows.


If you would like to learn more about theatre in Boston, please see the following videos:

Boston Uncovered: Emerson College’s Colonial Theatre (City of Boston, 2019) Kit Haggard, Director of the Boston Literary District, discusses the Boston production circuit and the evolution of Oklahoma at the Colonial Theatre.

#MyColonial (Emerson Colonial Theatre, 2018) Celebrities such as Sarah Jessica Parker and Harvey Fierstein celebrate the reopening of the Colonial Theatre by sharing how it has impacted them. The video highlights Boston’s influence on the theatre world at large.


Griffin’s photography helped promote interest in the theater scene. He documented the artists backstage and during performances. These glamorous and thrilling images were printed in the Boston Globe, creating excitement around the shows. The following photos feature the bright lights of the theater district and the performers who brought it to life.

AG Archive- Washington Street
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Washington Street Theater District: Boston, Massachusetts
AG Archive- On stage
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
During the show: Boston, Massachusetts
AG Archive- costume change
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Backstage costume change: Boston, Massachusetts
AG Archive- Arthur Treacher and showgirls
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Arthur Treacher with performers 1943: Boston, Massachusetts
AG Archive- Milton Bearl and performer backstage
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
Milton Bearl backstage during the 1943 production of Ziegfeld Follies: Boston, Massachusetts
AG Archive- performers on stage
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved “Cheesecake Girls” Performance: Boston, Massachusetts

Final Thoughts

AG Archive- Boston at night
Photo by Arthur Griffin, © Griffin Museum of Photography, All rights reserved
The City at Night: Boston, Massachusetts

Music, fine arts, and theater are an important part of the cultural fabric of our society. Griffin’s photos illuminate the arts and entertainment sector by giving us a glimpse behind the scenes, and through the eyes of audiences that have enjoyed them. The photos in this exhibit remind us of the many enriching experiences that these institutions provide. I look forward to a time in the near future when we can gather and enjoy art together once more.

Special thanks to the Boston Public Library for digitizing a large portion of the Arthur Griffin Archive so it may be accessible to the public. If you would like to view more photos and library material, visit the Boston Public Library for the Digital Commonwealth and the Digital Public Library of America.


Madison Marone is an Exhibition Assistant at the Griffin Museum of Photography and a graduate student pursuing her MSc in museum studies at the University of Glasgow. She holds a BA in film studies and sociology from the University of Vermont. Her interests include early to mid-20th-century art history, film theory, and exhibit design.


References:

“The History of the BSO Boston Symphony Orchestra.” Boston Symphony Orchestra, www.bso.org/brands/bso/about-us/historyarchives/the-history-of-the-bso.aspx.

“A Brief History of the Boston Pops Boston Symphony Orchestra.” Boston Pops, www.bso.org/brands/pops/about-us/historyarchives/the-history-of-the-boston-pops.aspx.

 “Serge Koussevitzky.” New World Encyclopedia, www.newworldencyclopedia.org/entry/Serge_Koussevitsky.

 “The Tanglewood Story.” YouTube, United States Information Services, 1949, youtu.be/WNBqpGoW7fU.

 “An Evening at Pops: July 4 1977.” YouTube, PBS, 1978, youtu.be/tVnfXy0v7kc.

 “About the MFA.” Museum of Fine Arts, Boston, www.mfa.org/about.

 Graham, Bill A, director. A Visit to the Boston Fine Arts Museum. YouTube, 9 Dec. 2015, youtu.be/qW5p90m7O7U.

“Boston Uncovered: Emerson College’s Colonial Theatre.” YouTube, City of Boston, 14 Mar. 2019, youtu.be/I2i9yk212p0.

 “#MyColonial.” YouTube, Emerson Colonial Theatre, 11 July 2018, youtu.be/3w4USeUahAo.

 Guide, Boston Discovery. Boston Theater Guide – Theatre District Venues, Shows, Tickets, Discounts – Boston Discovery Guide, www.boston-discovery-guide.com/boston-theater.html.

All images on this webpage © copyright 2021 by the Griffin Museum of Photography. All rights reserved.  No part of this webpage may be reproduced in any manner whatsoever without written permission of the museum except in the case of brief quotations from the written material with citation.

Filed Under: Arthur Griffin Tagged With: Boston, documentary photography, vintage photographs, Photography Education, Arthur Griffin Archive, New England, Photography, black and white

Jim Lustenader | City Streets

Posted on April 6, 2020

At the Races

At The Races

The streets of Boston are empty, with COVID-19 Stay at Home orders, but the interwebs remain a space for creativity and connection between us all. In an effort to showcase the exhibitions that we all cannot visit in person, we are bringing them to you online. Today’s view is the city streets as viewed through the lens of Jim Lustenader. Jim’s black and white photographs have the ability to bring us all together to celebrate humanity in its diversity, humor and uniqueness. On view (through windows) at the Griffin @ SOWA, Jim’s work reflects the view of the street he seeks to capture.

We asked Jim about his process and his images for his series, City Streets.

Sniffers

Sniffers

Street Photography takes patience, yet also a sense of immediacy of capturing the moment. How do you balance the waiting with the spontaneity? How do you find your subject or do you believe your subject finds you? 

In most cases, my subjects find me. While I sometimes haunt a location because the setting is interesting (e.g., large poster or wall art) or it relates to a series I’m working on (e.g., people in museums), I really prefer to react instinctively and intuitively to what’s happening around me. Sometimes the results really surprise me, as with the photo “Sniffers.” On a trip to London, I noticed this elderly couple walking behind St. James’s Palace; they were dressed up and out for the evening, figures from another age. I turned away to look for another shot and when I turned back they had stopped to admire the Queen’s roses, seemingly kept behind bars in their window boxes. They leaned in to take a sniff and I managed to grab one frame. Because I use film I didn’t see the result for about three weeks, so I was delighted to find out I had caught a moment that told a story.

Lap Dance - Jim Lustenader

Lap Dance

What are your favorite places to photograph? Is it a mood, or a certain consistency in the creativity that draws you there? 

I most enjoy working in cities like New York, Boston, London and Paris but I have had good luck in much smaller environments. It’s really the mood of a place that draws me: the heat and bustle of New York, the poetry and romanticism of Paris. Being consciously open to that particular mood gets me into the rhythm of a location and its people. Another photographer told me years ago that having a tune in mind when shooting helps keep him in the moment; now that has become something of a ritual for me: Piaf for Paris, Gershwin and Porter for New York! 

As an observer of the quirks in the everyday, how has this measure of capture changed your routine and how you look at life?

Metro Bride - Jim Lustenader

Metro Bride

When I started shooting street, I tended to stay back from my subjects, using a zoom lens that allowed me to capture (some would say spy on) them while being uninvolved. In many cases, this resulted in shots that were often cramped, narrow and one-dimensional. To freshen my perspective, I took a street class with photojournalist Peter Turnley, who insisted I get into the midst of the action and use nothing longer than a 50mm lens, preferably a 24mm. I was petrified: now I would have to get close to people if I wanted to get the shot. However, I quickly found that the normal or wide format created greater context for my subjects, adding interest and dimension by showing them in relationship to their surroundings. A whole new approach opened up, one that seeks out visual tension among elements in a broader scene and tells a more multi-faceted story about what makes us human—and, for me, that’s where the fun of street is. I view life as bits of theatrical business and am aware of potential shots even when I don’t have my camera. 

What do you want us as viewers to walk away with after seeing your photographs?

Hands up - jim lustenader

Hands Up

I think my most successful photos are those that are somewhat open ended, inviting viewers to pause and decipher possible meanings, to exercise their own imaginations. I also hope that viewers would share the same sense of amusement that I get from catching human nature at work, the serendipity of coincidence, the irony and absurdity of daily life. 

What has it meant to work with the Griffin and to show your work through the museum? 

Showing at the Griffin has meant a great deal since it has been a goal of mine for a long time. I became familiar with the museum about thirteen years ago when I visited to see an exhibition of Arthur Griffin’s photos. This great facility dedicated to photography totally impressed me and I wanted to create work that was good enough to be shown there. Later at Houston’s FotoFest, I had the first of what would become several photo reviews with Paula Tognarelli, whose constructive critiques guided me in refining my vision and producing a more cohesive portfolio. I consider being on the Griffin’s walls a true career highlight. 

What is next for you creatively? Since travel is restricted, for the time being, how will you fill your creative needs? 

Lust - Jim lustender

Lust

A number of galleries (including Soho Photo Gallery in New York, where I’m a member) are running virtual exhibitions on the theme of isolation so I’ve been able to submit work from my archives that reflect a sense “alone-ness” akin to what we all feel right now. Living in a small town in New Hampshire where things are pretty quiet anyway, I certainly miss being able to get to the big cities. That said, I drive around looking for ways to capture the pandemic experience from a rural perspective, which is definitely challenging and requires using those longer lenses that I put away years ago because I can’t get close. 

 

Filed Under: Griffin @ SOWA Tagged With: black and white, street photography, Boston, Paris, New York, London, Exhibition

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP