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Photosynthesis | XVII

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Photosynthesis XVI
Various

June 9 – July 3, 2022

Artist Reception - Sunday June 12, 2022 4 to 6 pm

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  • hands in darkness
  • woman on bed with teddy bear
  • woman on beach
  • dancers at barre
  • view of boston skyline
  • fountain at night
  • woman in reflection
  • woman looking at picture of couple

PhotoSynthesis XVII is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

Join us on June 12th from 4 to 6pm for an Artist Reception to celebrate these talented student works and meet their instructors and supporters.

Now in its seventeenth year, this 5-month program connects approximately 25 students with each other and professional photographers, artists and curators. Using photography as a visual language, student’s increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds and schools the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

Students from Burlington High School –

Lindsay Bullock, Caileigh Connolly, Samantha Goneau, Mary Kate Hayes, Alyssa LoCicero, Alexander McGillvray, Georgia Doherty, Zachary Doucette, Lindsey Lavioe, Caroline Sciarratta, Isabelle James, Paul Fauller and Navya Garg

Students from Winchester High School –

Alex Azzarra, Neave Bunting, Ibny Xian Crookson, Claire English, Marly Exantus, Sophia Lubin, McKenna McDaniels, Athena Wang, Zoe Xanthopoulos

The students are given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

This year, two photo based artists, Alanna Airitam and Granville Carroll spoke to the students via zoom conference, and will meet the students for an in person review during the exhibition opening at the museum.

Alanna Airitam

Questioning generalized stereotypes and the lack of fair and equal representation of people of color in art spaces has led artist Alanna Airitam to research critical historical omissions and how those contrived narratives represent and influence succeeding generations. Her photographic series The Golden Age, Crossroads, White Privilege, and individual works such as Take a Look Inside and How to Make a Country ask the viewer to question who they are and how they choose to be seen.

aa - moment of truth
© Alana Airitam –
Moment of Truth N.1

Airitam’s portraits and vanitas are photographed in studio with minimal lighting rendering a painterly quality to her photographs. The archival pigment prints from The Golden Age series are hand-varnished while those in the Crossroads, Take a Look Inside and How to Make a Country series are archival prints encased in resin and placed in hand-welded frames. All works are produced by the artist in limited editions.

Alanna is a 2020 San Diego Art Prize winner, 2020 Top 50 Critical Mass Finalist, and recipient of the 2020 Michael Reichmann Project Grant Award. Her photographs have been exhibited at Catherine Edelman Gallery in Chicago, Quint Gallery in San Diego, San Diego Art Institute, Art Miami with Catherine Edelman, Athenaeum Art Center in San Diego, and Candela Gallery in Richmond, Virginia. Born and raised in Queens, New York, Airitam now resides in Tucson, Arizona.

 

Granville Carroll (American b. 1992) is a visual artist and Afrofuturist working with digital technology, poetry, and alternative processes to reshape the world. Carroll’s artwork explores photographic representation and vision to understand the process of existence and interpretation. Simultaneously, he explores and expands ideas around racial blackness to encompass spatial blackness, temporal blackness, and spiritual blackness. Carroll highlights the imaginative qualities of the human mind through world building and storytelling to discover new futures and states of being. At the core of his practice is the investigation into metaphysics and the ontology of self and the universe.

© Granville Carroll, Sovereignty

Carroll earned a BFA in photography from Arizona State University in 2018, and earned a MFA in photography and related media from the Rochester Institute of Technology in 2020. His work has been shown in the United States and internationally. Most recently his work has appeared at the JKC Gallery in New Jersey, Northlight Gallery and Tempe Center for the Arts in Arizona, and in Italy for the Time in Jazz Music Festival. Carroll currently resides in Rochester, NY where he recently completed a residency at the Visual Studies Workshop during Fall 2021. Carroll has been named a 2021 Silver List artist and a 2020 Critical Mass Finalist. His work has been published in a variety of physical and online publications, interviews, and features. Most recently his work was published through What Will You Remember, Brink Literary Journal, Lenscratch, Humble Arts Foundation, and Black Is Magazine.

After working independently, the students meet with esteemed independent curator and scholar Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y. She and photographer Sam Sweezy met with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

Photosynthesis XV | Student Online Exhibition

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trees in mirror

© Vivian Zander WHS

PhotoSynthesis XV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography. This creative student exhibition is online through August 30th here at the Griffin. 

By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

In its fifteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

Mentors for the PhotoSynthesis program this year were Suzanne Révy and Bill Franson. See their bios below. With the pandemic we had to eliminate the final exhibition that culminates in the Main Gallery of the museum and the one on one critiques that Alison Nordstrom, former photography curator of the George Eastman House, has done for 14 years. See Dr. Nordstrom’s bio below. We added an installation for photo students onto the Photoville Fence in Winchester and also have provided a virtual exhibition on our exhibition our website. 

 

 

girl by stream

© Rory Golden BHS

Rory Golden – BHS

 

 

girl with mask

© Piper Ladd BHS

Piper Ladd – BHS

 

 

girl drinking juice

© Kacey Pustizzi BHS

Kacey Pustizzi – BHS

 

 

girl in her room

© Bridget Conceison BHS

Bridget Conceison – BHS

 

 

terrace with arches

© Amanda Tsai WHS

Amanda Tsai – WHS

 

 

2 girls back to back

© Anna Robinson WHS

Anna Robinson – WHS

 

 

cat in window

© Audrey Fitzgerald WHS

Audrey Fitzgerald – WHS

 

 

rust and flowers

Beaujena Stoyanchev – WHS

Beaujena Stoyanchev – WHS

 

 

mountain range

© Kaitlin Collins WHS

Kaitlin Collins – WHS

 

 

bubbles on grass

© Kathryn Degnan WHS

Kathryn Degnan – WHS

 

 

sign for mail man

© Lulu Girotti WHS

Lulu Girotti – WHS

 

 

girl thinking

© Mackenzie Murray WHS

Mackenzie Murray – WHS

 

 

girl's eye

© Molly Bannon WHS

Molly Bannon – WHS

 

 

plants in doorway

© Nicole Mazzeo WHS

Nicole Mazzeo – WHS

 

 

moving water on rocks

© Seamus Slattery WHS

Seamus Slattery – WHS

 

 

smiling woman

© Sophie Farnhill WHS

Sophie Farnhill – WHS

 

 

inside looking out

© Valerie Ngo WHS

Valerie Ngo – WHS

 

 

trees in mirror

© Vivian Zander WHS

Vivian Zander – WHS

 

Students met with mentors Suzanne Révy in November and Bill Franson in February.

After graduating from high school in Los Angeles, Suzanne Révy (b. 1962) moved to Brooklyn, NY and earned a BFA in photography from the Pratt Institute where she was immersed in making and printing black and white photographs.  She studied with Phil Perkis, Bill Gedney, Ann Mandlebaum, Christine Osinski, and Judy Linn among others. Following art school she worked as a photography editor for U.S.News & World Report magazine in Washington, DC and later as acting picture editor for Yankee magazine in Dublin, NH.With the arrival of two sons, she left the world of publishing and began to make pictures of her children, their cousins, and friends rekindling her interest in making and printing black and white pictures in a traditional wet darkroom. The resulting monochrome series, Time Let Me Play is an exploration of the nature and culture of childhood and childhood play. A second portfolio, To Venerate the Simple Days, was made using a simple plastic camera with color film; it pictured the time spent during the summers with her pre-teen aged children. The images represent an emotional response to that brief moment between childhood and adulthood. She continued to work with color film in the final series of visual family diaries, I Could Not Prove the Years Had Feet. This last portfolio was begun while earning her MFA in photography from the New Hampshire Institute of Art, and it chronicled the shifts and changes of her growing boys as they navigated their teen years.

While pursuing her MFA, she was mentored by photographers a Cheryle St. Onge, a former professor Christine Osinski, Edie Bresler, Stephen Dirado, and independent curator Francine Weiss. Anticipating the imminent departure of her children, she also turned her attention to the mundane in a series of mobile phone images featured in A Certain Slant of Light, which led to an interest in making landscape diptychs and triptychs using medium format and color film seen in a work in progress tentatively titled A Murmur in the Trees.

 Her work has been shown at the Newport Art Museum in Newport, RI, the Griffin Museum of Photography in Winchester, MA, the Fitchburg Art Museum in Fitchburg, MA, the Danforth Art Museum, and the Garner Center Gallery at the New England School of Photography among others. She is on the faculty of the Institute of Art and Design at New England College and the Associate Editor for the online magazine What Will You Remember?

Bill Franson worked as a staff photographer at several production houses in the Boston area until going out on his own in the mid 90s. Clients include Johnson & Johnson Innovations, Polaris Venture Partners, Paul Russell and Co., Classic Cars Magazine UK, Childrens’ Hospital-Boston, Brigham and Womens’  Hospital, Dana Farber Cancer Institute, Harvard Pilgrim Healthcare, Lahey Clinic, Massachusetts General Hospital, The Peabody Essex Museum, The Boston Globe, Genuine Interactive, and The Governors Academy. He’s exhibited in numerous solo and group shows in Massachusetts, Michigan, New York and NYC, New Hampshire, Vermont, Virginia, Texas, and Toronto Canada.  Personal highlights have been the Danforth Museum New England Photographers Biennial in 2015, 2011, and 2003, Strange Days at Philips Exeter in 2015, A Nickel and a Kopek at the NESOP Center for Photographic Exhibitions in 2008, Calvin College in 2011, and Panopticon Gallery in 2013. His work resides in various institutional and private collections.

In 2006 New England School of Photography offered Bill a teaching position. He never looked back. Teaching has reconnected him with those who are passionate about image making and actively exploring its possibilities. He taught his last class at NESOP in their 2019 Spring semester, finishing up two days before the school announced that it will close in 2020.

He is currently a professor of photography at Gordon College in Wenham, MA. and is represented by Gallery Kayafas in Boston.

Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy usually gather with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum. This year the critique and the exhibition were cancelled due to the pandemic and social distancing requirements. As student couldn’t access the darkrooms the teachers Robert Gillis and Lexi Djordjevic worked independently from home with students and developed projects and created powerpoint presentations. These have been created as reduced pdf’s to present on-line for our public. Our regrets to these students that they have had such losses this school year. I hope they know we are still watching out for them.

“In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, Executive Director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment over the past 15 years to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

 

PhotoSynthesis XV

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PhotoSynthesis XV
Winchester High School and Burlington High School Photo Students
July 18 – August 30, 2020

PhotoSynthesis XV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

In its fifteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

Their presentations are below

Rory Golden – BHS

Piper Ladd – BHS

Kacey Pustizzi – BHS

Bridget Conceison – BHS

Amanda Tsai – WHS

Anna Robinson – WHS

Audrey Fitzgerald – WHS

Beaujena Stoyanchev – WHS

Kaitlin Collins – WHS

Kathryn Degnan – WHS

Lulu Girotti – WHS

Mackenzie Murray – WHS

Molly Bannon – WHS

Nicole Mazzeo – WHS

Seamus Slattery – WHS

Sophie Farnhill – WHS

Valerie Ngo – WHS

Vivian Zander – WHS

Students met with mentors Suzanne Révy in November and Bill Franson in February.

After graduating from high school in Los Angeles, Suzanne Révy (b. 1962) moved to Brooklyn, NY and earned a BFA in photography from the Pratt Institute where she was immersed in making and printing black and white photographs.  She studied with Phil Perkis, Bill Gedney, Ann Mandlebaum, Christine Osinski, and Judy Linn among others. Following art school she worked as a photography editor for U.S.News & World Report magazine in Washington, DC and later as acting picture editor for Yankee magazine in Dublin, NH.With the arrival of two sons, she left the world of publishing and began to make pictures of her children, their cousins, and friends rekindling her interest in making and printing black and white pictures in a traditional wet darkroom. The resulting monochrome series, Time Let Me Play is an exploration of the nature and culture of childhood and childhood play. A second portfolio, To Venerate the Simple Days, was made using a simple plastic camera with color film; it pictured the time spent during the summers with her pre-teen aged children. The images represent an emotional response to that brief moment between childhood and adulthood. She continued to work with color film in the final series of visual family diaries, I Could Not Prove the Years Had Feet. This last portfolio was begun while earning her MFA in photography from the New Hampshire Institute of Art, and it chronicled the shifts and changes of her growing boys as they navigated their teen years.

While pursuing her MFA, she was mentored by photographers a Cheryle St. Onge, a former professor Christine Osinski, Edie Bresler, Stephen Dirado, and independent curator Francine Weiss. Anticipating the imminent departure of her children, she also turned her attention to the mundane in a series of mobile phone images featured in A Certain Slant of Light, which led to an interest in making landscape diptychs and triptychs using medium format and color film seen in a work in progress tentatively titled A Murmur in the Trees.

 Her work has been shown at the Newport Art Museum in Newport, RI, the Griffin Museum of Photography in Winchester, MA, the Fitchburg Art Museum in Fitchburg, MA, the Danforth Art Museum, and the Garner Center Gallery at the New England School of Photography among others. She is on the faculty of the Institute of Art and Design at New England College and the Associate Editor for the online magazine What Will You Remember?

Bill Franson worked as a staff photographer at several production houses in the Boston area until going out on his own in the mid 90s. Clients include Johnson & Johnson Innovations, Polaris Venture Partners, Paul Russell and Co., Classic Cars Magazine UK, Childrens’ Hospital-Boston, Brigham and Womens’  Hospital, Dana Farber Cancer Institute, Harvard Pilgrim Healthcare, Lahey Clinic, Massachusetts General Hospital, The Peabody Essex Museum, The Boston Globe, Genuine Interactive, and The Governors Academy. He’s exhibited in numerous solo and group shows in Massachusetts, Michigan, New York and NYC, New Hampshire, Vermont, Virginia, Texas, and Toronto Canada.  Personal highlights have been the Danforth Museum New England Photographers Biennial in 2015, 2011, and 2003, Strange Days at Philips Exeter in 2015, A Nickel and a Kopek at the NESOP Center for Photographic Exhibitions in 2008, Calvin College in 2011, and Panopticon Gallery in 2013. His work resides in various institutional and private collections.

In 2006 New England School of Photography offered Bill a teaching position. He never looked back. Teaching has reconnected him with those who are passionate about image making and actively exploring its possibilities. He taught his last class at NESOP in their 2019 Spring semester, finishing up two days before the school announced that it will close in 2020.

He is currently a professor of photography at Gordon College in Wenham, MA. and is represented by Gallery Kayafas in Boston.

Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy usually gather with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum. This year the critique and the exhibition were cancelled due to the pandemic and social distancing requirements. As student couldn’t access the darkrooms the teachers Robert Gillis and Lexi Djordjevic worked independently from home with students and developed projects and created powerpoint presentations. These have been created as reduced pdf’s to present on-line for our public. Our regrets to these students that they have had such losses this school year. I hope they know we are still watching out for them.

“In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

PhotoSynthesis XIV

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PhotoSynthesis XIV
Winchester High School and Burlington High School Seniors
June 11 – July 7, 2019

Reception on June 13, 2019 7 PM
Supported for 14 years by the Griffin Foundation and the John and Mary Murphy Educational Foundation

PhotoSynthesis XIV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

In its fourteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

Students met with Tara Sellios, a Boston artist who received her BFA in photography with a minor in art history from the Art Institute of Boston in 2010. Recent solo exhibitions include Sinuous at C. Grimaldis Gallery, Baltimore, Testimony at Blue Sky Gallery, Portland and Luxuria at Gallery Kayafas, Boston. She is a Massachusetts Cultural Council fellowship recipient and was named an emerging photographer to watch by Art New England magazine. Tara is represented by Gallery Kayafas and currently lives and works in South Boston.

Asia Kepka met with students in February and discussed her photography journey especially her project “Horace and Agnes”. Kepka studied set design in Lodz, Poland. A graduate of New England School of Photography in Waltham, MA, she has worked for such publications as Wired, Fortune, Time, The New York Times Magazine, and many more. Her work has been exhibited in galleries and museums in the United States and Europe.

Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

“In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

PhotoSynthesis XIII

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PhotoSynthesis XIII
Various Student Photographers
June 14 – July 6, 2018

Reception June 14, 2018 7 PM - 8:30 PM
Sheri Lynn Behr Gallery Talk June 14, 2018 6:15 PM

PhotoSynthesis is a collaboration of the Winchester High School and Burlington High School brought to you by the Griffin Museum of Photography.

By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

In its thirteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

Students met in November with David Weinberg, who after a 28-year career as an academic pathologist at a Boston teaching hospital, decided to pursue his longstanding interest in photography on a full-time basis. For many years his research explored the use of digital imaging to detect and classify human disease, so it was entirely natural for him to adopt digital photography for his personal work. In 2006 he obtained a Certificate in Professional Photography from the Center for Digital Imaging and the Arts at Boston University.

His personal work consists mainly of portraits, landscapes, cityscapes, and still life. His photographs are an attempt to deal with the mystery of the visual world, which he sometimes find humorous, sometimes soothing, and often confusing. Although the various series of photographs in his portfolio may at first appear unrelated, they are linked by desire to discover a spiritual connection to the subject. His series, “Palimpsest,” is perhaps most explicit in this regard.

Keiko Hiromi met with students in February and discussed her photography journey especially her project on survivors of the atomic bomb in Nagasaki and Hiroshima, Japan. Keiko Hiromi is a Japanese photographer based in Boston, USA & Tokyo, Japan.   Her work has appeared on NYT, People Magazine, Vanity Fair, El Pais, Der Spiegel, Diamond Weekly (japan), Boston Globe, PRI and ABC news and many more publications around the globe.  Keiko is a regular contributor for Huffington Post Japan.  She is available for assignments world-wide. She has international honors, has exhibited widely and is represented internationally in museum collections internationally.

Students also met with photographer Sam Sweezy to discuss sequencing of images. Sweezy is a professional fineart and commercial photographer and educator who resides in Newton, MA. He has exhibited at major photography venues including the George Eastman House in Rochester, NY.

Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

“In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the Murphy Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

PHOTOSYNTHESIS XII

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Photosynthesis XII
A Collaboration of Burlington High School and Winchester High School
June 8 – June 25, 2017

An opening reception is Thursday, June 8, 7-8:30 p.m. Ellen Cantor will give a gallery talk at 6:15. It is open to all.

By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

In its twelthth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

Students met with Cheryle St. Onge, a photographer and educator and Guggenheim Fellow in November.  St. Onge explained her process of finding imagery in the everyday and nature.

Andrew Mroczek met with students in February and discussed the path of his photography career. He reminded students that work can come from a very personal place. His photography and mixed-media work is done in collaboration with artist Juan Jose Barboza-Gubo (Barboza-Gubo & Mroczek) and focuses on themes of masculinity, sexuality, gender, gender-identity, and the effects of patriarchy as a social system; currently focusing on gay and transgender rights in Peru. Students also met with photographer Sam Sweezy to discuss sequencing of images. Sweezy is a professional fineart and commercial photographer and educator who resides in Newton, MA. He has exhibited at major photography venues including the George Eastman House in Rochester, NY.

Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

“In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the Murphy Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

Photosynthesis III

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Photosynthesis III
Photosynthesis III
April 8 – May 18, 2008

Photosynthesis III
April 10, 2008 – May 18, 2008 (opening April 10)

Photosynthesis IV

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Photosynthesis IV
Various Artists
May 13 – June 21, 2009
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