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Winchester

Photoville’s Fence comes to Winchester

Posted on June 17, 2020

The Photoville FENCE is coming to Winchester from June 20, 2020 until the week of August 24, 2020.
Coming to see the Fence? Print out the map and artist locations before you come.

Photoville FENCE
route of fence installs

This 8th edition of The Photoville FENCE in Winchester is unlike any past exhibition of this year-round public photography project, including the exhibitions we and others have presented on the fences of SoWA and around Boston over the years. This exhibition will take the form of Photo-Xs with a 10-foot diameter, one of Photoville’s customizable, modular and transportable systems to exhibit photography indoors and outdoors.  In the largest display of Photo-Xs, fifteen of these structures will be distributed throughout our Winchester Cultural District. Our installation is one of 13 installation sites in the United States and Canada.

We brought this exhibition to Winchester to celebrate our town becoming a cultural district, and because Winchester is an epicenter for photography. Though Winchester does not have the fencing required for the usual Photoville FENCE exhibition, its plentiful public spaces provide an opportunity for a one-of-a-kind exhibition that connects the town through photography and visual stories.

With this outdoor exhibition,  our public gets to experience our town and its cultural institutions and businesses through a nice manageable walk and a scavenger hunt type journey. These installations are all ADA compliant. Masks and social distancing are required during these times. We ask visitors not to touch the installations for sanitary reasons and please maintain 6 feet of social distance.

The photographers of the 8th Edition of the Photoville FENCE and the New England Regional Showcase will be on view beginning June 20, 2020. We will install on June 17/18, 2020. A selection of photographs from the Winchester and Burlington High Schools will also be showcased on the Photo-Xs.

The Photoville FENCE exhibition was planned to open alongside a festival involving the cultural institutions of Winchester on June 20, 2020. The Festival would have been free for the public as well with advanced ticketing. Due to the virus we can not be able to move forward with a live festival. We will plan a virtual festival during the installation.

 See two example photographs of the X’s from  Photoville Fence in Winchester 8th edition.

fence installation in Winchester
fence install

photos © Massachusetts Cultural Council

An event and exhibition like this takes a village to produce. Our village includes the people of Photoville the photographers from all over the world who submitted to The Photoville FENCE, and the scores of jurors who reviewed this massive international project. On a local level, the Griffin Museum of Photography has such gratitude for Mary McKenna, AIA, LEED AP, Chair of the Winchester Cultural District whose vision and persistence kept us on track. We thank Lisa Wong, the Town Manager of Winchester, for her foresight and feedback. We thank the Winchester Cultural District and the Mass Cultural Council for  funding, along with the Arthur Griffin Foundation (no relation to the Griffin Museum) and the Winchester Cultural Council. We also want to thank Ms. Levatino and Ms. Djordjevic of Winchester High School and Burlington High School for their organization and scanning efforts. Lastly, but not least at all, our gratitude goes to the interns for the Photoville FENCE from Winchester High School led by Mary McKenna. The map shown above was produced by Nathan Shepard of Winchester High School. This village wouldn’t be complete without our great public. We hope you will visit our town’s installation of the Photoville FENCE in Winchester.

Submissions are currently open for the 9th edition of The Photoville FENCE, which will be displayed in 9 cities between summer 2020 and summer 2021. Visit the website for details and to submit: fence.photovile.com

Any questions? Let us know. Visiting the Photoville FENCE in Winchester is free for all. Masks are manditory in public spaces during these times. Take out food for lunch or dinner in our many business establishments set up to control social distancing with established protocols. Shop our stores using social distancing protocols as well. Visit the Griffin Museum of Photography when we open, observing our social distancing protocols and using masks. All are welcome here when we finally open.

Check out the Winchester Star Article on the Photoville Fence in Winchester.

See the article in What Will You Remember  by Suzanne Révy.

Press release for the Photoville Fence in Winchester.

Photoville FENCE

PARTNERS

partners of the fence

Filed Under: Exhibitions, Public Art Tagged With: Photography, Photoville, public art, street art, Winchester, MA

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Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
5: If you are logged in and have already created a profile you also won’t see the add a profile button ( the button launches the form) but you will see an edit and delete icon next to your name and only yours.


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Once you have updated your information, it sends a ping to museum staff to approve the images and text, and your page will then be listed on the public website. The museum reserves the right to refuse content that is offensive, harmful, or divisive. Images that include graphic, explicit, or politically divisive content will not be approved. Please ensure all submitted images and text are appropriate for a public audience.

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    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

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