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collectibles

Sequin Fix | Lauren Ceike Artist Talk (Online)

Posted on June 5, 2020

Join us for an evening conversation with fine art photographer Lauren Ceike discussing her Griffin exhibition, Sequin Fix, on July 9th at 7pm Eastern.

This conversation is free to all. Held online on our Zoom platform, for your safety and the safety of others, we will be asking you to register for the event. We will have a waiting list in case of a full house.

About Sequin Fix – 

I never knew that drug bags were drug bags.

I see them on the ground everywhere I go: nice neighborhoods, “bad” neighborhoods, big cities, and family-friendly parks in small towns. I always thought they were for craft supplies, hardware, buttons, etc. I didn’t question their purpose, I knew exactly what they were, until it hit me one day. I suppose my naiveté should be embarrassing, but I think it’s endearing.

My family has been haunted by drug abuse for more than half my life. In some ways my adolescence was robbed from me. Memories I thought didn’t exist suddenly came to me when I discovered the truth of these bags; I now recall a bag floating in my family’s pool, at the time I figured it was for nuts & bolts. Most of the items I put in these bags are things I have saved from childhood, I often tried to limit use of things special to me as a way to preserve them. Even as a kid I felt nostalgia for being a kid; maybe I somehow knew innocence wasn’t as easy to hang on to as I hoped.

The bags in this collection were predominately acquired from the streets in the city where I live, Providence, Rhode Island. There are a few from exciting places like NYC and Miami, and, unsurprising to me, from my small hometown of Townsend, Massachusetts. – LC

About Lauren Ceike – 

Creating artwork for me is deeply personal and perhaps selfish. It is therapy, a compulsion to create something as a way to express a feeling. Often and regrettably my work is never seen by others, but it has performed its purpose and I feel satisfied. I want it to be appealing to other people, of course, but I’m not always sure if it is. In this way I feel like a true artist: I process emotions and experiences through art. While my formal education is in photography, I enjoy using any medium that I feel best helps me reach a destination, including performance, which can be difficult for a person like me who considers herself shy. One of my personal artistic philosophies is to make creations that little kids would have fun looking at. I am attracted to bright colors, kitsch, and silliness, and I’m happy for my viewers to enjoy those things on a surface level, yet with a closer look there is more to be revealed. My work is typically variations on the themes of family and nostalgia, and may suggest sadness, though I like to think of it more as heavy-hearted. I often have the sense of missing someone or something, even in the presence of those things.

I received a BFA in Fine Art Photography from Rochester Institute of Technology in 2004. I currently reside in Providence, RI where I work a day job as a devoted animal caregiver. – LC

Tagged With: collectibles, dime bag

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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