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The Deconstructed Self

Posted on May 30, 2018

The Deconstructed Self

This series was inspired by a decision to move from my lifelong home in Kentucky to Santa Fe, New Mexico. The impetus for the move was unplanned and occurred at a time when I was also dealing with the decision to leave behind my professional identity as a psychotherapist.  The bright light and deep shadows of the Southwest immediately drew me in and I began to explore the urban landscape with my camera.

My photographs are a study of color fields, geometric shapes, negative space and light. My long-time work as a psychotherapist and love of abstract painting has influenced my work; I am using the symbols and spaces of the Southwest to reveal psychological metaphors – closed and open doors, shadows, and swimming pools are some of the subjects that draw me in.  These images are shot in a banal suburban landscape; I am interested in the places that others pass by, and I want to draw attention to the drama that others overlook. My images emphasize what is happening within the frame, yet they also ask the viewer to contemplate what exists just beyond the edges and cannot be known.

For me, these symbols and spaces touch on a part of the self that exists in the unconscious mind – reminding us that there is always something just below the surface of awareness threatening to reveal something new.

Bio

Natalie Christensen is a photographer based in Santa Fe, New Mexico and is a frequent contributor to online contemporary and fine art photography magazines, has won several regional awards, and shown work in the U.S. and internationally including London, Dusseldorf, New York and Los Angeles. She is one of five invited photographers for the exhibition The National 2018: Best of Contemporary Photography at the Fort Wayne Museum of Art and has recently been named one of “Ten Photographers to Watch” by the Los Angeles Center of Digital Art.  In addition to pursuing her interests in art and design, Natalie worked as a psychotherapist for over 25 years and has been particularly influenced by the work of depth psychologist, Carl Jung. This influence is evidenced in her photographs, as shadows and psychological metaphors are favored subjects.

Everywhere And All At Once

Posted on May 27, 2018

Artist – Kevin Hoth

Critic – Griffin Museum of Photography

Artist Statement for Everywhere And All At Once
Ansel Adams said–somewhat cheekily–the hardest part of photography is knowing where to stand. This is
essentially an acknowledgement of the importance of the camera’s coordinates in space or the vantage point of the maker. I use a mirror within the landscape as a way to combine two vantage points – in front and behind me – in one frame. Representation of photographic seeing tends to be from one vantage point or coordinate in space – you extend a ray from your eye to the scene. I’ve often felt this is a representational limitation since what we may experience as seeing is a three dimensional, multi-sensorial experience. By creating images that combine multiple scenes–albeit from the same vantage point–my aim is to create a two-dimensional image that evokes a more whole representation of seeing. The series locked into place when I realized I could line up horizon lines from these multiple spaces or line up objects–clouds and rocky peaks, for instance–to unify different spaces within the singular frame. Though the idea of landscape may carry with it certain metaphors, I use the landscape as a sort of blank canvas or background layer (to use the language of Photoshop) devoid of social cues or commercial symbols. I use a circular mirror as a reference to the shape of the eyeball and to the fact that all images — whether formed in the brain or projected onto the capture plane — are created optically as true circles. -KH

Bio
Kevin Hoth is a photographer whose work focuses on three distinct areas: the manner in which multiple spaces can be formed into a singular frame, how emptiness can be visualized and depicted, and how meaning is ascribed in photographic representations. Kevin’s work has been shown in over eighty exhibitions nationally and internationally including most recently at Walker Fine Art (Denver, CO), The Houston Center for Photography, The Center For Fine Art Photography (Fort Collins, CO), The Colorado Photographic Arts Center (Denver, CO), and online in Humble Arts Foundation New York’s Year In Reverse. Fraction magazine also recently featured his portfolio Everywhere And All At Once in Issue 105. Kevin has made photographic work for over twenty years spanning diverse processes such as polaroid manipulations, digital manipulations, film photography, and video installation art. Funfacts: He did a stint as a full-time graphic designer for Amazon.com, made an interactive garment way back in 2006, and played bass in a Seattle band during grad school that did a studio gig at KEXP-FM. Kevin was born and raised in Wisconsin, but has lived in Spain, Nantucket, Georgia, South Carolina, Utah, New Mexico, and regular Mexico. Kevin has taught graphic design, multimedia art, and photography at numerous universities and currently teaches in the Technology, Arts and Media Program at the University of Colorado Boulder. He lives with his daughter Anya in Boulder, CO and gets regularly woken up by coyote cries, owl hoots, and horse whinnies.

Curriculum Vitae
Kevin Hoth lives and works in Boulder, CO
He is represented by Walker Fine Art, CO

Education
University of Washington, M.F.A. Photography, Seattle, WA (1999)
University of Wisconsin. B.S. Art, Madison, WI (1994)

 Select Exhibitions (Photography unless otherwise noted)
* Indicates Solo Shows

**Indicates Two-person Shows

Year In Reverse. Humble Arts Foundation. http://hafny.org/ (2018)

Members Juried Show. Houston Center for Photography. Houston, TX. Juror: Rebecca Senf of the Center for Creative Photography (2017)

Juried Members Show 2017. Colorado Photographic Arts Center. Denver, CO. Juror: Rebecca Robertson, Photo Editor PDN/Photo District News (2017)

Landscape 2017: Center for Fine Art Photography. Fort Collins, CO. Juror: Lisa Holpe of Museum of Fine Arts, Houston (2017)

Flipside: An Alt Angle to Photo Processes. Art Students League of Denver. Denver, CO. Juror: Samantha Johnston, Director, Colorado Photographic Arts Center (2017)

Postcards From El Camino Real, Wonder Press, Boulder, CO (2016)

Ice. 530 Gallery, 530 Santa Fe Drive, Denver, CO* (2016)

Postcards From El Camino Real. Charleston Music Hall, Charleston, SC* (2015)

Mobiles – Madelife, Boulder, CO* (2013)

Emptiness and Presence – Steel Wool Gallery, Denver, CO* (2012)

iWorld – Colorado Photographic Art Center, Lakewood, CO (2012)

Month of Photography – Faculty Show, The Art Institute of Colorado, Denver, CO (2011)

Members Juried Show – Colorado Photographic Art Center, Denver, CO (2011)

Mid-Winter Digital Art Show – Boulder Digital Arts, Boulder, CO (2011)

Under The Influence – Faculty Show – Rocky Mountain College of Art and Design, Lakewood, CO (2010)

Recent Work – The Art Institute of Charleston, Charleston, SC* (2009)

Faculty Show – The Art Institute of Charleston, Charleston, SC (2009)

Recent Work – The Art Institute of Charleston, Charleston, SC** (2008)

The Imagist – Rebekah Jacob Gallery, Charleston, SC (2008)

The Other Side – Robert Lange Studios, Charleston, SC (2007)

iShow – Modernisme Gallery, Charleston, SC (2007)

Reorientation II – REDUX Contemporary Art Center. Charleston, SC (2007)

The Changing Face of Charleston – City Gallery at Waterfront Park, Charleston, SC (2007)

Animal Time – REDUX Contemporary Art Center, Charleston, SC* (2006)

Piece, Out – Chase St. Warehouse, Athens, GA* (2005)

HeadSpinning – Lyndon House Arts Center, Athens, GA. Group show of artwork made for music packaging with designer for music acts such as REM, Drive-by Truckers (2005)

Embedded: Living With Technology – ATHICA, Athens, GA. Interactive sound garment (2005)

SOUTHWorks Annual Juried Show – Oconee Cultural Arts Foundation, Watkinsville, GA. Merit Award (2005)

Bodies in Crisis – ATHICA, Athens, GA. Video piece (2005)

Regime Change V.4 – Virtual art at athica.org. online video piece Casualties of War (2004)

Tips on Running An Orderly Household: The Big Hole Under My House. RELATIVE: Photographing Domesticity ATHICA Gallery, Athens, GA. html piece (2004)

Shoreline Drift – Redux Studios, Charleston, SC. Video projections (2003)

28th Annual Lyndon House Juried Exhibition – Lyndon House Arts Center, Athens, GA. (2003)

Product: Comments on Consumer Culture – ATHICA, Athens, GA. Digital audio piece (2003)

Make Alias: Orange Man – The Grit, Athens, GA* (2000)

Las Afueras de Oaxaca (The Outskirts of Oaxaca) – The Photographic Center Northwest. Seattle, WA.* (1999)

Publications
Fraction Magazine: Issue 105 – Portfolio Showcase (2017)

Fraction Magazine: Issue 98. http://www.fractionmagazine.com/issue-98 (2017)

Resist. Ello, Not For Print Issue No. 2. Ello.co/notforprint (2017)

Future Isms. Humble Arts Foundation. http://hafny.org/group-show-51-future-isms (2016)

Winter Pictures. Humble Arts Foundation. http://hafny.org/group-show-48-winter-pictures/ (2016)

100 Mile Radius Landscape Photography Competition. One of ten international

finalists. http://www.100mileradius.info (2015)

Colab – Autos. Terratory Journal. http://www.terratory.org/collaboration/#/autos/ (2015)

Video Screenings & Collaborations
Unfolding – Eye Level Art, Charleston, SC. Video / dance collaboration (2009)

w/ The Charleston Symphony Orchestra. Aaron Copland Opera. (2008)

The Gibbes Museum, Charleston, SC. (2007)

w/ Nomos String Trio – Halsey Institute for Contemporary Art, College of Charleston, Charleston, SC. (2007)

Handful Series – Canopy Studio, Athens, GA. Video piece for curated modern dance event (2005)

Cathode Ray Tube – Nuci’s Space, Athens, GA. One-hour video score mixed live with Jazz/Rock quartet accompaniment (2005)

Butterfly Effect 3 – Seney-Stovall Chapel. Athens, GA. Collaborations with composers. (2004)

Athens Film Festival and Music Video Showcase – Athens, GA (2004)

Spoleto Festival USA – Charleston, SC. Shoreline Drift video screened (2004)subMERGEd – Port City Center, Charleston, SC. Live Video Mixing Performance (2004)

Commandeering Spaces – City of Charleston, Charleston, SC. Video projection on downtown building (2004)

Once Twice Festival – The Johns Hopkins Digital Media Center, Johns Hopkins University. Baltimore,MD. (2004)

Bellevue Art Museum Film and Video Festival – Bellevue Art Museum, Bellevue, WA. Video The Body Photographs screened (1999)

The Butterfly Effect 2 – Seney-Stovall Chapel, Athens, GA. Video Projections for four new classical compositions performed live (2003)

Hyper-Caligari – LaGrange College, GA. Video for an electronic musical score by professor Mitch Turner (2003)

Crossover – Canopy Studio, Athens, GA. Video projections for a dance, visual, and music performance (2003)

Puzzle – School of Music, University of Georgia. Video projection piece for electronic musical score (2003)

Visceral: The Subjective Body – Looping BUTOH performance by WHITE CRANE STYLE at ATHICA (2003)

All Small – Eyedrum Gallery, Atlanta, GA. (2002)

New Season – Museum of New Art, Detroit, MI. Yard Work shown (2002)

The Butterfly Effect – Seney-Stovall Chapel, Athens, GA and Atlanta, GA. Two hour-long evenings of new classical composers performing alongside my original video work. (2002)

Looping BUTOH – Electric Performance Night, Eyedrum Gallery, Atlanta, GA. Collaborative performance as White Crane Style (2002)

Japancakes – Nuçi’s Space. Athens, GA. 60-minute video projection for the band Japancakes (2001)

TOG – New Media Institute. Athens, GA. Video accompaniment to live webcast of Powerbook audio duo (2001)

New Music & Dance: Movement + Sound / Composition + Abstraction – Roger Dancz performance hall, School of Music, UGA, and Ballroom Studios, Atlanta, GA. (2001)

Film and Video Festival – Plan B Evolving Arts, Santa Fé, New Mexico. Video piece screened (2001)

TOG – X-ray Café, Athens, GA. Video Performance with laptop music duo (2001)

The Orng Drum – Eclectic Electric, Lyndon House Arts Center, Athens, GA. Self-produced video, movement and sound piece with live musical accompaniment (2001)

Performances
Pecha Kucha – Boulder Museum of Contemporary Art, Boulder, CO (2010)

Slideluck Potshow – Boulder Museum of Contemporary Art, Boulder, CO (2010)

Knee Jerk: A History – ATHICA, Athens, GA. Solo slideshow performance (2005)

Tips on Running An Orderly Household: The Big Hole Under My House – Solo slideshow performance for RELATIVE: Photographing Domesticity ATHICA Gallery, Athens, GA. (2004)

LANGUAGE HARM – Atlanta Poets Group at Eyedrum Gallery. Atlanta, GA. Solo performance with video (2004)

Tips on Running an Orderly Household (The Big Hole Under My House) – INFO DEMO #5, ArtSpot,Atlanta, GA. Solo slideshow performance (2003)

How to Get That Old-Timey Feeling – ATHICA, Athens, GA. Solo slideshow performance at ATHICA for the closing reception of Visceral: The Internal Body (2002)

My Acne – ATHICA, Athens, GA. Solo slideshow performance for Visceral: The Subjective Body (2002)

How to Talk to Small Children – ArtSpot, Atlanta, GA. Solo slideshow performance (2002)

How to Get That Old-timey Feeling – ArtSpot, Atlanta, GA. Solo slideshow performance (2002)

My Acne – Eyedrum, Atlanta, GA. Solo slideshow performance (2002)

Verge vs. The Orange Man – 10th Annual Mental Health Benefit. School of Music, University of Georgia. Athens, GA. Collaborative performance with modern dance company (2000)

Relevant Professional Experience
Instructor (August 2014 – Currently)

Technology, Arts & Media Program, ATLAS Institute, The University of Colorado, Boulder, CO. As fulltime Faculty, I have developed and taught our new IMAGE curriculum (Photography and Digital Image making, critical evaluation, and theory) as we have become a Major (previously a Certificate and Minor program). I oversee three adjunct instructors and make sure they are following my curriculum as well as collaborating with me on developing course content. I also teach my course Alternative Digital Imaging and my newest course Video Art Installation.

Freelance Photographer / Videographer (1999—Currently)

Self-employed freelance work in commercial photography, digital imaging, video production.

Lecturer (January 2011 – August 2014)
Technology, Arts & Media Program, ATLAS Institute, The University of Colorado, Boulder, CO. Teaching Digital Media 1 courses covering html, css, Dreamweaver, Photoshop, GarageBand, Final Cut Pro, and After Effects. I also teach Fundamentals of Digital Design (the history and practice of graphic design) and my new course Alternative Digital Imaging (a blend of analog and digital image making within an experimental context).

Photography Instructor (Fall semester 2011)
Photography 2/3/4 – Advanced Traditional Black and White Photography. Naropa University. Boulder,CO

Photography Faculty (June 2010 – May 2011)
Photography Dept., The Art Institute of Colorado, Denver, CO. Teaching Digital Photographic Illustration 2, Web Portfolio2, Principles of Digital Photography.

Adjunct Motion Design Instructor (May 2010 – August 2010)
Taught video editing with Final Cut Pro. Communications Design Dept., Rocky Mountain College of Art & Design, Lakewood, CO

Photography Faculty (April 2007—December 2009)
The Art Institute of Charleston, Charleston, SC. As adjunct professor, teach core courses in Photography and digital imaging, studio, lighting, and fine art photography. I was responsible for designing my own course outlines and syllabi, creating relevant class projects and writing and coordinating exams. During this time teaching I continued to do my own independent research including gallery exhibition and related freelance commercial work.

Related Activities
(2017) Curator – Student Work from TAM for Month of Photography 2017. ATLAS Institute, Universityof Colorado, Boulder, CO

(2015) Curator, The End of Light exhibition. Month of Photography 2015 Show. Madelife, Boulder, CO

(2013) Guest Panel – Advanced Studio Arts Final Critique. Naropa University, Boulder, CO

(2013) Guest Portfolio Reviewer. American Institute of Student Architects. University of Colorado, Boulder, CO

(2012) Contributing Cinematographer – TINY: A Story About Living Small (http://tiny-themovie.com/) Documentary film, which premiered at SXSW in the spring of 2012 and has shown and continues to be shown at many film festivals across the country

(2010, 2011) Guest Artist – Visual Arts Department. Naropa University, Boulder, CO

(2008) Panelist, Creatives in the Commercial World, Think-Tech Conference, Trident Tech, North Charleston, SC

(2008) Judge, City Paper Annual Photography Contest

(2008) Guest Speaker, Alterman Studios, January

(2007) Guest Speaker for Visual and Computational Thinking, College of Charleston Art History Department

(2007) Discussion Moderator and Panelist, iShow: You Are Where, Modernisme Gallery

(2006-2007) Board Member, REDUX Contemporary Art Center

(2006) Panelist, Contemporary Art & Business, REDUX Contemporary Art Center

(2006) Guest Speaker for Contemporary Art course, College of Charleston Art History Department

(2005) Panelist, Embedded: Living with Technology, ATHICA, Athens, GA.

Website

Quién? Qué? Dónde?

Posted on May 25, 2018

“Quién? Qué? Dónde?” means  “Who? What? Where?” in Spanish.  Spanish is one of the worlds’ most commonly spoken languages and is often chosen as the second language one learns. The name was chosen for this portrait exhibition in order to underscore the complexities of all of our diverse roots. A portrait photograph can inspire many questions and if we look hard and long enough, the answers as well.

The 70 photographers in the exhibition are:
Mim Adkins, Roger Archibald, Gary Beeber, Sheri Lynn Behr, Karen Bell, Patricia Bender, Anne Berry, Rebecca Biddle Moseman, Meg Birnbaum, Lana Z. Caplan, Bill Chapman, Jo Ann Chaus, Moesia Davis, Adrienne Defendi, Cindy Dominguez Crockett, Ken Dreyfack, Nicholas Fedak II, Diane Fenster, Colleen Fitzgerald, Carole Glauber, Audrey Gottlieb, Tamar Granovsky, Michal Greenboim, Linda Haas, Law Hamilton, Amy Herman, Keiko Hiromi, Rohina Hoffman, Margaret L. Holmes, Evy Huppert, Timothy Hyde, Carol Isaak, Jessica James, Roger Carl Johanson, Cynthia Johnston, Marky Kauffmann, Tira Khan, Lee Kilpatrick, Cassandra Klos, David Kulik, Susan Lapides, J.K. Lavin, Joan Lobis Brown, Yvette Meltzer, Iaritza Menjivar, Judith Montminy, Robert Moran, Ruth Nelson, Zoe Perry-Wood, Suzanne Révy, Katherine Richmond, Susan Rosenberg Jones, Gail Samuelson, Joshua Sariñana, Wendi Schneider, Tony Schwartz, Geralyn Shukwit, Ron St. Jean, Vicky Stromee, Jane Szabo, JP Terlizzi, Kai Toppa, Donna Tramontozzi, David Underwood, Aurélien Vanhollebeke, Nina Weinberg Doran, Susan Wilson, Carol Wontkowski, Dianne Yudelson and Charlyn Zlotnik.

What I Know So Far

Posted on May 24, 2018

Statement
I am a self-described wallflower, rooted in the private mysteries of home and family. My images are my story, as told by a mostly reliable narrator.  The subjects I photograph are gathered from my immediate surroundings:  my children, our beloved dog, household artifacts, and the natural world outside our door.  Individually, each image is a story in itself.  Taken as a whole, this work is a fable of motherhood, love, and the inevitability of loss.

Though my pictures are personal documents of my life as I imagine it, I construct each vignette to be allegorical.  I build scenes like miniature stage sets, often tucked into quiet corners of my house, using the natural light of a hallway window to illuminate them. While my themes come out of my experience watching my children grow up and away, I try to avoid specific references to our time or place.  An antique bowl and the collar of a soldier’s uniform are clues to my history, but they are not meant to lead all viewers to the same conclusion. My subjects are commonplace, but I make them iconic through carefully balanced compositions.  The inherent stillness of this formality is often contradicted by a sense of impending drama. My work is meant to be deceptively calm and forcefully serene.  I like the underlying tensions at play and the uncertainty they create: formality versus familiarity, the mix of the real with make believe, the mundane made beautiful.

Inevitably, each of these quiet moments will slip away, leaving the image as proof of an enduring narrative.  Within families there are moments of intimacy and solitude.  The present is continually falling into the past.  Love and loss are inextricably linked.  -JH

Bio
Jackie Heitchue’s nomadic childhood spanned the country, from the suburbs of Los Angeles to Ohio and Virginia.  Finally settling in New England with her husband and children, the move felt like a homecoming, a sentiment borne out by a newly unearthed family lineage of Puritans, indentured servants, and an unfortunate Salem witch.  Ruminating over these historic connections while engrossed in the daily minutia of child-rearing, Jackie became fascinated with the universal themes of family and motherhood that connect one generation to the next. She began photographing her son and daughter as they grew and changed over the years.  While her images are deeply personal, they also stand as allegories for the milestones that all families traverse.

Heitchue has worked as a photographer most of her life.  After graduating with a BFA from the Corcoran School of Art, she was an award-winning photojournalist for a chain of newspapers in the suburbs of Washington, D.C.  From there, she worked as a master printer at the Library of Congress, and taught photography to high school students in Virginia. Her current work has shown in several galleries in New England, including a solo show at the Griffin Museum of Photography.  Farther afield, her work was selected for publication and exhibition in the Portfolio Showcase at the Center for Fine Art Photography in Colorado.  She has also shown at the Southeast Center for Photography in South Carolina and the Candela Gallery in Virginia.

 

 

Website

Karen Klinedinst: The Emotional Landscape

Posted on May 24, 2018

Statement
All of us have a deep connection to certain places. We see these places not as they are, but idealize them through our memories.

I draw my inspiration from 19th century landscape painting ranging from Thomas Cole, George Innes and The Hudson River School painters to Caspar David Friedrich. Similar to these painters, I interpret the landscape and how it affects me emotionally and spiritually. My approach is not about capturing reality, but creating a neo-Romantic world reflective of my memory and imagination.

Thomas Cole believed humans must commune in “pure nature.” Walking in nature is an integral part of my creative process, and forms my point of view. The act of walking allows me to experience the nuances of light, weather and time. It becomes a form of meditation.

All of these landscapes were captured with my iPhone while walking through these special places. Like a painter, I manipulate these images through the layering of textures and colors to express my emotional response to a landscape that exists only in my memory. -KK

Bio
Karen Klinedinst is an artist and graphic designer based in Baltimore, Maryland. Originally from central Pennsylvania, she spent much of her childhood painting and drawing the landscape around her. She is a graduate of the Maryland Institute College of Art (MICA) in Baltimore. For over 20 years, she has maintained a fine art photography practice focused on place, nature, and the environment.

Her landscapes have been exhibited widely, including: Massoni Art Gallery, Fleckenstein Gallery, South x Southeast Photo Gallery, Adkins Arboretum, Maryland Art Place, Soho Photo Gallery, The Center for Fine Art Photography, Griffin Museum of Photography, and the Biggs Museum of American Art. Her work is in the collection of the National Park Service, and numerous private collections.

She was a 2004 Platte Clove artist-in-residence at the Catskills Center for Conservation and Development, and a 2006 National Park Service artist-in-residence at Acadia National Park in Maine. In 2015, was awarded an Individual Artist Award from the Maryland State Arts Council.

She teaches iPhone Photography workshops at the Creative Alliance, Adkins Arboretum, Johns Hopkins University’s Odyssey Program, and at her Baltimore studio.

Resumé of Exhibitions
2018

January-February 2018. Focal Point. Group exhibition curated by Adam Davies. Maryland Federation of Art, Annapolis, MD.

January-March 2018. Tree Talk. Group exhibition curated by Paula Tognarelli. Griffin Museum of Photography at Lafayette Center, Boston, Massachussetts.

April 2018. Illuminate. Group exhibition curated by Peggy Sue Amison, Center for Fine Art Photography, Fort Collins, Colorado

2017

November–December 2017. Vistas. Group exhibition curated by Dan Burkholder. A. Smith Gallery, Johnson City, TX.

November–December 2017. The Emotional Landscape. Solo exhibition. Through This Lens Gallery, Durham, NC.

October–November 2017. PHOTO ’17. Group exhibition curated by Molly Roberts, National Geographic. Multiple Exposures Gallery, Torpedo Factory Art Center, Alexandria, VA.

October–November 2017. Click! Juried Photography Exhibition: Resist. Group exhibition curated by Michael Pannier, director of the South East Center for Photography. Watts Grocery Gallery, Click! Photography Festival, Durham, NC.

August 2017. Juried Photography Show. Chestertown RiverArts Gallery, Chestertown, MD.

July–August 2017. Third Annual Group Show, curated by Paula Tognarelli, director of the Griffin Museum of Photography. Davis Orton Gallery, Hudson, NY.

July–August 2017. The Summer Show. Group exhibition curated by Julie Grahame. South x Southeast Gallery, Molena, Georgia

Website

The 2018 Arnold Newman Prize Exhibition

Posted on May 24, 2018

The 2018 Arnold Newman Prize For New Directions in Photographic Portraiture

About the Prize
Arnold Newman had an insatiable fascination with people and the physical world around him. In his work, he constantly explored the boundaries of portraiture and embodied the spirit of artistic innovation. He was also a passionate teacher–he taught at Maine Media Workshops + College every summer for over 30 years, inspiring hundreds of artists and sharing wisdom like, “we make photographs with our hearts and with our minds.” In honor of Arnold’s legacy as both a photographer and mentor, The Arnold Newman Prize for New Directions in Photographic Portraiture recognizes excellence in a new generation of photographers by awarding $20,000 to a photographer whose work demonstrates a compelling new vision in the genre of portraiture. The prize, the second largest in the United States, is designed to assist the winner in continuing the pursuit of their work and to serve as a launching pad for the next phase of their careers.

Maine Media Workshops and College and the Arnold and Augusta Newman Foundation present the Arnold Newman Prize. Established in 2009 the prize is generously funded by the Arnold and Augusta Newman Foundation and proudly administered by Maine Media Workshops + College.

You can view the 2018 ANP Press Kit here. Please direct any press questions to lbrotz@mainemedia.edu.

2018 Award Winner Viktoria Sorochinski with “Daddy”
2018 Finalist Juul Kraijer with “Muse”
2018 Finalist Francesco Pergolesi with “Heroes”
2018 Finalist Donna Pinckley with “Sticks and Stones”

2018 Arnold Newman Award Winner – Viktoria Sorochinski with “Daddy”

Viktoria Sorochinski

Image Credit, Giuseppe Cozzi

Viktoria Sorochinski is a Ukrainian-born Canadian artist currently working and living in Berlin, Germany. Sorochinski acquired her Masters of Fine Arts from New York University in 2008. In the past ten years she has had nearly 60 exhibitions in 18 countries throughout Europe, North and South America, and Asia. Sorochinski’s work is published and reviewed in over 70 international publications including her monograph “Anna & Eve” published in Germany by Peperoni Books in 2013. She is also a winner and finalist of numerous international competitions, fellowships and awards, such as Leica Oskar Barnack Award, Lucie Award (IPA-Discovery of the Year), LensCulture Exposure Award/Emerging Talent Award, Felix Scholler Award, Visible White Photo Prize (Celeste Prize), Magenta Flash Forward, PDN Photo Annual, J.M.Cameron Award, Voies Off Arles Award, Review Santa Fe, Descubrimientos PHE, BluePrint Fellowship and Canada Council for the Arts Grant among others.

Statement on “Daddy”

“Daddy” is a long term, narrative project that dwells in between documentary and fiction. Notwithstanding the staged quality of this project, it is a true story of a relationship between father and daughter (Andrew and Lucie) whom I first met in New York in 2008 and whom I follow since 9 years. All the scenes in “Daddy” project are inspired by my conversations with Andrew – conflicted young man who has decided to have a child when he was 20 years-old. During these conversations, he has generously shared with me his most concealed thoughts, feelings, fantasies and fears. The young father was going through a complex psychological conflict with himself. His unfulfilled wish to have a son turned into an unexpected reality where he has to bring up a daughter. Dealing with his own childhood memories and unsettling relationship with his own father he is overwhelmed by his weaknesses and fears, struggling with the fact that he has to be the role model for his child. Using a fiction-like, playful approach allowed me to talk about deep personal issues and psychological tensions that would have otherwise stayed behind closed doors.

In addition to the photographs, I have recorded “Daddy’s Confession” 2012 – a video that features the father’s monolog where he reflects on his ambivalent state of mind. viktoria-sorochinski.com

“I’m truly thrilled and honored to be the winner of the Arnold Newman Prize for New Directions in Photographic Portraiture 2018! The recognition of my work by this prestigious award is one of the greatest achievements in my career as an artist-photographer to date. For many years Arnold Newman’s masterful photographic portraiture has been an inspiration for me. I feel really overwhelmed and thankful to the judges for selecting my project as the winner. I have worked on the series DADDY for nearly 10 years and I care deeply about this work and the subject of father-daughter relationships that it portrays. I am really happy that this work is going to get wide exposure thanks to the Arnold Newman Prize.” – VS

2018 Finalist – Juul Kraijer with “Muse”
Juul KraijerJuul Kraijer was born in 1970 in The Netherlands. She lives and works in Rotterdam.

In the twenty years since she graduated from art school, Juul Kraijer’s meticulous, exploratory methods have yielded an authentic, consistent oeuvre of predominantly drawings, and several sculptures and videos. Her work has been shown widely and is in the collection of many mainly European museums.

Recently she has concentrated on making photographs, expanding and deepening her photographic universe with characteristic single-mindedness. juulkraijer.com

2018 Finalist – Francesco Pergolesi with “Heroes”
Francesco Pergolesi was born in Venice in 1975.  After a law degree he decided to dedicate his life entirely to photography and installations. His work explores the territory of memories. Every shot is a theater scene. He lives and works between Rome and Barcelona. He is represented by the Catherine Edelman Gallery, Chicago. francescopergolesi.com

 

 

2018 Finalist Donna Pinckley with “Sticks and Stones”

Donna Pinckley

Image Credit ©Austin Polk

Donna Pinckley was born in Louisiana and has lived in the South all her life. Her work has dealt with the human condition and the intimate relationship between the subject and her audience and has evolved into her current body of work that deals with racism. She received a Bachelor of Fine Arts in photography from Louisiana Tech University and a Master of Fine Arts in photography from University of Texas at Austin.

She has received Visual Artist Fellowships from the Mid-America Arts Alliance/NEA and the Arkansas Arts Council. Her work has been exhibited nationally and internationally in over 200 solo/juried shows and included in several public collections, such as the Ogden Museum of Southern Art in New Orleans, Louisiana, the University of VeraCruz at Xalapa, VeraCruz, Mexico, and the Photographic Collection at the Harry Ransom Center, University of Texas at Austin.

In 2017, she received the Beth Block Honorarium from the Houston Center for Photography’s Member’s Show and in 2016, she was the first recipient of the Josephine Herrick Photography Award for combining photography with social justice. Also, that year, she was selected for PhotoLucida’s Critical Mass Top 50 exhibition. In both 2015 and 2014, she won Honorable Mention in the Black and White Spider Awards and in 2013, she won third place at The International Photography Awards. She has been published in GEO Germany, Black and White (UK), The Photo Review magazine, Photography Quarterly and the online   publications, www.slate.com and www.theguardian.com and www.huffingtonpost.com. She is currently Professor of Art at the University of Central Arkansas. donnapinckley.com

Photography Atelier 28

Posted on May 24, 2018

The Atelier Photography 28 will showcase at the Griffin from September 11 – October 5, 2018. The reception will take place on September 16, 2018 from 5:30 – 7:30 PM after Jennifer Shaw’s talk at 4:00 PM

The Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography. You are invited to come view the photographs at the Griffin Museum, 67 Shore Road, Winchester, MA 01890.

Photography Atelier Instructor and Photographer Meg Birnbaum shared, “The Photography Atelier has such a long and rich history, I’m honored to be leading this workshop for emerging photographers with Amy Rindskopf assisting. The talent among the 24 members of this group show is varied and inspiring — from our relationship with architecture, memory, color, light and objects, the landscape, borders and boundaries and portraits — the show is very satisfying feast for the eyes and soul.”

The photographers of Photography Atelier 28 include: Edward Boches, Ann Boese, Terry Bleser, Sally Bousquet, Larry Bruns, Lee Cott, Fehmida Chipty, Corinne DiPietro, Jackie Heitchue, Cynthia Johnston, Laura Jolly, Shelby Meyerhoff, Judith Montminy, Jeff Mulliken, Juan Murray, Leslie Myers, Nancy Nichols, Vivian Poey, Larry Raskin, Astrid Reischwitz, Darrell Roak, Claudia Ruiz-Gustafson, Donna Tramontozzi and Maria Verrier.

Ann Boese with ‘Interlude’ explores how the ocean’s edge reminds her of growing up in the Midwest.

Astrid Reischwitz with ‘Spin Club Tapestry’ examines a tradition from her home in Northern Germany where the village women would gather together to talk and stitch textiles for their homes.

Claudia Ruiz-Gustafson with ‘She’ finds inspiration in an ancient poem found in a cave in Egypt that is as relevant today as it was in the first century.

Corinne DiPietro’s long-term project ‘Human Nature‘ captures life in the Victory Gardens in Boston, one of America’s oldest continuously operating World War II community gardens.

Cynthia Johnston went on a road trip ‘Somewhere in the Middle‘ and returned with surprising images of the continuing myths and symbols found in the middle of the US.

Darrell Roak’s project ‘Glimpses of the Past’ is printed in gorgeous black, white and grays. He photographs historical artifacts and places that he feels a personal connection.

Donna Tramontozzi in ‘Becoming Animal’ visits aquariums and places where one can see animals up close although not in their natural habitats. She watches patiently for moments where she can imagine that captivity is forgotten for a moment and behavior is as natural as in the wilds.

Edward Boches ‘Slowly at First’ compassionately photographed the last days of his mother’s life and the families that grieved with him.

Fehmida Chipty in ‘Color and Light’ creates color-rich abstract images by showing us interior architectural spaces and presenting them to us in handsome new ways.

Jackie Heitchue’s self-portraits called ‘Just me’ shows different sides of herself by constructing complicated environments and transforming herself through the use of costumes.

Jeff Mulliken project is about the ‘Elm Street Dam, in Kingston MA.’ which was a significant place for him growing up. Jeff discovered that the dam is to be taken down in the near future so he explored and documented the dam and the roaring power of water as it is now.

 Juan Murray in ‘Anonymity’ adds a new layer of narrative to his work with a local non-profit agency on the subject of homelessness in Massachusetts.

Judith Montminy’s project ‘Inside/Out’ creates compelling parallel worlds through reflections in windows and mirror-like surfaces.

Larry Bruns recorded and abstracted the changing seasons of natural color as reflected in different bodies of water in his body of work called ‘Carpe Diem‘.

In ‘Nature Nurtures‘ Larry Raskin takes weekly healing walks through the woods and photographs the quiet and surprising things he comes across.

The citizens and city of Chelsea, Massachusetts, enthralled Laura Jolly. In particular she was interested in the people who independently fish the waterfront and harbor side. The body of work is called ‘Admirals Hill‘.

In ‘Architecture Never-the-less‘, retired architect Lee Cott sees inherent design in most structures big and small. In this project he considers the creative thought and decision making that went into abandoned roadside vegetable and fruit stands.

Leslie Myers project called ‘It seems that this- the day- returns but counterclockwise’ employs the panoramic image to explore the time, space and motion of particular places.

In ‘Not Forgotten‘ Maria Verrier discovered a box full of her family’s old worn shoes. She set about creating portraits of the shoe’s owners by creating significant environments for the shoes that reflect the person and time.

In the portfolio ‘Stand Here‘, Nancy Nichols creates colorful, evocative images of places and things hoping to inspire the viewer to imagine their own narrative.

Sally Bousquet’s portfolio ‘A Modern Family‘ presents a larger and more emotional slice of a family’s history than the more posed and formal images we become accustomed to seeing on social media.

Shelby Meyerhof in ‘Zoomorphics‘ transforms her appearance using complex and detailed body paint into creatures inspired by what she finds in nature.

Terry Bleser’s six-year project ‘Tree and Door‘ explores a quiet story that built over time. The shared life of the two central figures helped the artist to realize a deeper understanding of her own yearnings and dreams.

Vivian Poey’s ‘Barquito de Papel: we are not butterflies‘ explores migration both personal to the artist and as a timely Trump-era hot button issue. This portfolio is part of long-term explorations into borders and barriers.

Photography Atelier Website

Force of Nature

Posted on May 24, 2018

Statement
“Since my father died I think a lot about the people, places and times of my life that exist now only in my head. I think about mortality and feelings of loss I cannot reconcile. I think about the wondrous power of imagination and also its futility in the light of realities we cannot escape.

I muse on all of this as I work in the park at night seeking out these unearthly portraits….entities that exist but don’t, visages that are real enough to be photographed but are only landscape and light, spirits that exist once and then are gone for good.” -RR

Website

BeSeeingYou

Posted on May 24, 2018

Statement

We live in a post-privacy world, an image-obsessed society where cameras are everywhere. With or without our knowledge, we are being photographed countless times a day. We try to avoid people pointing smartphones and other hand-held cameras at us as we walk down the street, but are we conscious of the cameras lurking above us? They watch us eat in restaurants, see who we meet, record who we talk to, yet as we become more accustomed to their presence, we stop paying attention. As our political situation becomes more fractured, shouldn’t we care about being watched? And about who is watching? I make these photographs to raise questions that come from the claustrophobic sense of being constantly observed.

BeSeeingYou is made up of multiple projects dealing with photography without permission, and the absence of privacy. Each series has led to the next, and I look for different ways to photograph aspects of the gray area that is surveillance in our modern age. I have photographed strangers through glass store windows, to catch them at the moment they realize that an unknown person is taking their picture. I point my camera at the cameras that are watching me, and photograph the buildings, walls and streets where they hide in plain sight. The frequent appearance of surveillance cameras on television, not just on the news or crime shows, but on comedies, hospital dramas, even The Simpsons, normalizes the presence of surveillance in our lives. So while the shows have these cameras as part of the story or just part of the set design, I include them in this project. Warning signs, CCTV suspects from the news, and even my own reflection caught in the dome of the camera are some of the additional parts of this long-term project. I show the photographs separately or mixed together in groups or lines of images, telling stories of the different ways that surveillance that has invaded our streets and our homes, impacting our privacy.

I am grateful to the Puffin Foundation for providing funding for this project. -SLB

Website

Bio

Born in the Bronx, Sheri Lynn Behr studied photography and digital imaging in New YorkCity and began her career photographing musicians and celebrities back in the day. Her rock and roll photographs were featured in Rolling Stone, CREEM, and most music publications of the time, and are now collected, exhibited, and published in books and magazines.

After several years working in the music business, Behr decided to concentrate on personal work. She explored Polaroid manipulations, and two SX-70 photographs are currently on view in the book and exhibition The Polaroid Project, now traveling to cities in Europe and Asia, before finishing at the MIT Museum in Cambridge, MA. Other projects have examined New York City’s Chinatowns and the iconic Lucky Cat.

Recent work deals with photography without permission and our surveillance society. Behr’s photographs have been exhibited at national and international venues, including the Amon Carter Museum of American Art, The Westlicht Museum of Photography, The Colorado Photographic Arts Center, Davis-Orton Gallery, Kimmel Gallery at NYU, and the Griffin Museum of Photography. Her work has been featured in Harper’s Magazine, New York Magazine, Slate: Behold blog, People’s Photography (China), Lenscratch, aCurator, The Boston Globe, and many other publications. In 2012 she received a Fellowship in Photography from the New Jersey State Council on the Arts, and in 2018 received a grant from the Puffin Foundation.

CV

BORN
Bronx, New York, USA

AWARDS
2018 PUFFIN FOUNDATION ARTIST GRANT, Puffin Foundation, Teaneck, NJ

2015 Juror’s Award ILLUMINATE, The Center for Fine Art Photography, Fort Collins, CO

3rd Place Award MAINE MEDIA WORKSHOPS PIN-UP SHOW, B&H, New York, NY

Honorable Mention SOHO PHOTO NATIONAL PHOTOGRAPHY COMPETITION, New York, NY

2014 Honorable Mention WHAT IS A PORTRAIT? Ripe Art Gallery, Huntington, NY

2013 Honorable Mention FACES, Darkroom Gallery, Essex Jct. VT

2012 INDIVIDUAL ARTIST FELLOWSHIP FOR PHOTOGRAPHY, New Jersey State Council on the Arts

Honorable Mention THE CAMERA CLUB OF NEW YORK 2012 ANNUAL JURIED COMPETITION, New York, NY

SELECTED SOLO & TWO or THREE-PERSON SHOWS

2018 BESEEINGYOU Griffin Museum of Photography, Winchester, MA, June 2018

2017 KEEPING WATCH Colorado Photographic Arts Center (CPAC), Denver, CO

2015 NOT FOR PUBLICATION No Roses, Sherman Oaks, CA

2014 BUSHWICK OPEN STUDIOS Bushwick Project Garage, Brooklyn, NY

2013 TO BRING IN THE MONEY II No Roses, Sherman Oaks, CA

2011 TO BRING IN THE MONEY No Roses, Sherman Oaks, CA

2004 I AM NOT WHERE I AM NOW Almanac Gallery of Photography, Hoboken, NJ

2003 ROCK AND ROBOTS Orbit Gallery, Edgewater, NJ

SELECTED GROUP SHOWS

2018 QUIÉN? QUÉ? DÓNDE? curated by Paula Tognarelli, Lafayette City Center Passageway, Boston, MA

STRUCTURE Don’t Take Pictures, Online Exhibition

THE POLAROID PROJECT Museum für Kunst und Gewerbe Hamburg, Hamburg, Germany

WINTERTIME Don’t Take Pictures, Online Exhibition

SMALL WORKS BARUCH 2018 juried by Elizabeth Avedon, Sidney Mishkin Gallery, New York, NY

TREE TALK ON-LINE EXHIBITION Griffin Museum of Photography Virtual Gallery

2017 THE POLAROID PROJECT WestLicht Museum for Photography, Vienna, Austria

PORTRAITS: WITHIN TIME + SPACE juried by Elizabeth Avedon, SXSE Gallery, Molena, GA

SIZE MATTERS juried by Katherine Ware, Helmuth Projects, San Diego, CA

UNNATURAL ELECTION curated by Andrea Arroyo, Puffin Cultural Forum, Teaneck, NJ

THIRD ANNUAL GROUP SHOW juried by Paula Tognarelli, Davis Orton Gallery, Hudson NY

SOHO PHOTO NAT’L PHOTOGRAPHY COMPETITION juried by Aline Smithson, Soho Photo, New York, NY

THE POLAROID PROJECT, Amon Carter Museum, Fort Worth, TX

UNNATURAL ELECTION curated by Andrea Arroyo, Out North Contemporary Art House, Anchorage, AK

UNNATURAL ELECTION curated by Andrea Arroyo, Kimmel Galleries at NYU, New York, NY

THE CURATED FRIDGE curated by Elin Spring, Somerville, MA

MASKS Don’t Take Pictures, Online Exhibition

2016 AMERICA juried by Roger May, Light Leaked, Online Exhibition

WINTER SOLSTICE 2016 Griffin Museum of Photography, Winchester, MA

POLITICO POPUP2 curated by Leona Strassberg Steiner, New Orleans Art Center, New Orleans, LA

WATER juried by Richard McCabe, The Center for Fine Art Photography, Fort Collins, CO

2ND ANNUAL GROUP SHOW juried by Paula Tognarelli, Davis Orton Gallery, Hudson, NY

GRIFFIN MUSEUM 22TH JURIED EXHIBITION juried by Elizabeth Avedon, Winchester, MA

THE ELEVATED SELFIE curated by Laura Moya & Laura Valenti, Griffin Gallery at Stoneham Theater, Stoneham MA

THE ELEVATED SELFIE curated by Laura Moya & Laura Valenti, LightBox Photographic Gallery, Astoria, OR

POSTCARDS FROM THE EDGE a Benefit for Visual AIDS, Sikkima Jenkins & Co, New York, NY

2015 POLITICO POP-UP curated by Leona Strassberg Steiner, New Orleans Art Center, New Orleans, LA

GREETINGS FROM… 5 Press Gallery, New Orleans, LA

ILLUMINATE juried by Elizabeth Avedon, The Center for Fine Art Photography, Fort Collins, CO

WINTER SOLSTICE 2015 Griffin Museum of Photography, Winchester, MA

SIZE MATTERS juried by Gordon Stettinius, Medium Festival of Photography, Low Gallery, San Diego, CA

MAINE MEDIA WORKSHOPS PIN-UP SHOW, B&H, New York, NY

I/THOU curated by Pamela Tinnen, Stovall Family Galleries, Kimmel Center at NYU, New York, NY

THE CURATED FRIDGE:THE INAUGURAL SHOW curated by Caleb Cole, Somerville, MA

YOU’VE GOT MAIL Ground Floor Gallery, Brooklyn, NY

SOHO PHOTO NAT’L PHOTOGRAPHY COMPETITION juried by Elizabeth Avedon, Soho Photo, New York, NY

SKY curated by Paula Tognarelli, Lafayette City Center Passageway Gallery, Boston, MA

EARLY WORKS Photographic Resource Center, Boston, MA

www.sherilynnbehr.com | slbehr3@gmail.com

sheri lynn behr: photography

2014 WHAT IS A PORTRAIT? juried by Ruben Natal-San Miguel, Ripe Art Gallery, Huntington, NY

WINTER SOLSTICE 2014 Griffin Museum of Photography, Winchester, MA

THE PERPETUAL INSTANT juried by Grant Hamilton, Zeitgeist Multi-Disciplinary Arts Center, New Orleans, LA

NEXT Castell Photography, Asheville, NC

SKY curated by Paula Tognarelli, YourDailyPhotograph.com

GRIFFIN MUSEUM 20TH JURIED EXHIBITION juried by Aline Smithson, Winchester, MA

IMPROMPTU juried by Stella Kramer, The Darkroom Gallery, Essex Jct. VT

UP, CLOSE & PERSONAL curated by Ruben Natal San-Miguel, Fuchs Projects, Brooklyn, NY

THEN.NOW.HERE (slideshow) curated by Laura Moya and Laura Valenti, Blue Sky Gallery, Portland OR,

THEN.NOW.HERE (slideshow) Oregon Historical Society, Portland OR

EARLY WORKS The Center for Fine Art Photography, Fort Collins, CO

RISING WATERS 2.0: MORE PHOTOGRAPHS OF SANDY The Museum of the City of New York, New York, NY

2013 FACES Darkroom Gallery, Essex Jct. VT

CENTER FORWARD juried by Hamidah Glasgow, The Center For Fine Art Photography, Fort Collins, CO

NJ STATE COUNCIL ON THE ARTS: VISUAL ARTS FELLOWSHIP SHOWCASE EXHIBITION

Long Beach Island Foundation of the Arts and Sciences, Loveladies, NJ

MUSINGS juried by John A. Bennette, Photo Center NW, Seattle, WA

EARLY WORKS curated by Laura Moya and Laura Valenti, Newspace Center for Photography, Portland OR

SELECTED PUBLICATIONS

PRINT

2017 THE POLAROID PROJECT: ART AND TECHNOLOGY, Thames & Hudson, London, pp. 55, 282

FINDINGS Harper’s Magazine, March 2017, p.96

2016 A JUROR’S VERDICT, REENACTORS, AND ABDUCTEES AT GRIFFIN MUSEUM OF PHOTOGRAPHY, Boston Globe, Mark Feeney, 7.25.16

THE GRIFFIN MUSEUM OF PHOTOGRAPHY’S 22TH JURIED SHOW:THE PETER URBAN LEGACY EXHIBITION catalog

2015 NEIL YOUNG: HEART OF GOLD, Harvey Kubernik, Backbeat Books

SKY exhibition catalog

2014 BLOW ME A KISS, Alice Harris, PowerHouse Books

THE GRIFFIN MUSEUM OF PHOTOGRAPHY’S 20TH JURIED SHOW:THE PETER URBAN LEGACY EXHIBITION exhibition catalog: Back Cover

IMPROMPTU exhibition catalog

2013 FACES exhibition catalog

CENTER FORWARD 2013 exhibition catalog, MagCloud

NOSAFEDISTANCE-SHERI LYNN BEHR People’s Photography (China) 5.29.13

SMILE exhibition catalogue, A Smith, Blurb

2011 BLONDIE, UNBOWED, New York Magazine 8.21.11

2010 LUCKY CATS, Blurb (self-published)

DARYL HALL, New York Magazine, I2.26.10

2009 CHILDHOOD, Light Leaks Magazine issue 14

ROAD TRIP, Light Leaks Magazine issue 13

ONLINE

2018 ON PRIVACY AND SURVEILLANCE L’Oeil de la Photographie, 2.6.18

2017 PORTRAITS: South x Southeast Photo Gallery Molena, GA November 11th, 2017, Elizabeth Avedon Journal, 11.6.17

KEEPING WATCH:HASAN ELAHI, LAUREN GRABELLE, AND SHERI LYNN BEHR, LENSCRATCH, Aline Smithson, 8.3.17

SHERI LYNN BEHR, Underexposed Magazine, Davìda Carta, 5.20.17

2016 SECOND THAT EMOTION, What Will You Remember? Elin Spring, 7.28.16

KEEPING TRACK OF ALL THE CAMERAS, Slate: BEHOLD, David Rosenberg, 3.29.16

THE SUCCESS OF “EARLY WORKS” All-About-Photo, Ann Jastrab 2.29.16

2015 SHERI LYNN BEHR: NOMATTERWHERE, aCurator, Julie Grahame, 11.3.15

SHERI LYNN BEHR: JANICE MONGER’S PICK, L’Oeil de la Photographie, 2.23.15

NOSAFEDISTANCE, TheSIP, The Shpilman Institute for Photography, Tel Aviv, Israel 2.1.15

THE PHOTO REVIEW 2014 COMPETITION: STRUCTURES, The Photo Review 4.15

LAURA MOYA AND LAURA VALENTI: EARLY WORKS, Lenscratch 2.6.15

2014 CASTELL PHOTOGRAPHY EXHIBITION, L’Oeil de la Photographie Elizabeth Avedon 11.7.14

PHOTOGRAPHY WEBSITE MAKEOVER: SHERI LYNN BEHR, Feature Shoot 8.14.14

SHERI LYNN BEHR: No Safe Distance, Elizabeth Avedon Journal 8.5.14

WHAT YOU SEE, Orta Format (Turkey), Issue 13, 7.14

NO SAFE DISTANCE, ToneLit Magazine, Issue 8, 5.14

UP, CLOSE & PERSONAL, New York Photo Review, Norman Borden, 4.14

UP, CLOSE & PERSONAL @ FUCHS PROJECTS, American Suburb X, Ellen Wallenstein, 4.14

2013 NOSAFEDISTANCE, Square Magazine issue 4.3, Christophe Dillinger

PORTFOLIO: I AM NOT WHERE I AM NOW, Toy Camera, www.toycamera.es

TOO CLOSE FOR COMFORT, Feature Shoot interview, Ben Marcin, 10.23.13

PHOTOLUCIDA-SHERI LYNN BEHR, wall-space gallery | the flat file, Crista Dix, 7.2.13

PHOTOLUCIDA-SHERI LYNN BEHR: 3 SERIES WITHOUT PERMISSION, LENSCRATCH, 6.27.13

SHERI LYNN BEHR, New Landscape Photography, Willson Cummer, 6.26.13

FRACTION 50, Fraction Magazine, Issue 50-Group 1, David Bram, 5.1.13

2012 YOUR HOLIDAY PICTURES: SHERI LYNN BEHR, le journal de la photographie, 8.22.12

SELF CONTAINED, PHOTO/arts magazine, Christopher Paquette

SERIAL, F-STOP MAGAZINE #53, Cristy Karpinski

DONATIONS AND BENEFITS

2017 Postcards From the Edge 2017, Metro Pictures, New York, NY

2016 18th Annual Postcards From The Edge, A Benefit for Visual AIDS, Sikkema Jenkins & Co. New York, NY

2015 17th Annual Postcards From The Edge, A Benefit for Visual AIDS, Luhring Augustine, New York, NY

2014 Design on A Dime 2014, Paddle8 online auction, Housing Works

2013 Design on A Dime 2013, Housing Works

2012 Design on A Dime 2012, Housing Works

2011 Life Support Japan, wall-space gallery

2010 Photographers for Haiti, Verge Art Fair

12th Annual Postcards from the Edge, A Benefit for Visual AIDS, ZieherSmith, New York City

2008 Night of 1000 Drawings, Artists Space

Texas Photographic Society Auction XIV

COLLECTIONS

Colorado Photographic Arts Center (CPAC), Denver, CO

AtlantiCare Regional Medical Center, Atlantic City, NJ

Newark Public Library Special Collections Division

Photographers Network: Selection – Thomas Kellner Collection

Comer Collection of Photography, University of Texas at Dallas

California Museum of Photography

The Media Center at Visual Studies Workshop

The Polaroid Collection

The Polaroid International Collection

Private collections in the US and Europe

TELEVISION/RADIO/ARTIST TALKS

2011 TAKE5ive WIN Initiative, New York City

2006 OPEN JOURNAL KPFT Radio 90.1, Pacifica Houston, TX

2003 THE CULTURAL CONNECTION Ch. 10 News, Time Warner Bergen, NJ

EDUCATION

MAINE MEDIA WORKSHOPS

INTERNATIONAL CENTER OF PHOTOGRAPHY

THE NEW SCHOOL

SCHOOL OF VISUAL ARTS

PRATT MANHATTAN

Scratch

Posted on May 24, 2018

Statement

“Several years ago, while I was sitting across the table from my late father on his 90th birthday, it became clear to me, for the first time, that his dementia had taken a significant part of him away. That was a very powerful moment and the catalyst for the entire “Scratch” series.The work comes together around notions of the unknown, incremental loss, perceptions, transformation and the corners of ourselves, individually and collectively, we may rather leave in the dark.” – CB

Bio
Craig Becker is a self-taught, photo-based artist whose varied creative experiences – gallerist, professional photographer and digital collagist – are each marked by the search for the visually evocative. From his lakeside studio in rural Maine, his work starts with a general theme, but is constantly transformed during an intuitive and spontaneous process. The resulting images are psychologically complex, inviting exploration to the edges of the human experience.

His award-winning work has been widely exhibited at galleries and museums across the country including the Ogden Museum, New Britain Museum of American Art, Griffin Museum of Photography, Center for Fine Art Photography, Martin Museum of Art & Maine Museum of Photographic Arts. Portfolios of his work have been published in Musee’ Magazine, F-Stop Magazine, BETA19, Lenscratch and was one of Feature Shoot’s Emerging Photographers for 2017.

Website

Craig Becker CV
(b.1959, US)

Education: Continuing

SELECTED EXHIBITIONS
2018

PORTRAITS.ASmith Gallery,TX

TREE TALK. Griffin Museum of Photography, MA

PORTRAITS 2018.Maine Museum of PhotographicArt, Portland, ME

2017

NOR’EASTER. New Britain Museum ofAmericanArt. New Britain, CT
SOHO PHOTO GALLERY.Annual National Competition. NY
PORTRAIT: WITHINTIME + SPACE. South x Southeast Gallery. GA
INTIMATE PORTRAITS. PhotoPlace Gallery, VT
ELSEWHERE.A. Smith Gallery.TX
LIQUID. NewYork Center for Photographic Arts, NY
ANNUAL JURIED EXHIBITION. Providence Center for PhotographicArts. RI

2016

CURRENTS 2016. Ogden Museum, New Orleans, LA
PETER URBAN LEGACY EXHIBITION.  Griffin Museum of Photography, MA CENTER FORWARD 2016.The Center for FineArt Photography, CO
RESIDUE. University of Maine at FarmingtonArt Gallery, ME
TPS 25. Big Bend Museum,TX, Martin Museum ofArt,TX, Grace Museum,TX
THE CREATIVE PORTRAIT. LACenter for Photography, CA
NEUROTICA. Union of Maine VisualArtist.  Portland, ME
MASKS.The Southeast Center for Photography. Greenville, SC
NOR’EASTER. New Britain Museum ofAmericanArt. New Britain, CT THE CURATED FRIDGE. The OpenAperture Gallery. Newport, RI
WHAT YOU SEE.Carver Hill Gallery, Rockland, ME

2015

PORTRAITS 2015. The Center for FineArt Photography, CO
ROTATION. Susan Maasch FineArt, Portland, ME
ANNUAL JURIED EXHIBIT. Peter Miller FineArt. Providence, RI
ART2015. Annual Juried Exhibit. Harlow Gallery. Hallowell, ME
CENTER FORWARD 2015.The Center for FineArt Photography, CO
ART& INNOVATION. WEX.  South Portland, ME
NEW NEW ENGLAND. Gallery 263, Cambridge, MA

2014

WHAT IS A PORTRAIT. Ripe Gallery, NY
NEW CREATIVITY. NewYork Center for PhotographicArts, NY
NEW ENLAND COLLECTIVE V. Galatea FineArt, Boston, MA
ANNUAL JURIED EXHIBIT. Danforth Museum ofArt. Framingham, MA TRANSFORMATION. Saccarappa Art Collective. Westbrook, ME Solo Exhibit

2010

THE DIGITAL COLLAGE. Shaw Gallery. Northeast Harbor, ME
WALLSAND WINDOWS. WaterfallArts. Belfast, ME

Craig Becker
AWARDS & RECOGNITION

INTIMATE PORTRAITS. PhotoPlace Gallery, VTJuror’s Choice. Joyce Tenneson

FEATURE SHOOT Emerging PhotographerAward 2017

LIQUID. NewYork Center for PhotographicArts, NYSecond Place 2017 Deborah Klomp Ching

ELSEWHERE. A Smith Gallery,TX Director’sAward 2017 Amanda Smith

TEXAS PHOTOGRAPHIC SOCIETY 25. First Place. Juror Rixon Reed 2016

MASKS.The Southeast Center for Photography. Juror’s Choice. Aline Smithson 2016

CRITICAL MASS FINALIST. Photolucida 2016

LENSCULTURE. Scratch series. Editor’s Pick 2015

YOUR DAILYPHOTOGRAPH.  “First Place”. Duncan Miller Gallery, CA 2015

CRITICALMASS FINALIST. Photolucida 2015

NEW PORTRAITURE. Saatchi Art 2015

NEW CREATIVITY. NewYork Center for PhotographicArts, NY Grand Prize & First Place, JurorAline Smithson  2014

WHAT IS A PORTRAIT? Ripe Gallery, NY Best in the Surreal category. Juror Ruben Natal-San Miguel 2014

PUBLICATIONS

FEATURE SHOOT. Portraits Born From a Sense of Loss. 2017

F-STOP MAGAZINE. Portfolio Issue. Featured artist portfolio and interview. 2017

MUSEE MAGAZINE. Chaos Issue. Spotlight Artist  2016

BETA 19. developments in photography 2016  Cover & 18 page portfolio

PROFANE LITERARY JOURNAL. WINTER 2016. Cover & Featured Artist

MAINE ARTS JOURNAL. Neurotic 2016 Cover

MAINE HOME + DESIGN.TheArtist Issue 2016

EDGE OF HUMANITY MAGAZINE.Artist Expose’ 2016

MAINE SUNDAY TELEGRAM. “What You  See” review by Dan Kany 2016

FRACTION MAGAZINE. 7th Anniversary Issue 2015

CENTER FORWARD 2015.The Center for Fine Art Photography, CO
Exhibition Catalog Cover 2015

THE ART OF PHOTOGRAPHY COLLECTION. Exposure Awards 2015

BIBLIOTHEQUE. October 2015

NEW CREATIVITY. NewYork Center for PhotographicArts, NY
Exhibition Catalog Cover 2014

MiLDRED MAGAZINE. Art’s Sake Profile 2014

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP