• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Griffin Museum of Photography

  • Log In
  • Contact
  • Search
  • Log In
  • Search
  • Contact
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Photo Chat Chat

August Photo Chat Chat | Member’s Exhibition Edition

Posted on August 12, 2020

We are so excited to showcase more of our talented artists from our 26th Annual Members Exhibition, curated by Alexa Dilworth.

Join us this Thursday August 13th we see presentations from four photographers followed by a q&a about their work. Dennis Geller, Rachel Jessen, Sandra Klein and Jerry Takigawa. These are the stories we will be seeing and hearing about. 

To get tickets to the Photo Chat Chat head to our Events Page. 

Introducing our featured artists – 

Dennis Geller

night scene with figure

© Dennis Geller, “Mists of Time”

Close your eyes, when open them and look at the first object you see. In that first instant, when you think you are seeing an object, your eye is seeing a smear of colors and brightness. It jumps at least three times, and in each jump only a small bit of the image on the retina is in focus. Light impinging on the retina causes chemical changes, which causes neurons to carry signals to the brain. Each change take time to dissipate, but the eye does not stop moving during that time, so that every spot on the retina is affected by light coming from different parts of the object, causing a cascade of overlapping chemical changes. The images here,  motivated by processes of  vision, ask the question: What has changed in a scene as we look at it? As we look around us, we don’t actually see the changes, just their effects, but we are aware of them. Calling them out, as these images do, offers a different way to experience the ordinary.

Rachel Jessen

love letter

© Rachel Jessen, (Henry County) Notes for Michael at a gas station, New London.

This campaign season, I went back to Iowa, my home state and the first state in the nation to hold caucuses for the presidential primary. Not to cover the candidates, no. I turned my camera away from the politics—the faces and speeches of presidential hopefuls, the conventions and rallies, the moments votes are cast—and toward the people and places of Iowa. I’m making my way through a feat known as the “Full Grassley,” an endeavor named for the long-time Iowa Republican senator wherein candidates make a point to visit each of the Hawkeye State’s 99 counties vying for that coveted caucus victory. I wasn’t looking for support at a local town hall or fish fry—instead, I searched for the stories in the individuals and communities that make Iowa the unique, contradictory, and complicated place it is. From Adair to Jasper to Wright,  I’m documenting everything from corn shucking to TrekFest to ghost towns to grandparents, and that which lies between, beyond the campaign trail. My hope is that my photographic Full Grassley results in a distinct perspective of Iowa, one that, while alluding to its political significance within the caucus system, demonstrates the limits of such a lens, and reveals it to be much more than the first state to assert its electoral opinion. It’s a portrait of a place—my home—which continues to exist even after all the TV cameras and politicians have gone.

Sandra Klein

“In the dark times Will there be singing? Yes, there will be singing. About dark times.”   Bertolt Brecht     

vessel

© Sandra Klein, “Eternal Dragonfly”

Is it possible to portray a grief so deep that it is difficult to endure?  For a number of years, I have visited Japan in winter, but this past January, less than a year after the tragic death of my oldest son, I longed to visit this surreal, almost otherworldly land with the anticipation that I could grieve here in a way I couldn’t at home. The stunning snow-covered landscapes I captured for this series, with their muffled silence, hiding almost all color, all vestiges of humanity and the modern world, almost seemed to weep for me. Japan’s unfamiliar religious rituals and ancient objects, with their histories and iconography, affected me deeply.   The images in this project straddle the real and surreal. The re-contexualizing of photographs and ephemera, where images are composited to include historical art and objects, reflects my altered state of reality. The materiality of these collages satisfies a need to define my personal despair with a more physical, unique object, as I cut and sew into the photographs as an act of memorializing not only my son, but my own journey into a new reality.       Grieving in Japan is a meditation on a life that feels unhinged and unbearable. I experience periods of isolation from all that is familiar as I am pulled far away into the unknown world of loss.  And yet, I am reminded, at moments, of the small joys this world reveals, inviting me to experience flashes of utter pleasure, even as I mourn.

Jerry Takigawa

people behind bars

“Jerry Takigawa, “EO 9066”

Balancing Cultures is a personal history project that reveals the racism and xenophobia that permeate American culture. The discovery of old family photographs compelled me to express the impact on my family resulting from being incarcerated in WWII American concentration camps. The emotions expressed in this project bring humanity to the historical record. I seek to give voice to experiences my family kept hidden for shame and fear. If silence sanctions, communication is resistance. The process of researching and creating these images greatly informed my understanding of what happened in the past—and what is important going forward. These images are a reminder that hysteria, racism, and economic exploitation became a force during WWII in our country. Xenophobia can live just under the surface of civility and emerge in a permissive environment. Cathy Park Hong wrote in a New York Times article: “After President Trump called the Covid-19 the “Chinese Virus,” in March (2020), the Asian Pacific Policy and Planning Council said more than 650 incidents of discrimination against Asian-Americans were reported to a website it helps maintain in one week alone.” Decades have passed since Executive Order 9066 was enacted. Many Americans are only now learning of this transgression. There is no scientific basis for race; race and racism are social constructs. Balancing Cultures recalls a dark chapter in American history—censored in part by the Japanese precept of “gaman” (enduring the seemingly unbearable with patience and dignity) and the fear that if my family spoke too loudly, it might happen again. I raise my voice today because it is happening again.

Filed Under: Events Tagged With: color, Photo Chat Chat, Photographers on Photography, alternative process, Online events, documentary, personal stories, griffin zoom room

July Photo Chat Chat | Member’s Exhibition Edition

Posted on July 16, 2020

Join us Thursday night July 16th for a chat with four artists participating in our 26th Annual Member’s Exhibition, curated by Alexa Dilworth. 

Yorgos Efthymiadis

door behind grass

© Yorgos Efthymiadis, “Rusty Door”

There Is a Place I Want to Take You I had an unsettling feeling when I returned, for the very first time after many years abroad, to the place of my origin. Even though I was surrounded by loved ones, friends and family who were ecstatic to see me, there was a sense of non-belonging. After a couple of days of catching up and hanging out, they returned to their routines. I stopped being their center of attention and became a stranger in a foreign land. It was harsh to come home, to a place which I banished in the past, only to realize that I have been banished in return. Time leaves its mark, transforms places, and alters people. Even the smallest detail can make a huge difference to the way things were. After moving away, I had to rediscover what I have left behind. Using my memories as a starting point, I walked down the road that led to my high school, I lay on the sand at the beach, close to the house where I grew up, I nodded to a familiar face I couldn’t quite place and yet they smiled back. All these round-trip tickets to the past, to a place that I once used to belong, reminded me one of Henry Miller’s quotes that always resonated with me: “One’s destination is never a place but rather a new way of looking at things.”

Leslie Jean-Bart

Have always found great comfort in or by the ocean.

The ocean has become the anchor for my current series, Reality & Imagination.

figure walking along beach

© Leslie Jean-Bart, “The Prayer”

This ongoing series is a body of work of over 100 images that were edited from hundreds of images shot over the past 8 years. The images are squarely rooted in the tradition of Elliott Erwitt, Jay Maisel, Eugene Smith, Lou Draper, and sport photography. They are basically as they are in the instant shot.   

I photograph the tide as visual metaphor to explore the dynamic interaction which takes place between the cultures when one lives permanently in a foreign land. 

The cultures automatically interact with each other in a motion that is instantly fluid and turbulent, just as the sand and tide. It’s a constant movement in unison where each always retains its distinctive characteristics. This creates a duality that is always present. 

The current climate towards immigrants in the US and the present migrant situation in Europe shows that the turbulent interaction between the duality created by the mix of the two cultures does not only manifest itself within the foreign individual but also within that foreign land.

Each of the sections of ‘Reality & Imagination’ explores this cultural duality. The section ‘Silhouette & Shadow’ and ‘Silhouette & Shadow Too’ I give an actual shape to the two cultures as silhouette & shadow, which are both entities that cannot exist without the presence of another.  Just as the sand and the tide, a silhouette & or a shadow constantly moves in unison with the object the projected light uses to create it. In that instance, both the object and the shadow always retain each their individual characteristics.

‘Silhouette & Shadow Too’ addresses the phase where immigrants are visible to the dominant society only in limited capacity when needed, and the fact that the potential of enriching the society at large is short circuited.

Personally,  the series has permitted me to readily welcome what’s good from both (all cultures in fact) and to let go from each what does not serve me as a human being. It has facilitated me to see at times what’s not readily seen as well as to be at times more present in life. It has given me the understanding that at every point I have the opportunity to act by choosing from within the structures of one of the two cultures what would serve best at that moment.                                                                                                                      

The constant intermingling of that duality is ever present.

Loli Kantor

papers

© Loli Kantor, “Travel Document, 1951-1952”

For Time Is No Longer Now: A Tale of Love, Loss and Belonging My mother Lola died in Paris on January 21, 1952, after giving birth to me. My father Zwi died in Tel Aviv of a heart attack, March 1966 when I was 14 years old. My brother Ami died of a cardiac arrest in New York City on Thanksgiving Day, 1998. My immediate family: grandmothers, grandfathers, aunts and uncles perished in the Holocaust. My missing family created deep holes in my life—holes so deep that I have been driven to fill them in through a comprehensive and sometimes fevered search. Studying the archives of my family which I collected and saved through my life I uncover facts and information about my mother my father and my brother that help me to better understand their stories. I travel to the places from which my parents came, to where I was born and my mother died, to where I grew up and to times I barely remember, and even before. This is the soul of my work.These are visual disclosures including historical photographs, letters and documents, as well as new photographic works which I created to insert myself into the story of my lost family.

Geralyn Shukwit

woman on couch

© Geralyn Shukwit “Victoria”

For the past nine years, Brooklyn-based photographer Geralyn Shukwit has traveled the backroads of Bahia, Brazil, returning to the same communities year after year to form relationships with the families who reside there. O Tempo Não Para, Portuguese for “time does not stop,” is a personal documentation of those interactions and observations, a poetic record of Bahian life that prevails despite economic and environmental hardships. One of 26 states in Brazil, Bahia has a population of about 14 million in a region approximately the size of Texas. The Portuguese named it “Bahia” (“bay”) in 1501 after first entering the region through the bay where its capital, Salvador, is now located. An agricultural community, Bahians reside primarily in the cities and towns on the coast of the Atlantic Ocean, where the weather is slightly more forgiving than in Bahia’s harsh, arid interior region, the Sertão. Bahia has one of the highest rates of poverty in the country; mothers often have to fish to feed her children and in many communities, water only arrives by truck. Mostly of mixed European and African lineage, Bahians are overwhelmingly Roman Catholic, and many practice the rituals of Umbanda, Candomblé, and other syncretist religious sects. Cloaked in Bahia’s unique light, Shukwit’s intimate portrayal of daily life in Bahia offers viewers distinctly quiet, in-between moments laden with profundity. Underpinning the collective power of O Tempo Não Para is the photographer’s acute ability to cultivate trust and develop close connections with community members. Set in the extraordinarily colorful landscape of Bahia, a contrasting palette of bright, cool and warm colors, each photograph leaves traces of a culture seeped in the rituals and traditions that bind them.

 

Filed Under: Exhibitions, Online Events Tagged With: Photo Chat Chat, Photographers on Photography, griffin online

June Photo Chat Chat | featuring Sean Du, Greg Jundanian, Eric Kunsman & Minny Lee

Posted on May 16, 2020

Once a month we bring together four photographers to talk about their work, and inspire us all creatively. Called the Photo Chat Chat, our next installment happens June 11th. Here is our line up. It promises to be a great conversation.

 

sd canadian rockies

Canadian Rockies, No. 6    © Sean Du

Sean Du is a landscape photographer whose work aims to reconnect us with nature. His on-going project “Above the Treeline” records, by way of hiking and climbing, the normally unseen views of North America’s mountain wildernesses. Since earning his BFA in photography from Art Center College of Design in Pasadena, California, his work had been exhibited in institutes such as the Center for Photographic Art in Carmel, California, Los Angeles Center of Photography, the Center for Fine Art Photography in Fort Collins, Colorado, Sangre de Cristo Arts Center in Pueblo, Colorado, and Photographic Center Northwest, in Seattle, Washington. He currently lives in Pasadena, California.

 

gj woman

© Gregory Jundanian

Gregory Jundanian is an emerging artist focused on portraiture with a concentration on communities. His current project, In Their Footsteps, is about his connection to Armenia, and the connection between Armenia and Armenian break-away republic of Artsakh. Other ongoing projects include a series of work on male identity focusing on local area barbershops, and different landscape projects that keep him busy until he can photograph people once again. In
the meantime he is finally fully utilizing his Netflix account.

Jundanian was a 2017 Critical Mass Top 200 finalist with Spoken Word, his work on the poetry slam community in Boston. He also had a solo show with that work at the South Boston Public Library, and has shown both nationally and internationally in group shows. He recently completed his post-bac degree at MassArt, and will be entering an MFA program at the University of Hartford this summer.

 

ek - rochester

East Main St, Rochester, NY  ©Eric Kunsman

Eric T. Kunsman (b. 1975) was born and raised in Bethlehem, Pennsylvania. While in high school, he was heavily influenced by the death of the steel industry and its place in American history. The exposure to the work of Walker Evans during this time hooked Eric onto photography.

Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography all from the Rochester Institute of Technology in Rochester, New York.

Currently, he is a photographer and book artist based out of Rochester, New York. Eric works at the Rochester Institute of Technology (RIT) as a Lecturer for the Visual Communications Studies Department at the National Technical Institute for the Deaf and is an adjunct professor for the School of Photographic Arts & Sciences. He has owned Booksmart Studio since 2005, which is a fine art digital printing studio, specializing in numerous techniques and services for photographers and book artists on a collaborative basis.

 

ml - self portrait

Self-portrait, Asbury Park, NJ , 2012. © Minny Lee

Minny Lee is a lens- based artist who is currently focusing on making artist’s books. Her work contemplates the concepts around time and space and the coexistence of duality. Lee was born and raised in South Korea and obtained an MA in Art History from City College of New York and an MFA in Advanced Photographic Studies from ICP-Bard. Lee was awarded a fellowship from the Reflexions Masterclass in Europe and participated in an artist-in-residence program at Halsnøy Kloster (Norway) and Vermont Studio Center. Her work has been exhibited at the Center for Fine Art Photography, Camera Club of New York, Datz Museum of Art (S. Korea), Espacio el Dorado (Colombia), Les Rencontres d’Arles (France), Lishui Photo Festival (China) among other venues. Lee’s artist’s books are in the collection of the International Center of Photography Library, New York Public Library, Special Collections at the University of Arizona, Special Collections at Stanford University, University of North Carolina at Chapel Hill, Amon Carter Museum Library, and many other private collections. Lee was based in the greater New York area for more than twenty years and recently relocated to Honolulu, Hawaii.

 

For more information about the photo chat contact us. If you wish to be a presenter at a future event email us. The chat is free for everyone. Reservations required and can be made on our website.

Filed Under: Online Events, Portfolio Reviews Tagged With: Photographers on Photography, Self Portrait, Landscape, artist conversations, Photo Chat Chat, Griffin Museum Online, documentary photography

May Online Photo Chat Chat | Photographers on Photography

Posted on May 5, 2020

Join us Thursday for a online Photo Chat Chat featuring the works of Bootsy Holler, Doug Johnson, Susan May Tell and J.P. Terlizzi.

The Photo Chat Chat is a lively conversation by photographers for photographers and photography lovers. Each artist has a short presentation about their work, process and creativity, and a Q & A session follows, inviting each member of the Chat to ask questions of the presenting artists.

Join us on Thursday May 7th, 2020 at 7pm Eastern / 6pm Central / 5 pm Mountain / 4pm Pacific

Tickets for the event are available here.

Here are the talented artists who will be joining us to discuss their work.

About Bootsy Holler – 

Hells Bells - Holler

© Bootsy Holler – Hells Bells

Bootsy Holler is an intuitive artist who has been a working photographer for over 25 years in music, editorial, advertising and fine art. Best known for her remarkably sensitive style of portraiture, she has been noticed and awarded by the Society of Photographic Journalism (SPJ) and Association of Alternative News-media (AAN).

Now a fine art photographer her work examines the nature of identity and the reimagined family photo album.

She received her BA with a concentration on Textiles from Western Washington University, Bellingham. After a career as a freelance Director, Producer and Photographer she relocated to Los Angeles to focus on fine art.

 

About Doug Johnson – 

Doug Johnson is a photographer, writer, illustrator, and printmaker currently living in Santa Fe, NM. I have published three books and occasionally write essays about photography, art and the creative process.

Fabrication

© Doug Johnson – Marlborough Foundry; August, 2014

Much of my work focuses on the miracle of daily life — how we make our way in the world, safely and sanely. Remarkably, we often do so with kindness, humor, creativity, wisdom, friendship and teamwork. I want to better understand the unique worlds that people create for themselves; to explore the paths they follow or trails they blaze; to record the footprints and artifacts they leave behind. I wonder if they like their job, where they’re going, who cares if they’re sick, what makes them happy, is their family safe, what do they regret, what do they show and hide?

About Susan May Tell – 

A visual poet, Susan May Tell was awarded recent artist fellowships to The MacDowell Colony and Yaddo. Her work is in the Smithsonian Museum’s Samuel Wagstaff Collection; her Oral History and Catalog of Works were acquired by Columbia University.

men suisse

© Susan May Tell – Men, Suisse

Tell’s photographs are featured in solo museum and university exhibitions including the Museum of Art / Fort Lauderdale and the University of California / San Francisco, as well as scores of brick-and-mortar galleries coast to coast.

Elizabeth Avedon included them in “fossils of time + light” — a book she curated and designed for the Detroit Center for Contemporary Photography.

Tell also had a celebrated 25-year career photographing in more than 20 countries, in the United States, Middle East and Europe, for pre-eminent publications, such as the New York Times, Time and LIFE Magazines. Stories included the women fighters of the Eritrean People’s Liberation Front, Iran-Iraq war, NBA Finals, actors, politicians, and more. She spent an amazing decade as a staff photographer and photo editor for her home town, in-your-face, newspaper, the New York Post.

Her traveling exhibition, A Requiem: Tribute to the Spiritual Space at Auschwitz, was presented at the Griffin Museum of Photography’s Main Gallery in 2009. In 2021, it will be at the Schumacher Gallery, Capital University. Please contact art2art Circulating Exhibitions, art2art dot org for more information and bookings.

About JP Terlizzi – 

terlizzi 7 lemons

© JP Terlizzi – Seven Lemons

JP Terlizzi is a New York City visual artist whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how that impacts and shapes one’s identity.Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME.

His work has been exhibited widely in galleries and museums across the United States including juried, invitational and solo exhibitions. JP was recognized and named in The Critical Mass Top 50 (2019, 2018), Critical Mass Finalist (2016, 2015). His work is held in both permanent and private collections across the United States and Canada.

JP is currently represented by Foto Relevance Gallery in Houston TX.

Filed Under: Blog, Events Tagged With: photographers, Photo Chat Chat, Griffin Museum Online, online programs, conversations on photography

Primary Sidebar

Footer

Cummings Foundation
MA tourism and travel
Mass Cultural Council
Winchester Cultural District
Winchester Cultural Council
The Harry & Fay Burka Foundation
En Ka Society
Winchester Rotary
JGS – Joy of Giving Something Foundation
Griffin Museum of Photography 67 Shore Road, Winchester, Ma 01890
781-729-1158   email us   Map   Purchase Museum Admission   Hours: Tues-Sun Noon-4pm
     
Please read our TERMS and CONDITIONS and PRIVACY POLICY
All Content Copyright © 2025 The Griffin Museum of Photography · Powered by WordPress · Site: Meg Birnbaum & smallfish-design
MENU logo
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP