• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Griffin Museum of Photography

  • Log In
  • Contact
  • Search
  • Log In
  • Search
  • Contact
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Search Results for: photosynthesis

Photosynthesis XX

Posted on March 12, 2025

LnRiLWZpZWxke21hcmdpbi1ib3R0b206MC43NmVtfS50Yi1maWVsZC0tbGVmdHt0ZXh0LWFsaWduOmxlZnR9LnRiLWZpZWxkLS1jZW50ZXJ7dGV4dC1hbGlnbjpjZW50ZXJ9LnRiLWZpZWxkLS1yaWdodHt0ZXh0LWFsaWduOnJpZ2h0fS50Yi1maWVsZF9fc2t5cGVfcHJldmlld3twYWRkaW5nOjEwcHggMjBweDtib3JkZXItcmFkaXVzOjNweDtjb2xvcjojZmZmO2JhY2tncm91bmQ6IzAwYWZlZTtkaXNwbGF5OmlubGluZS1ibG9ja311bC5nbGlkZV9fc2xpZGVze21hcmdpbjowfQ==
.tb-field[data-toolset-blocks-field="7d935ada78213c09d5473f37b293b4d7"] { text-align: left; }  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px} .tb-field[data-toolset-blocks-field="0e86efbad57534df091f5b12122359ad"] { text-align: left; }  .tb-field[data-toolset-blocks-field="c44781a0ac32843c977d80c1a99a709c"] { text-align: left; }  .tb-field[data-toolset-blocks-field="21ee062ae4f31b074c4d9c1183c1a18b"] { font-weight: bold;text-align: left; }  @media only screen and (max-width: 781px) {  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px}     } @media only screen and (max-width: 599px) {  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px}     } 
Photosynthesis XX
Winchester and Burlington High School Students

April 3 – April 13, 2025

Artist Reception: Thursday, April 3, 5:30 – 7:30pm

read more

  • © Isabella Bogovich
  • © Maddie Shonkof

Photosynthesis XX is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

Join us on April 3, 5:30 – 7:30pm for an Artist Reception to celebrate these talented students’ works and meet their instructors and supporters.

This 5-month program connects students with each other and with professional photographers, artists, and curators. Using photography as a visual language, students increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds, and schools, the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

Winchester High School

Isabella Bogovich | Mason Lieberman
Ainsley Porter | Maddie Shonkoff | Bowdie Simpson

© Bowden Simpson
© Bowden Simpson
© Maddie Shonkof
© Maddie Shonkof
© Mason Lieberman
© Mason Lieberman
© Isabella Bogovich
© Isabella Bogovich
© Ainsley Porter
© Ainsley Porter

Burlington High School

Sean Cox | Mackenzie Goldsmith | Taylor Papagno | Emanick Carrasquillo | Olivia Floyd | Maddie Spreadbury | Jillian Noke | Nora McDowell | Naya Ulysse | Grayson Reidy | Alessia Pedruzzi | Emersyn Kirchner

© Naya Ulysse
© Maddie Spreadbury
© Grayson Reidy
© Alessia Pedruzzi
© Taylor Papagno
© Jillian Noke
© Nora McDowell
© Emersyn Kirchner
© Mackenzie Goldsmith
© Olivia Floyd
© Sean Cox
© Carrasquillo Emanick

Photosynthesis XIX

Posted on April 1, 2024

.tb-field[data-toolset-blocks-field="7d935ada78213c09d5473f37b293b4d7"] { text-align: left; }  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px} .tb-field[data-toolset-blocks-field="0e86efbad57534df091f5b12122359ad"] { text-align: left; }  .tb-field[data-toolset-blocks-field="c44781a0ac32843c977d80c1a99a709c"] { text-align: left; }  .tb-field[data-toolset-blocks-field="21ee062ae4f31b074c4d9c1183c1a18b"] { font-weight: bold;text-align: left; }  @media only screen and (max-width: 781px) {  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px}     } @media only screen and (max-width: 599px) {  .tb-image-slider--carousel{opacity:0;direction:ltr}.tb-image-slider .glide{position:relative}.tb-image-slider .glide__slide{height:auto;position:relative;margin-left:0}.tb-image-slider .glide__slide--clone{cursor:pointer}.tb-image-slider .glide__slide img{width:100%;float:none !important}.tb-image-slider .glide__view{width:100%;transition:opacity 350ms ease-in-out;position:relative}.tb-image-slider .glide__view img{-o-object-fit:contain;object-fit:contain;width:100%;float:none !important}.tb-image-slider .glide__view--fade-out{opacity:0}.tb-image-slider .glide__view--fade-in{opacity:1}.tb-image-slider .glide__arrow{border:none;position:absolute;z-index:10;top:50%;display:inline-flex;justify-content:center;align-items:center;width:40px;height:40px;text-align:center;padding:0;cursor:pointer;transform:translateY(-50%);border-radius:50px;transition:all 0.2s linear;background:rgba(255,255,255,0.7)}.tb-image-slider .glide__arrow:focus{outline:none;box-shadow:0 0 5px #666;background:rgba(255,255,255,0.7);opacity:1}.tb-image-slider .glide__arrow:hover{background:rgba(255,255,255,0.9)}.tb-image-slider .glide__arrow--left{left:5px}.tb-image-slider .glide__arrow--left svg{margin-left:-1px}.tb-image-slider .glide__arrow--left span.tb-slider-left-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m70,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2 1.6-1.6 1.6-4.2 0-5.8l-23.5-23.5 23.5-23.5c1.6-1.6 1.6-4.2 0-5.8s-4.2-1.6-5.8,0l-26.4,26.4c-0.8,0.8-1.2,1.8-1.2,2.9s0.4,2.1 1.2,2.9l26.4,26.4z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide__arrow--right{right:5px}.tb-image-slider .glide__arrow--right svg{margin-right:-1px}.tb-image-slider .glide__arrow--right span.tb-slider-right-arrow{display:inline-block;width:25px;height:25px;background-image:url("data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 129 129' width='25' height='25'%3E%3Cg%3E%3Cpath d='m51.1,93.5c0.8,0.8 1.8,1.2 2.9,1.2 1,0 2.1-0.4 2.9-1.2l26.4-26.4c0.8-0.8 1.2-1.8 1.2-2.9 0-1.1-0.4-2.1-1.2-2.9l-26.4-26.4c-1.6-1.6-4.2-1.6-5.8,0-1.6,1.6-1.6,4.2 0,5.8l23.5,23.5-23.5,23.5c-1.6,1.6-1.6,4.2 0,5.8z' fill='%23666'/%3E%3C/g%3E%3C/svg%3E")}.tb-image-slider .glide:hover .glide__arrow,.tb-image-slider .glide:focus .glide__arrow{opacity:1}.tb-image-slider--crop .glide__slide img{-o-object-fit:cover;object-fit:cover;height:100% !important}.tb-image-slider .glide__slides{list-style-type:none;padding-left:0;margin-left:auto}.tb-image-slider__caption{position:absolute;bottom:0;width:100%;background:rgba(255,255,255,0.6);text-align:center;color:#333}.tb-image-slider__caption :empty{background:transparent !important;margin:0;padding:0}.tb-image-slider__caption figcaption{padding:5px 2px;margin-top:5px}     } 
Photosynthesis XIX
Winchester & Burlington High School Photography Programs

June 13 – June 16, 2024

read more

    Photosynthesis XIX is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

    Join us on Thursday June 13th from 6 to 8pm for an Artist Reception to celebrate these talented students’ works and meet their instructors and supporters.

    Now in its nineteenth year, this 5-month program connects 12 students with each other and with professional photographers, artists, and curators. Using photography as a visual language, students increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds, and schools, the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

    The participating student artists from Winchester High School:

    Mia Cafarella | Sabrina Dorr | Mikayla Ferguson | Maggie Shevland | Bowden Simpson | Julia Valcourt

    The participating student artists from Burlington High School:

    Sean Cox | Mackenzie Goldsmith | Emersyn Kirchner | Alex McGillivray | Taylor Papagno | Alessia Pedruzzi

    Bowden Simpson

    Maggie Shevland

    Julia Valcourt

    Mia Cafarella

    Mikayla Ferguson

    Taylor Papagno

    Alex McGillivray

    Sean Cox

    Emersyn Kirchner

    Mackenzie Goldsmith

    Alessia Pedruzzi

    Sabrina Dorr

    Photosynthesis XVIII

    Posted on April 1, 2023

    PhotoSynthesis XVII is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

    Join us on Thursday June 8th from 6 to 8pm for an Artist Reception to celebrate these talented student works and meet their instructors and supporters.

    Now in its eighteenth year, this 5-month program connects approximately 20 students with each other and professional photographers, artists and curators. Using photography as a visual language, student’s increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds and schools the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

    The participating student artists from Winchester High School:

    Neave Bunting | Claire English | Avery Robinson

    The participating student artists from Burlington High School:

    Madison Bairos | Lindsay Bullock | Kirsten Dew | Georgia Doherty | Samantha Goneau | Lindsey Lavoie | Alyssa LoCicero | Alex McGillivray | Lily Passaretta | Ava Restivo | Caroline Sciarratta

    The students are given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    This year, three photo based artists, Donna Garcia, Anne Eder, Jeremy Dennnis spoke to the students via zoom conference and in person workshop. Donna Garcia will meet the students for an in person review during the exhibition opening at the museum.

    Image of Donna Garcia

    Donna Garcia is lens-based artist, filmmaker, curator, art director and educator based in Atlanta, Georgia. Originally from Boston, her work often illustrates a semiotic dislocation that has been organically reconstructed in a way that gives her subjects a voice in the present moment; something they often did not have in the past.  Her images rise above what they actually are and become empathic recreations in a fine art narrative. She often utilizes self-portraiture with motion to provide an indication of the other in her work; a surplus threat to the perpetuity of our modern day grand narratives in defining elements like gender and race.

    She has worked as an art director for Ogilvy, NYC, an adjunct faculty member at the Art Institute in Atlanta, a contributing editor of LENSCRATCH and founded the Garcia | Wilburn Fine Art Gallery, where she directed and curated a number of influential exhibitions highlighting the work of emerging and established artists. Garcia and her partner, Darnell Wilburn launched the Modern Art and Culture Podcast. In their first year, they were chosen to become the official podcast of the Atlanta Celebrates Photography Festival, the United States largest, month-long photography festival, held annually in October.

    She has exhibited internationally and has had her work published worldwide (donnagarcia.com). She is a 2019 nominee of reGENERATION 4: The Challenges of Photography and the Museum of Tomorrow. Musee de l’Elysee, Lausanne, Switzerland. Emerging Artists to Watch.

    Donna Garcia has a Master of Fine Art from the Savannah College of Art and Design and a Master of Science in Communications from Kennesaw State University.

    DONNAGARCIA.COM

    image of Anne Eder

    Anne Eder is an interdisciplinary artist and educator, working in photography, sculpture, and fiction writing. She has been internationally exhibited, awarded, and published, including multiple Julia Margaret Cameron awards in alternative process photography. She is currently faculty at Harvard University, Penumbra Foundation, and is guest faculty at Princeton University, co-teaching with Guggenheim fellow, Deana Lawson. She holds a master’s degree in Photography and Integrated Media from Lesley University College of Art and Design where she studied with Christopher James. Much of her work is experimental and research based, combining historic processes, science, and contemporary conceptual thinking.

    Throughout her career she has been an advocate for increased access to the arts, cofounding and operating artist run galleries and programming in the Philadelphia metro area, and the creation of public art is a dedicated part of her practice. She lives in Boston writing fairy tales and catering to her fabulous chihuahua, The Brain.

    www.anneeder.com Instagram @darcflower

    Jeremy Dennis (b. 1990) is a contemporary fine art photographer and a tribal member of the Shinnecock Indian Nation in Southampton, NY. In his work, he explores indigenous identity, culture, and assimilation.

    Dennis was one of 10 recipients of a 2016 Dreamstarter Grant from the national non-profit organization Running Strong for American Indian Youth. He was awarded $10,000 to pursue his project, On This Site, which uses photography and an interactive online map to showcase culturally significant Native American sites on Long Island, a topic of special meaning for Dennis, who was raised on the Shinnecock Nation Reservation. He also created a book and exhibition from this project. Most recently, Dennis received the Creative Bursar Award from Getty Images in 2018 to continue his series Stories.

    In 2013, Dennis began working on the series, Stories—Indigenous Oral Stories, Dreams and Myths. Inspired by North American indigenous stories, the artist staged supernatural images that transform these myths and legends to depictions of an actual experience in a photograph.

    Residencies: Yaddo (2019), Byrdcliffe Artist Colony (2017), North Mountain Residency, Shanghai, WV (2018), MDOC Storytellers’ Institute, Saratoga Springs, NY (2018). Eyes on Main Street Residency & Festival, Wilson, NC (2018), Watermill Center, Watermill, NY (2017) and the Vermont Studio Center hosted by the Harpo Foundation(2016).

    He has been part of several group and solo exhibitions, including Stories—Dreams, Myths, and Experiences, for The Parrish Art Museum’s Road Show (2018), Stories, From Where We Came,The Department of Art Gallery, Stony Brook University (2018); Trees Also Speak,Amelie A. Wallace Gallery, SUNY College at Old Westbury, NY (2018); Nothing Happened Here, Flecker Gallery at Suffolk County Community College, Selden, NY (2018);On This Site: Indigenous People of Suffolk County, Suffolk County Historical Society, Riverhead, NY (2017); Pauppukkeewis, Zoller Gallery, State College, PA (2016); and Dreams, Tabler Gallery, Stony Brook, NY (2012).

    Dennis holds an MFA from Pennsylvania State University, State College, PA, and a BA in Studio Art from Stony Brook University, NY.

    He currently lives and works in Southampton, New York on the Shinnecock Indian Reservation.

    The Griffin Museum is grateful to all of our tremendous sponsors. Photosynthesis is generously supported by grants from The John and Mary Murphy Foundation, The ENKA Society, and The Winchester Cultural District.

    Photosynthesis | XVII

    Posted on May 8, 2022

    PhotoSynthesis XVII is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

    Join us on June 12th from 4 to 6pm for an Artist Reception to celebrate these talented student works and meet their instructors and supporters.

    Now in its seventeenth year, this 5-month program connects approximately 25 students with each other and professional photographers, artists and curators. Using photography as a visual language, student’s increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds and schools the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

    Students from Burlington High School –

    Lindsay Bullock, Caileigh Connolly, Samantha Goneau, Mary Kate Hayes, Alyssa LoCicero, Alexander McGillvray, Georgia Doherty, Zachary Doucette, Lindsey Lavioe, Caroline Sciarratta, Isabelle James, Paul Fauller and Navya Garg

    Students from Winchester High School –

    Alex Azzarra, Neave Bunting, Ibny Xian Crookson, Claire English, Marly Exantus, Sophia Lubin, McKenna McDaniels, Athena Wang, Zoe Xanthopoulos

    The students are given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    This year, two photo based artists, Alanna Airitam and Granville Carroll spoke to the students via zoom conference, and will meet the students for an in person review during the exhibition opening at the museum.

    Alanna Airitam

    Questioning generalized stereotypes and the lack of fair and equal representation of people of color in art spaces has led artist Alanna Airitam to research critical historical omissions and how those contrived narratives represent and influence succeeding generations. Her photographic series The Golden Age, Crossroads, White Privilege, and individual works such as Take a Look Inside and How to Make a Country ask the viewer to question who they are and how they choose to be seen.

    aa - moment of truth
    © Alana Airitam –
    Moment of Truth N.1

    Airitam’s portraits and vanitas are photographed in studio with minimal lighting rendering a painterly quality to her photographs. The archival pigment prints from The Golden Age series are hand-varnished while those in the Crossroads, Take a Look Inside and How to Make a Country series are archival prints encased in resin and placed in hand-welded frames. All works are produced by the artist in limited editions.

    Alanna is a 2020 San Diego Art Prize winner, 2020 Top 50 Critical Mass Finalist, and recipient of the 2020 Michael Reichmann Project Grant Award. Her photographs have been exhibited at Catherine Edelman Gallery in Chicago, Quint Gallery in San Diego, San Diego Art Institute, Art Miami with Catherine Edelman, Athenaeum Art Center in San Diego, and Candela Gallery in Richmond, Virginia. Born and raised in Queens, New York, Airitam now resides in Tucson, Arizona.

     

    Granville Carroll (American b. 1992) is a visual artist and Afrofuturist working with digital technology, poetry, and alternative processes to reshape the world. Carroll’s artwork explores photographic representation and vision to understand the process of existence and interpretation. Simultaneously, he explores and expands ideas around racial blackness to encompass spatial blackness, temporal blackness, and spiritual blackness. Carroll highlights the imaginative qualities of the human mind through world building and storytelling to discover new futures and states of being. At the core of his practice is the investigation into metaphysics and the ontology of self and the universe.

    © Granville Carroll, Sovereignty

    Carroll earned a BFA in photography from Arizona State University in 2018, and earned a MFA in photography and related media from the Rochester Institute of Technology in 2020. His work has been shown in the United States and internationally. Most recently his work has appeared at the JKC Gallery in New Jersey, Northlight Gallery and Tempe Center for the Arts in Arizona, and in Italy for the Time in Jazz Music Festival. Carroll currently resides in Rochester, NY where he recently completed a residency at the Visual Studies Workshop during Fall 2021. Carroll has been named a 2021 Silver List artist and a 2020 Critical Mass Finalist. His work has been published in a variety of physical and online publications, interviews, and features. Most recently his work was published through What Will You Remember, Brink Literary Journal, Lenscratch, Humble Arts Foundation, and Black Is Magazine.

    After working independently, the students meet with esteemed independent curator and scholar Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y. She and photographer Sam Sweezy met with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

    Photosynthesis XV | Student Online Exhibition

    Posted on August 8, 2020

     

    trees in mirror

    © Vivian Zander WHS

    PhotoSynthesis XV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography. This creative student exhibition is online through August 30th here at the Griffin. 

    By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

    In its fifteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

    The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    Mentors for the PhotoSynthesis program this year were Suzanne Révy and Bill Franson. See their bios below. With the pandemic we had to eliminate the final exhibition that culminates in the Main Gallery of the museum and the one on one critiques that Alison Nordstrom, former photography curator of the George Eastman House, has done for 14 years. See Dr. Nordstrom’s bio below. We added an installation for photo students onto the Photoville Fence in Winchester and also have provided a virtual exhibition on our exhibition our website. 

     

     

    girl by stream

    © Rory Golden BHS

    Rory Golden – BHS

     

     

    girl with mask

    © Piper Ladd BHS

    Piper Ladd – BHS

     

     

    girl drinking juice

    © Kacey Pustizzi BHS

    Kacey Pustizzi – BHS

     

     

    girl in her room

    © Bridget Conceison BHS

    Bridget Conceison – BHS

     

     

    terrace with arches

    © Amanda Tsai WHS

    Amanda Tsai – WHS

     

     

    2 girls back to back

    © Anna Robinson WHS

    Anna Robinson – WHS

     

     

    cat in window

    © Audrey Fitzgerald WHS

    Audrey Fitzgerald – WHS

     

     

    rust and flowers

    Beaujena Stoyanchev – WHS

    Beaujena Stoyanchev – WHS

     

     

    mountain range

    © Kaitlin Collins WHS

    Kaitlin Collins – WHS

     

     

    bubbles on grass

    © Kathryn Degnan WHS

    Kathryn Degnan – WHS

     

     

    sign for mail man

    © Lulu Girotti WHS

    Lulu Girotti – WHS

     

     

    girl thinking

    © Mackenzie Murray WHS

    Mackenzie Murray – WHS

     

     

    girl's eye

    © Molly Bannon WHS

    Molly Bannon – WHS

     

     

    plants in doorway

    © Nicole Mazzeo WHS

    Nicole Mazzeo – WHS

     

     

    moving water on rocks

    © Seamus Slattery WHS

    Seamus Slattery – WHS

     

     

    smiling woman

    © Sophie Farnhill WHS

    Sophie Farnhill – WHS

     

     

    inside looking out

    © Valerie Ngo WHS

    Valerie Ngo – WHS

     

     

    trees in mirror

    © Vivian Zander WHS

    Vivian Zander – WHS

     

    Students met with mentors Suzanne Révy in November and Bill Franson in February.

    After graduating from high school in Los Angeles, Suzanne Révy (b. 1962) moved to Brooklyn, NY and earned a BFA in photography from the Pratt Institute where she was immersed in making and printing black and white photographs.  She studied with Phil Perkis, Bill Gedney, Ann Mandlebaum, Christine Osinski, and Judy Linn among others. Following art school she worked as a photography editor for U.S.News & World Report magazine in Washington, DC and later as acting picture editor for Yankee magazine in Dublin, NH.With the arrival of two sons, she left the world of publishing and began to make pictures of her children, their cousins, and friends rekindling her interest in making and printing black and white pictures in a traditional wet darkroom. The resulting monochrome series, Time Let Me Play is an exploration of the nature and culture of childhood and childhood play. A second portfolio, To Venerate the Simple Days, was made using a simple plastic camera with color film; it pictured the time spent during the summers with her pre-teen aged children. The images represent an emotional response to that brief moment between childhood and adulthood. She continued to work with color film in the final series of visual family diaries, I Could Not Prove the Years Had Feet. This last portfolio was begun while earning her MFA in photography from the New Hampshire Institute of Art, and it chronicled the shifts and changes of her growing boys as they navigated their teen years.

    While pursuing her MFA, she was mentored by photographers a Cheryle St. Onge, a former professor Christine Osinski, Edie Bresler, Stephen Dirado, and independent curator Francine Weiss. Anticipating the imminent departure of her children, she also turned her attention to the mundane in a series of mobile phone images featured in A Certain Slant of Light, which led to an interest in making landscape diptychs and triptychs using medium format and color film seen in a work in progress tentatively titled A Murmur in the Trees.

     Her work has been shown at the Newport Art Museum in Newport, RI, the Griffin Museum of Photography in Winchester, MA, the Fitchburg Art Museum in Fitchburg, MA, the Danforth Art Museum, and the Garner Center Gallery at the New England School of Photography among others. She is on the faculty of the Institute of Art and Design at New England College and the Associate Editor for the online magazine What Will You Remember?

    Bill Franson worked as a staff photographer at several production houses in the Boston area until going out on his own in the mid 90s. Clients include Johnson & Johnson Innovations, Polaris Venture Partners, Paul Russell and Co., Classic Cars Magazine UK, Childrens’ Hospital-Boston, Brigham and Womens’  Hospital, Dana Farber Cancer Institute, Harvard Pilgrim Healthcare, Lahey Clinic, Massachusetts General Hospital, The Peabody Essex Museum, The Boston Globe, Genuine Interactive, and The Governors Academy. He’s exhibited in numerous solo and group shows in Massachusetts, Michigan, New York and NYC, New Hampshire, Vermont, Virginia, Texas, and Toronto Canada.  Personal highlights have been the Danforth Museum New England Photographers Biennial in 2015, 2011, and 2003, Strange Days at Philips Exeter in 2015, A Nickel and a Kopek at the NESOP Center for Photographic Exhibitions in 2008, Calvin College in 2011, and Panopticon Gallery in 2013. His work resides in various institutional and private collections.

    In 2006 New England School of Photography offered Bill a teaching position. He never looked back. Teaching has reconnected him with those who are passionate about image making and actively exploring its possibilities. He taught his last class at NESOP in their 2019 Spring semester, finishing up two days before the school announced that it will close in 2020.

    He is currently a professor of photography at Gordon College in Wenham, MA. and is represented by Gallery Kayafas in Boston.

    Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy usually gather with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum. This year the critique and the exhibition were cancelled due to the pandemic and social distancing requirements. As student couldn’t access the darkrooms the teachers Robert Gillis and Lexi Djordjevic worked independently from home with students and developed projects and created powerpoint presentations. These have been created as reduced pdf’s to present on-line for our public. Our regrets to these students that they have had such losses this school year. I hope they know we are still watching out for them.

    “In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, Executive Director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment over the past 15 years to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

     

    Filed Under: PhotoSynthesis, Exhibitions

    PhotoSynthesis XV

    Posted on June 13, 2020

    PhotoSynthesis XV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography. By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum. In its fifteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project. The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography. Their presentations are below Rory Golden – BHS Piper Ladd – BHS Kacey Pustizzi – BHS Bridget Conceison – BHS Amanda Tsai – WHS Anna Robinson – WHS Audrey Fitzgerald – WHS Beaujena Stoyanchev – WHS Kaitlin Collins – WHS Kathryn Degnan – WHS Lulu Girotti – WHS Mackenzie Murray – WHS Molly Bannon – WHS Nicole Mazzeo – WHS Seamus Slattery – WHS Sophie Farnhill – WHS Valerie Ngo – WHS Vivian Zander – WHS Students met with mentors Suzanne Révy in November and Bill Franson in February. After graduating from high school in Los Angeles, Suzanne Révy (b. 1962) moved to Brooklyn, NY and earned a BFA in photography from the Pratt Institute where she was immersed in making and printing black and white photographs.  She studied with Phil Perkis, Bill Gedney, Ann Mandlebaum, Christine Osinski, and Judy Linn among others. Following art school she worked as a photography editor for U.S.News & World Report magazine in Washington, DC and later as acting picture editor for Yankee magazine in Dublin, NH.With the arrival of two sons, she left the world of publishing and began to make pictures of her children, their cousins, and friends rekindling her interest in making and printing black and white pictures in a traditional wet darkroom. The resulting monochrome series, Time Let Me Play is an exploration of the nature and culture of childhood and childhood play. A second portfolio, To Venerate the Simple Days, was made using a simple plastic camera with color film; it pictured the time spent during the summers with her pre-teen aged children. The images represent an emotional response to that brief moment between childhood and adulthood. She continued to work with color film in the final series of visual family diaries, I Could Not Prove the Years Had Feet. This last portfolio was begun while earning her MFA in photography from the New Hampshire Institute of Art, and it chronicled the shifts and changes of her growing boys as they navigated their teen years. While pursuing her MFA, she was mentored by photographers a Cheryle St. Onge, a former professor Christine Osinski, Edie Bresler, Stephen Dirado, and independent curator Francine Weiss. Anticipating the imminent departure of her children, she also turned her attention to the mundane in a series of mobile phone images featured in A Certain Slant of Light, which led to an interest in making landscape diptychs and triptychs using medium format and color film seen in a work in progress tentatively titled A Murmur in the Trees.  Her work has been shown at the Newport Art Museum in Newport, RI, the Griffin Museum of Photography in Winchester, MA, the Fitchburg Art Museum in Fitchburg, MA, the Danforth Art Museum, and the Garner Center Gallery at the New England School of Photography among others. She is on the faculty of the Institute of Art and Design at New England College and the Associate Editor for the online magazine What Will You Remember? Bill Franson worked as a staff photographer at several production houses in the Boston area until going out on his own in the mid 90s. Clients include Johnson & Johnson Innovations, Polaris Venture Partners, Paul Russell and Co., Classic Cars Magazine UK, Childrens’ Hospital-Boston, Brigham and Womens’  Hospital, Dana Farber Cancer Institute, Harvard Pilgrim Healthcare, Lahey Clinic, Massachusetts General Hospital, The Peabody Essex Museum, The Boston Globe, Genuine Interactive, and The Governors Academy. He’s exhibited in numerous solo and group shows in Massachusetts, Michigan, New York and NYC, New Hampshire, Vermont, Virginia, Texas, and Toronto Canada.  Personal highlights have been the Danforth Museum New England Photographers Biennial in 2015, 2011, and 2003, Strange Days at Philips Exeter in 2015, A Nickel and a Kopek at the NESOP Center for Photographic Exhibitions in 2008, Calvin College in 2011, and Panopticon Gallery in 2013. His work resides in various institutional and private collections.

    In 2006 New England School of Photography offered Bill a teaching position. He never looked back. Teaching has reconnected him with those who are passionate about image making and actively exploring its possibilities. He taught his last class at NESOP in their 2019 Spring semester, finishing up two days before the school announced that it will close in 2020.

    He is currently a professor of photography at Gordon College in Wenham, MA. and is represented by Gallery Kayafas in Boston.

    Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy usually gather with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum. This year the critique and the exhibition were cancelled due to the pandemic and social distancing requirements. As student couldn’t access the darkrooms the teachers Robert Gillis and Lexi Djordjevic worked independently from home with students and developed projects and created powerpoint presentations. These have been created as reduced pdf’s to present on-line for our public. Our regrets to these students that they have had such losses this school year. I hope they know we are still watching out for them. “In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

    PhotoSynthesis XIV

    Posted on December 29, 2018

    PhotoSynthesis XIV
    Winchester High School and Burlington High School Seniors
    June 11 – July 7, 2019

    Reception on June 13, 2019 7 PM
    Supported for 14 years by the Griffin Foundation and the John and Mary Murphy Educational Foundation

    Girl with bubble in front of her face
    three buidings viewed from below

    PhotoSynthesis XIV is a collaboration of the Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

    By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

    In its fourteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

    The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    Students met with Tara Sellios, a Boston artist who received her BFA in photography with a minor in art history from the Art Institute of Boston in 2010. Recent solo exhibitions include Sinuous at C. Grimaldis Gallery, Baltimore, Testimony at Blue Sky Gallery, Portland and Luxuria at Gallery Kayafas, Boston. She is a Massachusetts Cultural Council fellowship recipient and was named an emerging photographer to watch by Art New England magazine. Tara is represented by Gallery Kayafas and currently lives and works in South Boston.

    Asia Kepka met with students in February and discussed her photography journey especially her project “Horace and Agnes”. Kepka studied set design in Lodz, Poland. A graduate of New England School of Photography in Waltham, MA, she has worked for such publications as Wired, Fortune, Time, The New York Times Magazine, and many more. Her work has been exhibited in galleries and museums in the United States and Europe.

    Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sam Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

    “In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the John and Mary Murphy Educational Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

    PhotoSynthesis XIII

    Posted on May 24, 2018

    PhotoSynthesis XIII
    Various Student Photographers
    June 14 – July 6, 2018

    Reception June 14, 2018 7 PM - 8:30 PM
    Sheri Lynn Behr Gallery Talk June 14, 2018 6:15 PM

    Young woman on bed with pillow over her face
    © Jessica James, Burlington High School
    Young woman behind wet glass
    © Sydney Ciardi Winchester High School

    PhotoSynthesis is a collaboration of the Winchester High School and Burlington High School brought to you by the Griffin Museum of Photography.

    By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

    In its thirteenth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

    The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    Students met in November with David Weinberg, who after a 28-year career as an academic pathologist at a Boston teaching hospital, decided to pursue his longstanding interest in photography on a full-time basis. For many years his research explored the use of digital imaging to detect and classify human disease, so it was entirely natural for him to adopt digital photography for his personal work. In 2006 he obtained a Certificate in Professional Photography from the Center for Digital Imaging and the Arts at Boston University.

    His personal work consists mainly of portraits, landscapes, cityscapes, and still life. His photographs are an attempt to deal with the mystery of the visual world, which he sometimes find humorous, sometimes soothing, and often confusing. Although the various series of photographs in his portfolio may at first appear unrelated, they are linked by desire to discover a spiritual connection to the subject. His series, “Palimpsest,” is perhaps most explicit in this regard.

    Keiko Hiromi met with students in February and discussed her photography journey especially her project on survivors of the atomic bomb in Nagasaki and Hiroshima, Japan. Keiko Hiromi is a Japanese photographer based in Boston, USA & Tokyo, Japan.   Her work has appeared on NYT, People Magazine, Vanity Fair, El Pais, Der Spiegel, Diamond Weekly (japan), Boston Globe, PRI and ABC news and many more publications around the globe.  Keiko is a regular contributor for Huffington Post Japan.  She is available for assignments world-wide. She has international honors, has exhibited widely and is represented internationally in museum collections internationally.

    Students also met with photographer Sam Sweezy to discuss sequencing of images. Sweezy is a professional fineart and commercial photographer and educator who resides in Newton, MA. He has exhibited at major photography venues including the George Eastman House in Rochester, NY.

    Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

    “In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the Murphy Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

    PHOTOSYNTHESIS XII

    Posted on May 10, 2017

    Photosynthesis XII
    A Collaboration of Burlington High School and Winchester High School
    June 8 – June 25, 2017

    An opening reception is Thursday, June 8, 7-8:30 p.m. Ellen Cantor will give a gallery talk at 6:15. It is open to all.

    Iron on a shelf with cake dish
    Shawls

    By creating photographic portraits of themselves and their surroundings, students from Burlington High School and Winchester High School have been exploring their sense of self and place in a unique collaborative program at the Griffin Museum.

    In its twelthth year, the 5-month program connects approximately 20 students – from each school – with each other and with professional photographers. The goal is to increase students’ awareness of the art of photography, as well as how being from different programs and different schools affects their approach to the same project.

    The students were given the task of creating a body of work that communicates a sense of self and place.  They were encouraged to explore the importance of props, the environment, facial expression, metaphor, and body language in portrait photography.

    Students met with Cheryle St. Onge, a photographer and educator and Guggenheim Fellow in November.  St. Onge explained her process of finding imagery in the everyday and nature.

    Andrew Mroczek met with students in February and discussed the path of his photography career. He reminded students that work can come from a very personal place. His photography and mixed-media work is done in collaboration with artist Juan Jose Barboza-Gubo (Barboza-Gubo & Mroczek) and focuses on themes of masculinity, sexuality, gender, gender-identity, and the effects of patriarchy as a social system; currently focusing on gay and transgender rights in Peru. Students also met with photographer Sam Sweezy to discuss sequencing of images. Sweezy is a professional fineart and commercial photographer and educator who resides in Newton, MA. He has exhibited at major photography venues including the George Eastman House in Rochester, NY.

    Alison Nordstrom, the former curator of the George Eastman House in Rochester, N.Y., and photographer Sweezy gathered with students for a one-on-one discussion of their work and a final edit was created for the exhibition at the museum.

    “In collaboration and through creative discourse these students have grown,” said Paula Tognarelli, executive director of the Griffin Museum. “We are very pleased to be able to share this year’s students’ work. We thank the mentors and teachers for providing a very meaningful experience for the students. We also want to thank the Griffin Foundation and the Murphy Foundation, whose continued commitment to this project made learning possible. To paraphrase Elliot Eisner, the arts enabled these students to have an experience that they could have from no other source.’’

    Photosynthesis III

    Posted on December 30, 2016

    Photosynthesis III
    Photosynthesis III
    April 8 – May 18, 2008
    Dancer in field

    Photosynthesis III
    April 10, 2008 – May 18, 2008 (opening April 10)

    • Page 1
    • Page 2
    • Go to Next Page »

    Primary Sidebar

    Footer

    Cummings Foundation
    MA tourism and travel
    Mass Cultural Council
    Winchester Cultural District
    Winchester Cultural Council
    The Harry & Fay Burka Foundation
    En Ka Society
    Winchester Rotary
    JGS – Joy of Giving Something Foundation
    Griffin Museum of Photography 67 Shore Road, Winchester, Ma 01890
    781-729-1158   email us   Map   Purchase Museum Admission   Hours: Tues-Sun Noon-4pm
         
    Please read our TERMS and CONDITIONS and PRIVACY POLICY
    All Content Copyright © 2025 The Griffin Museum of Photography · Powered by WordPress · Site: Meg Birnbaum & smallfish-design
    MENU logo
    • Visit
      • Hours
      • Admission
      • Directions
      • Handicap Accessability
      • FAQs
    • Exhibitions
      • Exhibitions | Current, Upcoming, Archives
      • Calls for Entry
    • Events
      • In Person
      • Virtual
      • Receptions
      • Travel
      • PHOTOBOOK FOCUS
      • Focus Awards
    • Education
      • Programs
      • Professional Development Series
      • Photography Atelier
      • Education Policies
      • NEPR 2025
      • Member Portfolio Reviews
      • Arthur Griffin Photo Archive
      • Griffin State of Mind
    • Join & Give
      • Membership
        • Become a Member
        • Membership Portal
        • Log In
      • Donate
        • Give Now
        • Griffin Futures Fund
        • Leave a Legacy
        • John Chervinsky Emerging Photographer Scholarship
    • About
      • Meet Our Staff
      • Griffin Museum Board of Directors
      • About the Griffin
      • Get in Touch
    • Rent Us
    • Shop
      • Online Store
      • Admission
      • Membership
    • Blog

    Floor Plan

    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

    hallmark moment this could be for the introduction of the work. Thank you for providing

    this incredible opportunity for budding visions and artists that know they have something

    greater to share with the world.

    Fran Forman RSVP