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Posted on August 22, 2021

Journey to Impurity: Fighting Against Menstrual Restrictions in Nepal
Maria Contreras Coll
August 30 – December 6, 2021
girl on tree
Surekha has perched upon a tree to eat some fruits. In some areas, menstruating women are not allowed to touch trees like the Peepal tree (a tree that represents the God Vishnu) and fruits.
girl in garden
© Maria Contreras Coll
girl seated legs crossed
© Maria Contreras Coll

2 girls sleeping
© Maria Contreras Coll
night
© Maria Contreras Coll
girl in crowd
© Maria Contreras Coll

crowd of students seated
© Maria Contreras Coll
in classroom
© Maria Contreras Coll

Statement
In Nepal, and according to Hinduism, the entry into adulthood is tied to a loss of purity.  In some rural areas, menstrual women are exiled for a week, a practice known as Chhaupadi Partha. When they are on their period they are not allowed to enter their houses, visit the temples, attend festivities, cook, touch specific fruits and trees, or eat with their own family. Sometimes, they are not even allowed to look or talk to any male relative.

Every year, women die from following this tradition, bitten by animals or choked from the fumes in the small, non-ventilated huts they stay in during their periods. Although Chhaupadi Partha has existed for decades, Nepali society is trying to change. In August 2017, for the first time in history, the country criminalized the isolation of the menstrual women with a three-month jail sentence or a 3,000 rupee fine ($30), or both, for anyone that forces a woman to follow the custom.

In Kathmandu, a new generation of young people is reinventing traditions, making them their own. Some people from rural areas have started to question these practices and became activists, and a growing number of them lead organizations and are empowering young girls in rural areas and teaching them about hygiene. Some villages are already liberated from the practice. Last May 2018, Menstrual Hygiene Day was celebrated the first time in Kathmandu with the theme ‘Education about menstruation changes everything’. “Since I was a kid I have it clear, I was not going to go to the hut to sleep as my mother and sisters,” says Radha Paudel, a Menstrual Activist of Nepal and an author. “I’m sure the solution is in the education and in the younger minds, and that step by step we’re going to achieve what we are dreaming of”.

Bio
Maria Contreras Coll is a documentary photographer based in Barcelona, Spain.

Maria has the need to tell people’s stories from an intimate perspective. She is especially interested in gender issues and how women are re-defining social structures in different countries and religions. She is a National Geographic Explorer 2020-2021 and a member of Women Photograph, and she is currently participating in a three-year program as a mentee to James Estrin, senior staff photographer at The New York Times and co- creator of Lens Blog, and Ed Kash, member of VII Photo Agency.

After finishing her degree in Fine Arts in Barcelona, she studied a postgraduate degree in Photojournalism at the Autonomous University of Barcelona as a valedictorian. She spent the next year working on the refugee and migrant crisis in Europe, traveling and living in the Spanish enclave of Melilla, Greece, France, Germany, and Morocco. She lived in Nepal during 2017 and 2018 to document how women are fighting against menstrual restrictions in the country. She is currently working on a long term project about sexual violence in her country, Spain, with Joana Biarne’s Grant support, and exploring the concepts of women and religion in different parts of the world thanks to the support of National Geographic.

Her work has been published in The New York Times, The Washington Post, Marie Claire among others, and shown in cities such as Dubai, London, or Barcelona. She is a guest lecturer at the Autonomous University of Barcelona and has recently been awarded a POYLatam for her work in Nepal.

Formal Education
2015 to 2016 Valedictorian of Postgraduate Degree in Photojournalism at the Autonomous University of Barcelona
2010 to 2014 Major in Image Studies, Bachelor of Fine Arts at the University of Barcelona

Languages
Maria Contreras is a Spanish, native speaker, a Catalan, native speaker, speaks advanced English, conversational Portuguese and  basic conversational Nepalese.

Publications And Clients
The New York Times, The Washington Post, GEO, Marie Claire, Al Jazeera, 6Mois, Causette, Internazionale, Le Temps, Le Figaro, Open Society Fundations, Vice Media, El Pais, El Mundo, El Diario, Diari Ara, La.Vanguardia, Pear Video.

Maria Contreras Coll was a finalist for the 2020 Chervinsky Award.

 

View Maria Contreras Coll’s website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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