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Posted on August 12, 2019

Allowed to Grow Old
Isa Leshko
October 24 – December 6, 2019

Reception October 24, 2019 7-8:30 PM
Gallery Talk Susan Rosenberg Jones at 6:15 PM at the Griffin on the night of the opening on October 24, 2019
Isa Leshko at 2019 Compassion Arts Festival - Compassion Speaks: Seeds of Reconciliation October 27, 2019 2:00 PM - 4:30 PM
Isa Leshko Allowed to Grow Old: Unity Farm Sanctuary Tour and Leshko Book Reading November 17, 2019 1:00 PM - 3:00 PM
Isa Leshko artist talk and book signing at the Griffin Museum on November 21, 2019 7 PM - 8:30 PM

A horse stands in barn.
© Isa Leshko, “Handsome One, Thoroughbred Horse, Age 33”
Ad Framing logo
A profile portrait of a goat.
© Leshko, “Abe”

A cow sits on hay.
© Isa Leshko, “Bessie, Holstein Cow, Age 20”
An angora goat sits on hay.
© Isa Leshko, “Melvin, Angora Goat, Age 11+”
A rooster lies down.
© Isa Leshko, “Rooster, Age Unknown”

A cow's partial head shot.
© Isa Leshko, “Valentino”
A pig sits down in the barn.
© Isa Leshko, “Violet”

Statement
For nearly a decade, I have visited farm animal sanctuaries across America to create photographic portraits of geriatric animals. I began this series shortly after caring for my mom who had Alzheimer’s disease. The experience had a profound effect on me and forced me to confront my own mortality. I am terrified of growing old and I started photographing geriatric animals in order to take an unflinching look at this fear. As I met rescued farm animals and heard their stories, though, my motivation for creating this work changed. I became a passionate advocate for these animals and I wanted to use my images to speak on their behalf.

For each image, I strive to reveal the unique personality of the animal I photograph. Rescued farm animals are often wary of strangers, and it can take several days to develop a comfortable rapport with the animals I photograph. I often spend a few hours lying on the ground next to an animal before taking a single picture. This helps the animal acclimate to my presence and allows me to be fully present as I get to know her. In order to be as unobtrusive as possible, I do not bring any studio lighting into the animal enclosures and instead work only with natural light.

Nearly all of the animals I met for this project endured horrific abuse and neglect prior to their rescue. Yet it is a massive understatement to say that they are the lucky ones. Roughly fifty billion land animals are factory farmed globally each year. It is nothing short of a miracle to be in the presence of a farm animal who has managed to reach old age. Most of their kin die before they are six months old. By depicting the beauty and dignity of elderly farm animals, I invite reflection upon what is lost when these animals are not allowed to grow old.

Bio
Isa Leshko is an artist and writer whose work examines themes relating to animal rights, aging, and mortality. Her images have been published in The Atlantic, The Boston Globe, Frankfurter Allgemeine Sonntagszeitung, The Guardian, Harper’s Magazine, The New York Times, Photograph and Süddeutsche Zeitung. In April 2019, the University of Chicago Press published her first monograph, Allowed to Grow Old: Portraits of Elderly Rescued Farm Animals, which included essays by activist Gene Baur, NY Times bestselling author Sy Montgomery, and curator Anne Wilkes Tucker.

Isa has received fellowships from the Bogliasco Foundation, the Culture & Animals Foundation, the Houston Center for Photography, the Millay Colony for the Arts, and the Silver Eye Center for Photography. She has exhibited her work widely in the United States and her prints are in numerous private and public collections, including the Boston Public Library, Fidelity Investments, the Harry Ransom Center, and the Museum of Fine Arts, Houston.

Isa—whose full name is Isabell Carmella—grew up in Carteret, New Jersey, in an Italian-American working class family. She received her BA from Haverford College, where she studied cognitive psychology, neurobiology, and gender studies. She spent a decade working for dot.com startups before she discovered her passion for photography. She currently lives in Salem, Massachusetts, with her domestic partner, Matt Kleiderman, and their cats Alfred and Higgins. Isa has also lived in Houston, Texas; Philadelphia, Pennsylvania; and Providence, Rhode Island.

These images appear in “Allowed To Grow Old” published by University of Chicago Press in April 2019.

Isa will have a gallery  talk and book signing on November 21, 2019 from 7 PM – 8:30 PM

Photograph Magazine features Isa Leshko’s Allowed to Grow Old in its Sept/October 2019 issue with a feature by Jean Dykstra.

Website

Our sincere gratitude to
Adjective Art and Framing
for their sponsorship of the framing of
Allowed to Grow Old

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP