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Between Two Worlds

Posted on December 20, 2020

Statement
While in the throes of grief I sought to visually express what was so difficult for others to hear. I had suffered a traumatic loss.  In addition to grief, I was experiencing Post Traumatic Stress Disorder which resulted in severe brain disfunction. My brain simply could not make sense of my new reality, I was unable to make cognitive connections or problem solve at even a base level. Feeling trapped and in a continual state of transition, I was caught between the life I once had and the one I hoped to live. ‘Between Two Worlds’ was created to visually express this experience, the devastating effects of grief and trauma. 

I wanted a way to depict that ambiguous void, the space that lacks clarity or form. As I worked through my creative process with limited abilities, I discovered a minimal color palette and layers of reflected light would illustrate the language of the subconscious. I developed a specific method of intertwining elements digitally to portray the depth of the emotional experience.

Grief and trauma affect nearly everyone, yet collectively we haven’t learned to tell the truth about our pain. My personal experience brought about a keen awareness. There is an acute lack of understanding, of how to support and help those in crisis in our society. ’Between Two Worlds’ is intended to act as a catalyst for conversation, a prompt to tell our stories, to foster the courage to do so in the face of what cannot be transformed.

Bio
Karen Olson is an artist working in photography, a graphic designer, and a writer. Her work illustrates the language of the subconscious; human emotion with all its intricacies and complexities. She feels strongly that it is our strength to express the deepest part of ourselves, to validate and honor the pain we carry in our hearts. She has been featured in many galleries and shows throughout the US such as the Torpedo Art Center – Target Gallery, the Rhode Island Center for Photography, and the Griffin Museum of Photography. She won honorable mention in the 2020 Maine Photography Show for her image, ‘Grit.’ Karen has also been featured in several online and print magazines including The Hand, Artful Blogging, and Bella Grace.

Karen Olson has been a working Maine artist for over 30 years and has studied with both local and visiting artists and photographers at Maine Media Workshops and College and other venues both in the US and abroad. She is an active part of the Midcoast Maine art scene having worked as executive director and instructor for the Art Loft, a community arts center in Rockland, Maine. She created and wrote two arts-related blogs over five years, one for Bangor Daily News, the other a blog discussing the creative process. She is an avid student of creativity, specifically working to understand the neuropsychology behind the creative process and how it benefits our mental and emotional health.

Recent projects include ‘Between Two Worlds,’ which exists as a series and book of poetry, text, and imagery designed to act as a companion for those who suffer grief and trauma. Another project, “Wildheart,’ is a series of images depicting the multisensory experience and healing properties of forest bathing. Karen is currently working on a project entitled ‘Empathy,’ which employs both photography and photo-based mixed media. The project centers around the concept of attentive self-empathy and cognitive empathy for others. 

CV

View Karen Olson’s Website.

Tokie Rome -Taylor, A Selection of Photographs

Posted on December 19, 2020

Statement
I use portraiture, Creolization, and found objects as artifacts to create conduits of memory. Creolization, a hybridization of African cultural traditions and those of the new world of the Americas. It was a means of survival, a subversive rebellion for identity and autonomy from those that would otherwise oppress them. This was a necessity of African people from the diaspora, who are led to believe that all signs of our history, status, spiritual and cultural practices were erased upon arrival to the Americas. I use common western symbolic elements of wealth and status; jewels, lace, velvet, etc. to psychologically shift the internal narrative of the viewer towards elevation of the subjects, acceptance, expanded perception and expectation.

I am connecting to my own personal history as a southern girl, taught nothing of her history. Longing to understand my place as a daughter of the Diaspora, my journey to connecting to home has been  led by me  paying attention to energy, signs, and intuition as ancestral guidance to create works that explore race, history, spirit, memory and material culture as  a means of connecting to my past. This connection is one the south has not taught its children. As a child of the south, I grew up with a void. The conversations around my artwork strive to explore these rituals, material artifacts as a means of channeling our history. The children in my works act as the conjurers. They welcome with their innocence and purity, a spirit open to ancestors and a rewriting of their history.

Bio
Tokie (Rome) Taylor is a native of Atlanta, Ga and currently lives on the outskirts of the city. She received her BA in Arts Education with a focus on Photography and Drawing from Morris Brown College, in Atlanta, GA and M. Ed, and Specialist from Lesley University. Tokie’s work explores themes of time, spirituality, and identity. She often integrates found objects as artifacts and conduits of memory.

Her exhibition and awards record includes several national exhibitions such as ​PhotoLucida Critical Mass 2020, Women ​WOMEN (UN)SILENCED​ A Survey of Contemporary Black Artists​ Gallery 1202, Gilroy, CA, 37 Juried Exhibition, Masur Museum, Monroe LA, Zuckerman Museum of Art GA, Dalton Gallery, Agnes Scott College, “APG- Alan Avery Selects” Atlanta, GA. among others. Tokie is a ​Funds for Teachers Fellowship​ recipient, studying photography in Santa Fe, New Mexico and in San Francisco, California. She is an Honorable Mention recipient for the International Photography Awards (2019)- sponsored by the Lucie Foundation. She is a 2019 recipient of the 2019 Virginia Twinam Smith Purchase Award.Tokie’s work has also recently been added to the Petrucci Family Foundation Collection of African American Art.

Additionally, Tokie devotes her time to her 5 children, as well as teaching and inspiring young artists as an arts educator in Atlanta, GA.

See Tokie Rome -Taylor’s website.

11th Annual Self-Published Photobook Show

Posted on December 19, 2020

This year the 11th Annual Self-Published Photobook Show is virtual due to the Covid-19 Pandemic. There was one call for entries which resulted in two online exhibitions. Plus an online catalog. The Davis Orton Gallery & Griffin Museum of Photography are each holding a virtual exhibition on each of their venues’ websites.

The jurors were Karen Davis and Paula Tognarelli. Karen Davis is the Curator/Co-owner of the Davis Orton Gallery. Paula Tognarelli is the Executive Director & Curator of the Griffin Museum of Photography. All chosen photobooks are exhibited online at Davis Orton Gallery (2020) and the Griffin Museum of Photography (January 7, 2021) and the photobooks are all in the Online-Catalog.

PHOTOBOOK, an annual competition, was open to photographers in the United States and abroad who have self-published a photobook.  There are growing options available for self-publishing a book such as on-demand (blurb, lulu, magcloud, etc.); small run offset or web printing/publishing firms, binderies. If they have been hand-made/bound, they must be available in multiples of at least 25.

Entrants were able to submit up to three different titles that are self-published photobooks of any size, format, or style.

The photobooks were  juried by their PDFs. They were judged on the basis of: book design including page layouts, text, cover; strength of the photography;  and emotional impact of the overall book. All judging was at the complete discretion of the gallery/museum and all decisions of the gallery/museum were final.

All submissions had to be original works of authorship created by the photographer who submitted the submission.

Here is a link to the online catalog.  The link will open in a new window.

The 37 books listed below and in catalog are alphabetically listed by artist’s first name. All proceeds from the sale of the books go directly to the artist. Click “artist’s website” in catalog or first and last name of the photographer listed below to learn more about each artist. Click “To Purchase” in the catalog for purchase info or to be directed to the purchase site. Photographer is responsible for all aspects of his/her book except when others are credited. Prices listed in the catalog do not include shipping or taxes, if applicable.

The exhibiting photobook authors in the exhibitions are listed below.

Photographer / Book Title
Amy Shapiro / Covid Woman
Ananeya Abebe / Through the Prism of Humanity
Andrew Child / Cape Cod and the Islands
Arnold Clayton Henderson / The Oakland Flats
Betty Press  / Services Offered
Brandon Movall / Dark Spectrum
Brian Rose / Monument Book
Britland Tracy  Kellye Eisworth/ Pardon My Creep
Bruce Berkow / Street Views
Carolyn Norton / Wild Grace – The River Stour
Cristina Fontsare / Night Years
David Comora / In the Footsteps of Alfred
Douglas Johnson / This is Not a Sawtooth Hanger
Jakub Sliwa  / The Silent Mantra
James Mahoney / Wipers Book
Janet Sternburg  / CITY OF SHRINES Los Angeles
Jay Boersma / Simple Truths and Complex Lies
Jeff Larason / Sonder
Judith O’Dell / Goose River Field Notes
Judy Brown / Weatherbury Farm
Julie Mihaly / When We Weren’t Watching
Karen Olson  / Between Two Worlds
Ken Hawkins  / Jimmy Carter: Photographs 1970-2010
Laura Migliorino  / HLB: James Weldon Johnson
Lee Kilpatrick  / Covid 9 Zine
Loda Choo  / Photos: 2018-2020
Louis Foubare / The New Yorkers
Mark Farber  / Water’s Edge
Michael Callaghan / You Made No Effort
Mireille Ribiere / On Standby
Roslyn Julia / Uncovering the Motion of Stillness
Ruth Lauer Manenti / Alms
Samuel Spear, Jr / So Much to See, So Little Time
Sandra Matthews / Present Moments
Stephen Petegorsky / The Meadows
Tim Trompeter / Dragon Swallows Moon
Tricia Neumyer / The Pennsic War

The Changing Views of the Griffin Museum

Posted on December 18, 2020

The Griffin put out a call on Winchester Residents’ Facebook group looking for photos of the Griffin Museum of Photography. Marybeth Dixon responded.

Marybeth Dixon is half of the partnership of Wicked Shots Photography.

“I rediscovered photography a few years ago.  Since picking up the camera again I have developed a new appreciation for everything around me – beauty is everywhere!  This started with flowers, nature, architecture and landscapes.  I love to photograph the details, especially in a way that isn’t expected. I enjoy exploring my neighborhood and the surrounding areas in my quest to capture the beauty around me.  Then I started photographing friends and family for portraits and realized I absolutely love capturing those moments.  I look forward to capturing your family’s special moments.”  – MD

See more of Marybeth’s photographs here.

Average Subject/ Medium Distance

Posted on December 17, 2020

Statement
The project Average Subject / Medium Distance is a meta commentary on the rules and tools of photography inspired by the once-ubiquitous “Kodaguide.” From about 1940 and into the mid-1980s, Kodak produced hundreds of thousands of these portable paper guides meant to help photographers take better pictures. They are peculiar and contradictory objects. On the one hand, they are visually inviting with bright colors and well-intentioned instructions that promise desirable results. But, on the other hand, they are extremely dense with information and require significant attention to comprehend and apply in the moment, thereby acting against their intended function. I wanted to see what lay beneath their recommendations, so I collected as many guides as possible from as many eras as I could find, and photographed each one individually. I then digitally covered up all the example images, technical numbers, and explanatory text by copying and pasting dust and scratches from the objects themselves. Rather than use Photoshop to seamlessly erase this information, I deliberately left obvious traces of my intervention. In each composition, only a single word remains in its original location — correct — light — shadows — appropriate — desire — etc. These words are intended as springboards for interpretation that point not only to the conventions of the medium, but also to the emotional underpinnings embedded in the act of image making. 

Bio
Andy Mattern’s recent work engages photography’s aesthetic conventions and physical materials as subject matter. With wry humor and loving critique, he deconstructs the tools of the medium to seek new visual territory. His work has been exhibited at the San Francisco Museum of Modern Art, the New Mexico Museum of Art in Santa Fe, Silver Eye Center for Photography in Pittsburgh, Photographic Center Northwest in Seattle, the Lawndale Art Center in Houston, Candela Gallery in Richmond, Virginia, and the Photographic Centre Peri in Turku, Finland, among many other venues. Mattern has received awards for his work including the triennial Art 365 Grant and Individual Artist’s Fellowship from the Oklahoma Visual Arts Coalition as well as the Artist Initiative Grant from the Minnesota State Arts Board. Since 2015, he has served as Assistant Professor of Photography and Digital Media at Oklahoma State University where he initiated the first photography program in the art department’s history. His work is held in the permanent collections of SFMOMA, the New Mexico Museum of Art, the Tweed Museum of Art, and the Museum of Fine Arts-Houston. His photographs have been reviewed in publications such as ARTFORUM, The New Yorker, Camera Austria, and Photo News. He holds an MFA in Photography from the University of Minnesota and a BFA in Studio Art from the University of New Mexico. His work is represented by Elizabeth Houston Gallery in New York.

CV

View Andy’s Website.

At the Edge of the Pond

Posted on December 12, 2020

Statement

I’ve been walking around Boston’s Jamaica Pond for over twenty years, usually with mycamera. It’s a good way for me to stay present. I’ve watched people running, walking, sitting; children playing; and the landscape, land and water, always changing.

As time has passed, I have begun to let go of familiar ways of seeing and pay more attention to scenes I once ignored. I have found balance and beauty in reflections, visual confusions, accidental comings-together, debris, and castoffs.

Most recently, I have focused my attention on the edge of the Pond, the boundary between water and land, the place where one thing turns into another. In particular, I have noticed movement and light in the water; the reflections of low hanging branches and shrubs; and the sky with clouds and, occasionally, sun.

I delight in the questions – about perspective, reflection and, in a sense, reality – inherent in these images. What is “up” and what is “down”?  What is “real” and what is reflected?  It suits my sense of humor to ask these questions, to invite us to slow down, and to look deeply into these images to find answers.

Bio
Marc Goldring makes photographs that capture the familiar in unfamiliar or unexpected ways. His recent work, At the Edge of the Pond, Boston, portrays a small slice of the natural world, particularly the edge where water meets land. He has shot in these places over the course of years, capturing reflections, colors and textures that form ambiguous and evocative images.

Goldring has exhibited in a solo show at the Cambridge Art Association’s satellite gallery in Harvard Square and at the Brookline Art Center, Brookline, MA. Recent group exhibitions include: The Praxis Gallery, Minneapolis, MN; Cape Cod Art Center, Bauhaus Prairie Art Gallery (online); and Cambridge Art Association. His self-published book, Discovering the Familiar, Selected Images and Words documents his photography and writing through 2008.

Goldring’s approach to photography echoes his artistic practice in an earlier career when he created sculptural forms in leather. His vessels are in the permanent collections of the Museum of Arts and Design in New York City and the Arrowmont School of Arts and Crafts in Gatlinburg TN. During this time, he also received a Fulbright Lectureship to New Zealand and an Individual Artist Grant from the New Hampshire State Arts Council.

CV
2020, “Clouds as Smoke” in “Liquid ~ Sky” at Praxis Gallery, Minneapolis, MN

2020, “Hancock Mansion” in “Broken Beauty” at Cambridge Art Association, Cambridge, MA

2020, Edge of the Pond: Seven Images. One-person show, Cambridge Art Association satellite gallery, the Atrium at 50 Church Street, Harvard Square.

2020, “Fishing Pier, Chennai, India” in “Members Prize Show” Concord Center for Visual Arts, Concord, MA

2020, “Overhanging Limb and Reflection” in “Members Prize Show” Cambridge Art Association.

2019, “Sinking Boat” in “All New England” at Cape Cod Art Center, Barnstable, MA

2019, “Periyar Trees and Mist #2” in “2019 Open Photography Exhibit” at Cambridge Art Association, Cambridge, MA

2019, “Edge of the Pond” in “The Sublime Landscape” at Praxis Gallery, Minneapolis, MN

2019, “Periyar Field at Dawn” in “Fauna and Flora” at Bauhaus Prairie Art Gallery, online exhibition (Best of Show)

2015-present, Jamaica Plain Open Studios

2008, Discovering the Familiar, Selected Images and Words. Self-published book.

2006, Remembering the Familiar. One-person show, Brookline Arts Center

 2001-2011, Brookline Artists Open Studios

1992, Sculptural leatherwork in Permanent Collection of The Museum of Arts and Design, New York, NY

1985, Fulbright lectureship to New Zealand

1989, Sculptural leatherwork in Permanent Collection of Arrowmont School of Arts and Crafts, Gatlinburg, TN

1982, Individual Artist Grant from the New Hampshire State Council on the Arts.

1979, Sculptural leatherwork in Permanent Collection of the Coach Leatherwear Collection, New York, NY

1978-1984, Lectured/taught at Haystack Mountain School of Crafts, Arrowmont School of Art and Crafts, and the Renwick Gallery of the Smithsonian Institution;

 

See Marc’s website.

Locals’ Views of the Griffin Museum of Photography: Inside and Out

Posted on December 7, 2020

The Griffin Museum of Photography did a call out through the Winchester Residents Facebook page on an effort for local photographers who photograph the “Griffin” inside or out to submit photographs for a juried exhibition. We only received a limit number of responses so we decided to highlight all of the photographs submitted. We also asked Marybeth Dixon to be included in an exhibition in our Founders Gallery in the museum. Marybeth’s images are on view on our walls through February 19th, 2021.

Those that submitted and that are exhibited in our online gallery are: Marybeth Dixon, David Long, Donna Mayo, Kim Munch,  Connor Murphy (age 12), Liz Murphy and Ruthie Swilling.

Thank you to all who considered our request to submit.

Concealed

Posted on November 24, 2020

Statement
Webster defines concealed as “to place out of sight, to conceal evidence, carrying a concealed weapon, to prevent disclosure or recognition or conceal the truth”.

At one time or another, everyone has something to conceal, emotionally or materially. When we place an object in our pockets and purses, we conceal it from public view. Just as easliy, we may decide to put a smile on our face even when we disagree with one another.

Joe’s photographs of vintage purses and toy guns act as a metaphor for the secrets we keep from each other and the fear in America right now.

Bio
Starting out as a painter, Joe was encouraged by his public school teachers to spend class time studying painting at an artist’s studio in Harvard Square, Cambridge. Since the studio specialized in copying classic contemporary works of arts, Joe had to learn how to paint just like the masters; including using a stick to drip paint Pollock style. He says, “Painting the same paintings over and over again helped me understand how light, color and textures work together.”

When he couldn’t get his ideas onto canvas fast enough, Joe picked up a camera. By the time he reached high school, he had a darkroom, two clients and was studying with artist and cinematographer, Ken Brown. Joe also learned the art of the psychedelic light show, by helping out at the Boston Tea Party concert hall. “I had a front row seat ( from the light show booth ) for Cream, Led Zepplin and the J Geils Band,”said Greene.

College was an exercise that broadened Joe’s horizons, it was at Mass College of Art where he became an honor student as a dual major in graphic design and photography, studying with the teaching team of Gus Kayafas and the late Paul Muller.
“I can spend years studying a subject, genre or lifestyle. My recent book, “Bike Week”, covers 5 years of shooting portraits at Laconia Bike Week. Other book titles include “Track”; the last few live race days at Suffolk Downs, Wolf; photographs of legendary rocker Peter Wolf and a new collection of found objects entitiled “Shiny Things,” Greene said.

Joe Greene’s exhibitions include:

“Concealed” photographs of toy guns and purses, Solo Show at the Griffin Museum of Photography, December 8, 2020 thru Feb 14th 2021

18th Annual “Nudes in November” show at the Chris Sorensen Studio in Fresno, CA, Nov 2020

Davis Orton Gallery 10th Annual Self Published Group Photobook Show, 2020
Joe’s fine art work from his ” purse ” series was shown at the Griffin Museum of Photography Juried Exhibition Ed Friedman Legacy show, September 2017.
Joe’s Scrap series debuted at the 2017 Chelsea Art Walk ” Art in the Park “gallery, using repurposed shipping containers, June 2017
Joe’s photography was selected for the Providence Center of Photographic Arts, in a show juried by Griffin Museums’ Paula Tognarelli.
New still life photography by Joe, was part of the ” Winter Solstice” members show, at the Griffin Museum of Photography in Winchester, Ma. January 2017
Joe’s latest still life photography was selected to be a part of the Griffin Museums’ “NEPR 2016 Exhibition” at Digital Silver Imaging in Belmont, Ma. December, 2017
Joe was invited to show at the UFORGE Gallery show “Abstracted”, from November 2015.
Joe’s photography was selected for the Zullo Gallery’s 21st Annual Juried Exhibition, September, 2015
Joes’ photography was shown at the “Juried Show ” at UFORGE Gallery 767 Centre St Jamaica Plain, MA August, 2015
Joe’s film photography selected for the “Recycle Art ” ( Eco Art) Exhibition at Boston City Hall. The show was part of Greenfest August, 2015
New photography by Joe Greene was shown at the City Of Bostons Art Festival “Emerge” event, on display in the Scollay Square Gallery Sept 2015.
Joe’s photography was selected by the Davis Art Gallery in Worcester juried show,2D and 3D Landscapes September, 2015
Joe’s photography was shown at the think small I The Exhibition/ Panopticon Gallery in Boston September 2015

The “Geometry” show selected Joe’s film based landscape photography at the Hera Gallery, 10 High St Wakefield, RI 02879 September 2015

View Joe Greene’s Website.
Image Title Sheet

Mimi and Her Purses

Posted on November 24, 2020

Statement
“Things that are hard to bear are sweet to remember”  Seneca, Roman philosopher

Mourning is a very individual activity. Everyone has their own unique way of remembering the deceased. For many, it is through photographs or videos. Others find visiting a cemetery comforting. For Mimi, it is through purses.

Ironically, I met Mimi at funeral. She was carrying a purse of woven gold metal in the shape of a box–almost like a woven lunch box. I commented on its uniqueness and discovered the beginnings of this series “Mimi and Her Purses.”

Mimi and her husband, Phil, come from large families with lots of aunts and uncles, brothers and sisters and cousins. Along with many family celebrations, there are also somber moments when someone passes away. To help retain each person’s memory,  Mimi chooses to use their purses for special occasions. This keeps their spirit alive and creates a living memorial for all who see Mimi wearing these handbags– reminders of the past when every outfit had it’s own matching purse.

I was invited to Mimi’s closet to see the numerous handbags and hear the wonderful stories about an Aunt or Grandmother or even a Great Grandmother who owned these remnants of times past. Inside purse is a holy card with a picture of a Saint, the person’s name, date of birth and death and whatever the previous owner left behind—handkerchief, lipstick and other inconsequential items such as band aids, packets of Splenda, price tags, toothpicks and even a sewing kit.

Each purse is a tribute to the past, creating a celebratory experience from an everyday object. By allowing the handbag and the items found inside to live a new life, Mimi captures the essence of memorable people in her life. -EC

Bio
Ellen Cantor is a Southern California artist who uses the camera to reimagine the family photo album and objects that hold personal histories in order to explore the distillation and persistence of memory.

She received a BS from The University of Illinois at Champaign-Urbana and continued her education in Interior and Architectural Design at UCLA. She has studied photography at Santa Fe Workshops, Maine Media Workshop and The Los Angeles Center of Photography.

Her work has been featured in 21 solo exhibitions including dnj Gallery, Santa Monica, CA, The Griffin Museum of Photography, The Center for Fine Art Photography, and The Spartanburg Museum of Art. She was a Critical Mass finalist in 2015 and 2016 and winner of the Julia Margaret Cameron Award for Women Photographers as well as first place in the Fine Art category. She has participated in over 100 national and international group exhibitions including the Italian Cultural Exchange in Naples, Italy.

Ellen is listed under Modern Photographers on the website www.all-about-photo.com. Her photographs have been published in Harper’s Magazine, Muzée Magazine, SHUTR Magazine, Professional Photographer. Southwest Review and online in Lenscratch, f-stopmagazine, fraction magazine, rfotofolio, Voyage LA Magazine, My Daily Photograph, Lightleaked, a photo editor, Float Online Magazine, thisiscolossal and Silvershotz.

View Ellen Cantor’s Website.

Ellen Cantor Title Sheet

It Was There All Along

Posted on October 29, 2020

mountain

About the Book
“It was there all along” is a handmade artist’s book containing 22 tintype images printed on double-sided matte Red River Paper. The photographs address topics concerning water, including recreation, food, droughts, flooding and coastal erosion. The cover art is relief printed on handmade cotton rag paper and the edition numbers are letterpress printed on cotton rag end sheets.

The first hardcover edition is limited to 55 copies.

Book measures approximately 8.875  x9 x .375″

* Color of handmade paper varies from one book to the next.

Published by Old Fan Press

Materials
Canapetta bookcloth, PVA, double sided matte Red River Paper, Irish linen thread, handmade paper, cotton rag paper, davey book binders board, book board, inkjet prints, oil based ink, Bookcloth, PVA glue, rag paper

Artist Bio
Oxford American Magazine
and NPR have written about Frank Hamrick’s art. His work is collected by the Amon Carter Museum of American Art, The Art Institute of Chicago and The Ogden Museum of Southern Art. Frank is the MFA graduate program coordinator and Professor at Louisiana Tech University’s School of Design in Ruston.

CV
Education

2005  Master of Fine Arts, Photography, New Mexico State University

2000 Bachelor of Fine Arts, Photography, The University of Georgia

Teaching Experience

2019-Present Professor, School of Design, Louisiana Tech University, Ruston

2016-Present MFA Graduate Program Coordinator, School of Design, Louisiana Tech University, Ruston

Fall 2016 Mentor, Academy of Art University, Online MFA Mentor Program, San Francisco, California

2012-2019 Associate Professor, School of Design, Louisiana Tech University, Ruston

Fall 2013 Visiting Professor, University of Georgia Studies Abroad Program, Cortona, Italy

Spring 2009 Mentor, The Art Institute of Boston, Low Residency MFA Mentor Program

2007-2013 Photography Area Coordinator, School of Art, Louisiana Tech University, Ruston

Spring 2008 Assistant Professor, French Quarter Studies Abroad, Louisiana Tech University, Paris, France

2006-2012 Assistant Professor, School of Art, Louisiana Tech University, Ruston

Summer 2006 Maine Media Workshops, Rockport College, Rockport, Maine

Spring 2006 Visiting Professor, Santa Reparata International School of Art, Florence, Italy

Fall 2005 Visiting Professor, University of Georgia Studies Abroad Program, Cortona, Italy 

Workshops

07/15-16/2020 Alternative photo processes workshops, Tennessee Arts Academy, Online Conference

01/29/2020 One day letterpress workshop for advanced typography students, Two Classes, School of Design

09/25/2019 One day graduate bookmaking workshop, School of Literature & Languages, Louisiana Tech University

09/07/2019 One day bookmaking workshop, Durango Arts Center, Durango, Colorado

08/24/2019 One day bookmaking workshop, Morris Museum of Art, Augusta, Georgia

08/03/2019 One day bookmaking workshop, University of Louisiana at Monroe

10/20-21/2018 Two-day photography bookmaking workshop, University of Arkansas at Little Rock

10/03/2018 One day graduate bookmaking workshop, School of Literature & Languages, Louisiana Tech University

09/15/2018 One day PSA poster design workshop for high school students, Ruston Artisans, Ruston, Louisiana

07/08-20/2018 Two week bookmaking workshop, Penland School of Crafts, Penland, North Carolina

05/14/2018 One day bookmaking workshop, Girl Scout Troop, Ruston, Louisiana

04/20/2017 One day photo bookmaking workshop, University of Arkansas at Fort Smith

10/12/2016 One day graduate bookmaking workshop, School of Literature & Languages, Louisiana Tech University

09/16/2016 One day bookmaking workshop, School of Visual Arts & Design, University of North Texas, Denton

07/12-14/2016 Bookmaking & alternative process workshops, Summer Design Camp, Louisiana Tech University

06/04/2016 One day tintype workshop, Paper Workers Local, Birmingham, Alabama

03/05/2016 One day bookmaking workshop, Masur Museum of Art, Monroe, Louisiana

03/03/2016 One day tintype workshop, Stephen F. Austin State University, Nacogdoches, Texas

10/30/2015 One day letterpress workshop, University of Louisiana at Monroe

10/19/2015 One day bookmaking workshop, Girl Scout Troop, Ruston, Louisiana

02/20/2015 One day tintype workshop, Jacksonville State University, Jacksonville, Alabama

02/07/2015 One day bookmaking workshop, Makers Union, Ruston, Louisiana

10/03/2014 One day bookmaking workshop, Middle Tennessee State University, Murfreesboro, Tennessee

07/12/2014 One day bookmaking workshop, New Orleans Photo Alliance, New Orleans, Louisiana

03/09/2014 One day bookmaking workshop, Maryland Institute College of Art, Baltimore

04/20-21/2013 Two day bookmaking workshop, Masur Museum of Art, Monroe, Louisiana

03/29-30/2013 Two day tintype workshop, Department of Art, University of South Carolina, Columbia

02/27-28/2013 Two day tintype workshop, Department of Art & Art History, University of Texas at San Antonio

12/06/2012 One day bookmaking workshop, Three Classes, Caddo Parish Magnet High School, Shreveport, LA

10/10/2012 One day graduate bookmaking workshop, School of Literature & Languages, Louisiana Tech University

08/04/2012 One day bookmaking workshop, New Orleans Photo Alliance

Summer 2012 Two week papermaking and book arts workshop, Penland School of Crafts, Penland, North Carolina

Spring 2012 Six-session bookmaking workshop, Masur Museum of Art, Monroe, Louisiana

03/16/2012 One day bookmaking workshop, Department of Art, Nicholls State University, Thibodeaux, Louisiana 

Lectures

09/21/2020 It was there all along, Baylor University, Waco, Texas, Online Lecture

09/21/2020 It was there all along, University of Kansas, Online Lecture

09/03/2020 It was there all along, Louisiana State University, Online Lecture

07/14/2020 It was there all along, Tennessee Arts Academy, Online Conference Lecture

07/09/2020 It was there all along, Oconee Cultural Arts Foundation, Online Lecture

04/23/2020 It was there all along, Southeastern Louisiana University, Online Lecture

10/19/2019 For The Love Of Photo Books, Panel Discussion, SPESE Chapter Conference, Richmond, Virginia

10/11/2019 Every Picture Tells A Story, Panel Discussion, SPESC Chapter Conference, Lubbock, Texas

09/06/2019 It was there all along, Durango Art Center, Durango Colorado

08/22/2019 It was there all along, Morris Museum of Art, Augusta, Georgia

10/19/2018 My face tastes like salt, University of Arkansas at Little Rock

8/01-08/2018 Visiting Papermaking Artist & Lecturer, Texas Woman’s University, Denton, Texas

07/12/2018 My face tastes like salt, Penland School of Crafts, Penland, North Carolina

05/03/2018 Artist Statements, Bossier Parish Community College, Bossier, Louisiana

03/13/2018 Graduate School, School of Performing & Visual Arts, University of Louisiana at Monroe

10/14/2017 Artist Book Panel Discussion, SPE South Central Conference, Baylor University, Waco, Texas Other panelists: Sha Towers, Shana & Robert Parkeharrison

08/21/2017 Harder than writing a good haiku, Watkins College of Art, Design & Film, Nashville, Tennessee

05/12/2017 Harder than writing a good haiku, Houston Center for Photography

02/27/2017 Harder than writing a good haiku, Memphis College of Art

12/01/2016 Creating Photographic Work at the College Level, New Orleans Center for Creative Art High School

11/21/2016 Harder than writing a good haiku, Department of Art, Georgia College & State University, Milledgeville

09/15/2016 Harder than writing a good haiku, School of Visual Arts & Design, University of North Texas, Denton

03/01/2016 Sometimes Rivers Flow Backwards, Stephen F. Austin State University, Nacogdoches, Texas

09/01/2015 Sometimes Rivers Flow Backwards, Lamar Dodd School of Art, University of Georgia, Athens

08/26/2015 Sometimes Rivers Flow Backwards, Watkins College of Art, Design & Film, Nashville, Tennessee

02/26/2015 Careers In The Arts, Boy Scout Troop, Ruston, Louisiana

02/19/2015 I Want To Believe, Jacksonville State University, Jacksonville, Alabama

04/24/2014 I Want To Believe, Liberal Arts Symposium, Louisiana Tech University, Ruston 03/10/2014 Tintypes & Handmade Books, Maryland Institute College of Art, Baltimore, Maryland

11/20/2013 I Want To Believe, School of Performing & Visual Arts, University of Louisiana at Monroe

09/17/2013 I Want To Believe, John D. Kehoe Center, University of Georgia Studies Abroad Program, Cortona, Italy

03/28/2013 A Rabbit Runs In A Circle, Department of Art, University of South Carolina, Columbia

02/28/2013 Keep Moving, Department of Art & Art History, University of Texas at San Antonio

02/21/2013 Keep Moving, Online Lecture, Art Department, West Virginia Wesleyan College

11/30/2012 Keep Moving, New Orleans Center for Creative Arts

10/04/2012 A Rabbit Runs In A Circle, Livaudais Studio, Monroe, Louisiana

07/01/2012 Tintypes & Handmade Books, Penland School of Crafts, Penland, North Carolina

03/16/2012 Handmade Photography Books, Department of Art, Nicholls State University, Thibodaux, Louisiana

10/26/2011 Keep Moving, Enterprise Center, Louisiana Tech University, Ruston, Louisiana 

Galleries/Book Dealer Representation

2018-Present Penland Gallery, Penland School of Crafts, North Carolina

2018-Present The Print Center, Philadelphia, Pennsylvania 2015-Present Photo-Eye Books & Prints, Santa Fe, New Mexico

2010-Present Vamp & Tramp, Booksellers, LLC, Birmingham, Alabama 

Professional Experience

2020 Student Portfolio Reviewer, Society for Photographic Education Annual Conference, Houston

2020 Student Portfolio Reviewer, College Book Arts Association, New Orleans, Louisiana

2019 Student Portfolio Reviewer, SPE South Central Chapter Conference, Lubbock, Texas

2019 Student Portfolio Reviewer, Bossier High School Art Break

2018 Mentor, High School Public Service Announcement Poster Workshop, Ruston Artisans, Louisiana

2018 Juror, Bossier Parish Community College, Bossier, Louisiana 2

018 Juror, Hinds Community College Annual Student Show, Raymond, Mississippi

2017 Consultant, Creative Presence: A Guide, by Cyndi Coon, Cognella, Inc. Academic Publishing

2016 Juror, High School Art Contest, North Central Louisiana Arts Council, Ruston

2015 Technical Editor, Photography – 11th Edition, by London, Stone & Upton, Pearson/Prentice Hall Publishing

2015 Juror, High School Art Contest, Bossier Arts Council, Bossier City, Louisiana 2014 Technical Editor, Introduction to Photography, by Mark Galer, Focal Press

2013-Present Collections Committee, Masur Museum of Art, Monroe, Louisiana

2012 Consultant, Holga Handbook, book proposal by Michelle Bates, Focal Press 2012 Consultant, No Plastic Sleeves, by Danielle Currier, Focal Press

2012 Technical Editor, Photography – 10th Edition, by London, Stone & Upton, Pearson/Prentice Hall Publishing

2007-Present Student Portfolio Reviewer, Society for Photographic Education (SPE) Annual Spring/Fall Conferences 

Professional Organizations

2017-Present College Book Art Association (CBAA), Rochester, New York

2017-Present North American Hand Papermakers / Friends of Dard Hunter, New York, New York

2015-Present Aperture Foundation, New York, New York

2010-Present New Orleans Photo Alliance (NOPA)

2009-Present Houston Center for Photography (HCP)

2008-Present Texas Photographic Society (TPS), San Antonio, Texas

2007-Present Twin City Art Foundation, Monroe, Louisiana

2002-Present Society for Photographic Education (SPE), Cleveland, Ohio 

Permanent Collections

2020

Howard-Tilton Memorial Library, Special Collections, Tulane, New Orleans, Louisiana Savannah College of Art & Design, ACA Library, Artists’ Book Collection, Atlanta, Georgia Vanderbilt University, Jean & Alexander Heard Library, Nashville, Tennessee University of North Carolina at Chapel Hill, Art Library University of Connecticut, Dodd Research Center, Special Collections, Mansfield University of Georgia, Hargrett Library, Special Collections, Athens Savannah College of Art & Design, Jen Library, Special Collections and Savannah, Georgia

2019

Amon Carter Museum of American Art, Research Library, Fort Worth, Texas University of Arizona, Special Collections Library, Tucson University of California Santa Cruz, McHenry Library, Special Collections Morris Museum of Art, Augusta, Georgia Aperture Foundation Library, New York, New York Watkins Library and Trinity College, Connecticut, Hartford

2018

Candela Books & Gallery, Richmond, Virginia Watkins Library, Trinity College, Hartford, Connecticut Otis College of Art & Design, Los Angeles and California Morris Museum of Art, Augusta, Georgia

2017

Candela Books & Gallery, Richmond, Virginia Aperture Foundation Library, New York, New York Amon Carter Museum of American Art, Research Library, Fort Worth, Texas, Griffin Museum of Photography, Winchester, Massachusetts Baylor University, Central Libraries Special Collections, Waco, Texas Savannah College of Art & Design, ACA Library, Artists’ Book Collection and Atlanta, Georgia

2016

Amon Carter Museum of American Art, Research Library, Fort Worth, Texas Roy Flukinger, Private Collection, Senior Research Curator, Harry Ransom Center, Austin, Texas Vanderbilt University, Jean & Alexander Heard Library, Nashville, Tennessee Savannah College of Art & Design, ACA Library, Artists’ Book Collection, Atlanta, Georgia and Aperture Foundation Library, New York, New York

2015

Amon Carter Museum of American Art, Photography Collection, Fort Worth, Texas Gillian Welch & Dave Rawlings, Private Collection, Nashville, Tennessee Art Institute of Chicago, Flaxman Library, Artists’ Book Collection, Chicago, Illinois Aperture Foundation Library, New York, New York Baylor University, Central Libraries Special Collections, Waco, Texas Pratt Institute, Franklin Furnace, Brooklyn, New York Museum of Contemporary Art, London Candela Books & Gallery, Richmond, Virginia Masur Museum of Art, Monroe, Louisiana Georgia Perimeter College, Clarkston, Georgia Vanderbilt University, Jean & Alexander Heard Library, Nashville, Tennessee Savannah College of Art & Design, and ACA Library, Artists’ Book Collection, Atlanta, Georgia

2014

University of California at Santa Barbara, Special Collections Library University of Utah, Special Collections Library Museum of Contemporary Art, London Jean & Alexander Heard Library, Vanderbilt University, Nashville, Tennessee and Gillian Welch & Dave Rawlings, Private Collection, Nashville, Tennessee

2013

Contemporary Arts Center, New Orleans, Louisiana and Vanderbilt University, Jean & Alexander Heard Library, Nashville, Tennessee

2012

Ogden Museum of Southern Art, New Orleans, Louisiana Joshua Mann Pailet, Private Collection, Owner, A Gallery For Fine Photography, New Orleans, Louisiana Baylor University, Central Libraries Special Collections, Waco, Texas Georgia Museum of Art, University of Georgia, Athens, Georgia University of Kentucky, Lucille Caudill Little Fine Arts Library, Lexington Texas Woman’s University and Blagg-Huey Library, Woman’s Collection, Denton

2011

Houston Center for Photography Red River Paper, Dallas, Texas Texas Woman’s University, Department of Visual Arts, Denton George Slade, Private Collection, Curator & Photography Critic, Minneapolis, Minnesota University of Texas at Arlington, Fine Arts Library Handmade Book Collection, Arlington Savannah College of Art & Design, ACA Library, Artists’ Book Collection, Atlanta, Georgia and The Weeks Gallery, State University of New York, Jamestown 

Select Exhibitions/Events 

2020

35th Annual Penland School Of Crafts Annual Benefit Auction, Penland, North Carolina Unbound 9, Candela Books & Gallery, Richmond, Virginia, Curator: Gordon Stettinius Capital City Contemporary 5: Water, Louisiana Art & Science Museum, Baton Rouge, Curator: Lexi Adams Off The Wall, Annual Silent Auction, Masur Museum of Art, Monroe, Louisiana Art On 45 Annual Silent Auction, Fine Line Supply Company, Ruston, Louisiana American Advertising Federation Shreveport-Bossier Gala, Artspace, Shreveport, Louisiana College Book Arts Association Benefit Auction & Members’ Showcase, Ace Hotel, New Orleans, Louisiana Press and Fold: Contemporary Book Arts, Firehouse Art Center, Longmont, Colorado, Curator: Brandy Coons Overwhelming (Im)Possibilities: SPESC Caucus Exhibition, Houston Community College, Juror: Haley Berkman #50 @ $50 A Small Works Exhibition, North Central Louisiana Arts Council, Gallery 210, Ruston, Louisiana North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana 6x6x2020 and Rochester Contemporary Art Center, Rochester, New York

2019

It was there all along, Morris Museum of Art, Augusta, Georgia – Solo Exhibition It was there all along, Durango Arts Center, Art Library Gallery, Durango, Colorado – Solo Exhibition 34th Annual Penland School Of Crafts Annual Benefit Auction, Penland, North Carolina Art Through The Lens, Yeiser Art Center, Paducah, Kentucky, Juror: Cheryl Zibisky SPESC Members’ Exhibition, School of Art Satellite Gallery CASP, Texas Tech University, Lubbock SPESE Portfolio Walkthrough, Candela Gallery, Richmond, Virginia PhotoNOLA PhotoWALK, Ogden Museum of Southern Art, New Orleans, Louisiana #50 @ $50 A Small Works Exhibition, North Central Louisiana Arts Council, Ruston Artisans, Ruston, Louisiana North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana Off The Wall, Annual Silent Auction, Masur Museum of Art, Monroe, Louisiana Serving Our Designers, Tornado Relief Fundraiser, Ruston Farmers’ Market, Ruston, Louisiana This Is Life, Ruston Artisans, Ruston, Louisiana, Curator: Todd Maggio Artoberfest Auction, North Central Louisiana Arts Council, Ruston, Louisiana Holiday Arts Tour, Norton Building, Ruston, Louisiana 2018 My Face Tastes Like Salt, Focus Gallery, University of Arkansas at Little Rock – Solo Exhibition SPE South Central Members’ Exhibition, Firehouse Gallery, Baton Rouge, Juror: Russell Lord The Past Is Present, Atlanta Photography Group Gallery, Atlanta, Georgia, Curator: Beth Lilly 24th Juried Exhibition, Griffin Museum of Photography, Winchester, Massachusetts, Juror: Richard McCabe 2018 Black & White Exhibition, Center for Fine Art Photography, Fort Collins, CO, Juror: Catherine Couturier SPE Orlando Discoveries, Tammy Cromer Gallery, Dallas, Texas and 33rd Annual Penland School Of Crafts Annual Benefit Auction, Penland, North Carolina

2018

Benefit Auction, Light Factory, Charlotte, North Carolina Month of Photography Los Angeles Photo Book Exhibition, Venice Arts, Venice, California 12th Annual Louisiana Fine Arts Show, Southeastern Louisiana University, Hammond, Louisiana 31st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana Peach Festival Art Exhibit, Ruston Civic Center, Ruston, Louisiana – 1st Place, 3D Category North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana #50 @ $50 A Small Works Exhibition, North Central Louisiana Arts Council, Ruston, Louisiana Session 4 Scholarship Fundraiser Auction, Penland School of Crafts, Penland, North Carolina Holiday Art Exhibit, Bank of Ruston, Ruston, Louisiana Holiday Arts Tour, Fine Line Supply Company, Ruston, Louisiana Spring Romance, Ruston Artisans, Ruston, Louisiana Off The Wall Auction, Masur Museum of Art, Monroe, Louisiana Holiday Art Crawl Group Exhibition, Ruston Artisans, Ruston, Louisiana Small Works for the Young Collector, Levee Gallery, Monroe, Louisiana 6x6x2018, Rochester Contemporary Art Center, Rochester, New York Portraits and Ruston Artisans, Ruston, Louisiana

2017

Harder than writing a good haiku, Fellowship Exhibition, Houston Center for Photography, Juror: Andy Adams 2017 Photobook Independent, Photo Independent & The Los Angeles Festival of Photography – 1st Place 2nd Juried Photobook Exhibition, Vermont Center for Photography, Brattleboro – Juror’s Choice Award 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: Gia Hamilton – Award of Merit Art Through The Lens, Yeiser Art Center, Paducah, Kentucky, Juror: Eliot Dudik – Third Place Sometimes Rivers Flow Backwards, University of Arkansas at Fort Smith – Solo Exhibition Currents 2017, PhotoNOLA, Ogden Museum of Southern Art, New Orleans, Louisiana, Juror: Richard McCabe Portfolio Showcase 10 Exhibition, Center for Fine Art Photography, Fort Collins, Juror: Hannah Frieser Unbound 6, Candela Books & Gallery, Richmond, Virginia, Curator: Gordon Stettinius SPE South Central Members’ Exhibition, Cultivate 7twelve, Waco, Texas, Juror: Deborah Lillie Trace: Contemporary Photographers – Antiquarian Photography, Central Michigan University Baber Room Gallery, Curator: Rebecca Zeiss 59th Annual Delta Exhibition, Arkansas Art Center, Little Rock, Juror: Betsy Bradley Griffin Museum of Photography 23rd Juried Exhibition, Winchester, Massachusetts, Juror: Hamidah Glasgow The Summer Show, South x Southeast Photo Gallery, Molena, Georgia, Curator: Julie Grahame Roco 6×6, Rochester Contemporary Art Center, Rochester, New York Photography and the Artist Book: First Edition, Fall Line Press, Atlanta, Georgia, Curator: Bill Boling Woodstock Summer of Love, The Center for Photography at Woodstock, Curator: Hannah Frieser 50 @ $50, Parish Press, North Central Louisiana Arts Council, Ruston, Louisiana Off The Wall Silent Auction, Masur Museum of Art, Monroe, Louisiana School of Design Faculty Exhibition and SOD Galleries, Louisiana Tech University, Ruston

2016

American Photographs, 1845 to Now, Amon Carter Museum of American Art, Fort Worth, Curator: Joy Jeehye Kim Recalling, Three-Person Exhibition, University of North Texas Art Gallery, Curator: Trace Robertson Americana Music Triangle, 2016 Jazz & Heritage Festival, New Orleans, Juror: Sacha Lecca, Rolling Stone Deputy Photo Editor 53rd Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: Holly Hughes – Second Place A Sense of Place: Contemporary Images of Lincoln Parish, Bank of Ruston, Louisiana – Purchase Award Water, Center for Fine Art Photography, Fort Collins, Colorado, Juror: Richard McCabe – Honorable Mention Ink, Press, Repeat: National Juried Printmaking & Book Art Exhibition, William Paterson University, Juror: Phil Sanders Direct Positive / Polaroids, lightleaked.com, online exhibition, Jurors: Ashley Kauschinger and Jen Ervin Art Melt, Capitol Park Museum, Baton Rouge, LA, Jurors: Bradley Sumrall, Amy Moorefield, Elizabeth Weinstein North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana School of Design Faculty Art Exhibition, Co:lab, Louisiana Tech University, Ruston Off The Wall Silent Auction, Masur Museum of Art, Monroe, Louisiana

2015

Record, Jacksonville State University, Jacksonville, Alabama – Solo Exhibition Makers Marks, Masur Museum of Art, Monroe, Louisiana, Curator: Ben Hickey – Three Person Exhibition SPESC Members’ Exhibition, MAINSITE Contemporary Art, Norman, Oklahoma, Juror: Katherine Ware Art Melt, Capitol Park Museum, Baton Rouge, Louisiana, Jurors: Kitty Pheney, Keene Kipper, Patty Ortiz Award Winners from Beneath The Covers, Gallery III, Foundry Art Center, St. Charles, Missouri 9th Photographic Image Biennial Exhibition, Wellington B. Gray Gallery, East Carolina University, Juror: Burk Uzzle Unbound 4, Candela Books & Gallery, Richmond, Virginia, Curator: Gordon Stettinius Book Signing, Photo-Eye Books, Society for Photographic Education National Conference, New Orleans Penland School Of Crafts Annual Benefit Auction, Penland, North Carolina 2015 Project Postcard, New Mexico State University, Las Cruces Contemporary Perspectives In Photography, Studio 301, Ruston, Louisiana, Curator: Hannah Cooper McCauley Members’ Pinup Show, Society for Photographic Education National Conference, New Orleans, Louisiana Biennial Italy Auction, University of Texas at Arlington Off The Wall Auction, Masur Museum of Art, Monroe, Louisiana North Central Louisiana Arts Council Silent Auction, Ruston Civic Center Biennial Faculty Exhibition, School of Art, Louisiana Tech University, Ruston Downtown Art Crawl, The Big Room, Monroe, Louisiana, 2015 Peach Art Exhibit, and Ruston Civic Center, Ruston, Louisiana – First Place North Central Louisiana Arts Council – Arts Tour, Ruston, Louisiana – First Place Juror’s Choice Award

2014

Home, Atlanta Celebrates Photography Festival, Georgia Perimeter College – Solo Exhibition Currents 2014, PhotoNOLA, Ogden Museum of Southern Art, New Orleans, Louisiana, Juror: Roy Flukinger Engaging Possibilities, SPESC Members’ Exhibit, Middle Tennessee State University, Murfreesboro Breaking Ground: Contemporary Photography, College of William & Mary, Williamsburg, VA, Curator: Eliot Dudik Pathways: Photography Invitational, McMaster Gallery, University of South Carolina, Columbia Cortona Studies Abroad Exhibition, Lamar Dodd School of Art, University of Georgia, Athens Diversions, Press Street Reading Room, New Orleans, Louisiana, Jurors: Friedrich Kerksieck & Luba Zygareqicz 51st Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: Kelly Schindler How We See Her, Foundry Arts Center, St. Charles, Missouri, Juror: Janice Nesser-Chu North Central Louisiana Arts Council Arts Tour, Makers Union, Ruston GO CARE Auction, Garden Inn, Monroe, Louisiana North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana, Love 146 Silent Auction, Ruston, Louisiana, Off The Wall Auction, Masur Museum of Art, Monroe, Louisiana and 2014 Louisiana Peach Festival Arts & Crafts Show, Ruston Civic Center

2013

I Want To Believe, University of Louisiana at Monroe – Solo Exhibition Mostra – Cortona Studies Abroad Exhibition, Palazzo Vagnotti, Cortona, Italy Art of Photography Show, The San Diego Art Institute, San Diego, California, Juror: Julia Dolan Tangibles: Beauty and Purpose in the Art of the Book, North Arizona University Art Museum, Flagstaff Jurors: Susan kae Grant and David Williams Beneath The Covers, Foundry Art Center, St. Charles, Missouri, Juror: M.J. Goerke – Group Award Winner Artists’ Books, Jean and Alexander Heard Library, Vanderbilt University, Nashville, TN, Curator: Kathy Smith Fear and Loathing, Online Exhibition, artphotoindex.com, Juror: Kate Ware Art Melt, Capital Park Museum, Baton Rouge, Jurors: Jordana Pomeroy, Susan Edwards, Jo-Anne Birnie Danzker 55th Annual Delta Exhibition, Arkansas Art Center, Little Rock, Juror: Monica Bowman Tintypes, Visual Resource Center, Department of Art & Art History, University of Texas at San Antonio North Central Louisiana Arts Council – Arts Tour, Fine Line Supply Company, Ruston Biennial Faculty Exhibition, School of Art, Louisiana Tech University, Ruston Panchromatic, Gallery Fine Art Center, Bossier Arts Council, Bossier, Louisiana ARTini, Bossier Arts Council, Bossier, Louisiana 2013 Louisiana Peach Festival Arts & Crafts Show, Ruston Civic Center 50th Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: George T.M. Shackelford Domestic Abuse Resistance Team Auction, American Society of Interior Designers, Ruston, Louisiana Off The Wall Auction, Masur Museum of Art, Monroe, Louisiana and North Central Louisiana Arts Council Silent Auction, Ruston Civic Center, Ruston, Louisiana 

2012

A Rabbit Runs In A Circle, Livaudais Studio, Monroe, Louisiana, October – Solo Exhibition Keep Moving, PhotoNOLA, New Orleans Center for Creative Arts – Two-Person Exhibit Works on Paper, LeQuire Gallery, Nashville, Tennessee, Curator: Elizabeth Cave New Southern Photography, Ogden Museum of Southern Art, New Orleans, Louisiana, Curator: Richard McCabe Photographing The Landscape, Fine Arts Center, University of Arkansas at Little Rock, Curator: Brad Cushman Elements of Photography Invitational, John Jellico Gallery, Art Institute of Colorado, Denver, Curator: A.F. Belt Currents 2012, PhotoNOLA, Ogden Museum of Southern Art, New Orleans, Curator: Richard McCabe Nothing Ventured, Nothing Gained, SPESC Members Exhibit, Mississippi State University, Starkville Penland Annual Benefit Auction, Penland School of Crafts, Penland, North Carolina 11th Annual Joyce Elaine Grant Exhibition, Texas Woman’s University, Denton, Juror: Anne Lyden 2012 Louisiana Peach Festival Arts & Crafts Show, Ruston Civic Center Penland Summer Instructor Exhibit, Penland School of Crafts, Penland, North Carolina 49th Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: Liza Simone 2012 North Central Louisiana Arts Council Silent Auction, Ruston Civic Center and Off The Wall Auction, Masur Museum of Art, Monroe, Louisiana 

2011

Keep Moving, Enterprise Center, Louisiana Tech University, Ruston, Louisiana – Solo Exhibition Visual Evolution, SPENW Conference, SFCC Photography Gallery, Spokane, WA – Two-Person Exhibition 2011 Chowan University National Juried Exhibition, Murfreesboro, NC, Juror: Maxine Payne – Best in Show A River Runs Through It, SPESC Members’ Exhibition, University of Texas at San Antonio, Curator: Libby Rowe Seeing Myself, Seeing Others: The Art of the Portrait, PhotoPlace Gallery, Middlebury, VT, Juror: Andy Bloxham Meltdown: 2011 Members’ Exhibition, McKinney Avenue Contemporary, Dallas, Texas 2011 Juried Exhibition, Newspace Center for Photography, Portland, Oregon, Juror: Raymond Meeks 2nd Annual Zine and Self-Published Book Fair, The Camera Club of New York 7th Photographic Image Biennial Exhibition, Wellington B. Gray Gallery, East Carolina University, Greenville, Juror: Keith Carter 10th Annual Joyce Elaine Grant Exhibition, Texas Woman’s University, Denton, Juror: Natasha Egan 48th Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana, Juror: Alison de Lima Greene 24th Annual McNeese Works on Paper, McNeese State University, Lake Charles, Louisiana, Juror: Dan Cameron 2011 North Central Louisiana Arts Council Silent Auction, Ruston Civic Center and Off The Wall Silent Auction, Masur Museum of Art, Monroe, Louisiana 

Select Grants and Awards

2020 Best of Show, 2020 American Advertising Federation (AAF) Awards Shreveport-Bossier Gold Addy, Sales & Marketing Publication Design/Book Design, AAF Shreveport-Bossier

2018 Student Technology Fee Grant, Louisiana Tech University, Print Lab Upgrades First Place, 3D Category, Peach Festival Art Exhibit, Ruston, Louisiana

2017 HCP Fellowship, Houston Center for Photography, Houston, Texas, Juror: Andy Adams 1st Place – Artists’ Books, Photobook Independent, Photo Independent & The Los Angeles Festival of Photography Juror’s Choice Award, 2nd Photobook Exhibition, Vermont Center for Photography, Juror: Henry Horenstein Award of Merit, 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, Louisiana Third Place, Art Through The Lens, Yeiser Art Center, Paducah, Kentucky, Juror: Eliot Dudik

2016 Best Photography Books of 2016, Elizabeth Avedon Book Design, New York Second Place, 53rd Annual Masur Museum of Art Juried Exhibition, Monroe, Louisiana Purchase Award, A Sense of Place Exhibition, North Central Louisiana Arts Council, Ruston Honorable Mention, 2016 Art Melt Exhibition, Baton Rouge, Louisiana Honorable Mention, Water Exhibition, Center for Fine Art Photography, Fort Collins, Colorado

2015 Student Technology Fee Grant, Louisiana Tech University, Digital Photography & Video Lab Upgrades Juror’s Choice Award, Holiday Arts Tour, North Central Louisiana Arts Council, Ruston First Place Award, Louisiana Peach Festival, Ruston

2014 President’s Artist Of The Year Award, North Central Louisiana Arts Council, Ruston Honorable Mention, Louisiana Peach Festival, Ruston

2013 Nominee, F. Jay Taylor Undergraduate Teaching Award, College of Liberal Arts, Louisiana Tech University Group Show Winner, Beneath The Covers, Foundry Art Center, St. Charles, Missouri

2012 Career Advancement Grant, Louisiana Division of the Arts 

2011 Best in Show, Chowan University National Juried Exhibition Merit Award, Creative Quarterly Magazine, Issue 22 

Select Reviews

Brad Freeman, “Book Reviews”, Journal of Artist’s Books, #47/48, Spring 2020, p. 28

Brandy Coons, “Artist Talk with Frank Hamrick”, Firehouse Art Center, Online Interview, April 17th, 2020

Callie Robbins, “Talking Photography with Frank”, Girl Uninspired, Podcast, Episode 9, March 23rd, 2020

Victoria Arnold, “Featured Artist”, North Central Louisiana Arts Council (NCLAC), Online, November 19th, 2019

Hannah O’Hare Bennett, “Featured Artist”, North American Hand Papermakers, Online, October 21st, 2019

Virginia Green, “Featured CBAA Artist”, College Book Art Association, Online, October 1st, 2019

Aline Smithson, “Frank Hamrick: It was there all along”, Lenscratch.com, September 23rd, 2019

Jeff Rich, “Eyes on the South – Water Feature”, OxfordAmerican.org, September 4th, 2019

Angelita Faller, “UA Little Rock Exhibit Features Artwork of Frank Hamrick”, UALR University News, October 4th, 2018

Esther Griffin, “Q&A: Frank Hamrick”, Atlanta Photography Group, Online Interview, August 21st, 2018

John Guidroz, “Works on Paper”, American Press, March 29th, 2018

“Book Maker”, Focal Plane Magazine, Issue 3, Winter 2018, pp. 8-13, 48-50, 66-70

Hannah Frieser, Looking & Seeing – Portfolio Showcase X, The Center for Fine Art Photography, 2017, pp. 5, 26-37

Photo-Emphasis.com, December 19th, 2017

Fred Hirschman, “Frank Hamrick”, Aint-Bad.com, December 7th, 2017

Pete McCommons, “More Photos”, Flagpole Magazine, October 4th, 2017, p. 3

Jeff Rich, “Eyes on the South – Moving Through”, OxfordAmerican.org, September 20th, 2017

Arthor H. Bleich, “Frank Hamrick – Handcrafted Books”, blog.redriverpaper.com, September 8th, 2017

Sheri Hunter, “Antiquarian-modern photo show at Park”, News-Herald, August 9th, 2017

Mark Feeney, “At the Griffin…”, Boston Globe, July 12th, 2017

Leslie Newell Peacock, “Hard edges”, Arkansas Times, June 22nd, 2017

Andy Adams, “Spotlight – Frank Hamrick”, Spot Magazine, Spring 2017, p. 64

“Frank Hamrick – 2017 HCP Fellowship Recipient”, Monovisions, Online Feature, May 19th, 2017

Aline Smithson, “Frank Hamrick: Harder than writing a good haiku”, lenscratch.com, February 22nd, 2017

Tracee Roberson, “Recalling” Exhibition Catalog, University of North Texas, Denton, pp. 6, 9-10, 22-29, 50, 55

Paula Newton, “HCP Announces 2017 Fellowship Winners” glasstire.com, December 27th, 2016

“Artists use…”, News at UNT, news.unt.edu, Thursday, July 28th, 2016

“Water” Art Reveal Magazine, ArtRevealMagazine.com, June 28th, 2016

“Press Check”, Panorama Magazine, Volume 66, Spring 2016 p. 35

“Press Check”, Panorama Magazine, Volume 65, Fall 2015, p. 35

Jeff Rich, “Eyes On The South – Antique Process”, OxfordAmerican.org, September 21st, 2015

Sarah Greene, “Dave Rawlings Machine are on a journey…” exclaim.ca, September 21st, 2015

“Reading List”, Georgia Magazine, Volume 94, Number 4, September 2015, p. 42

“Frank Hamrick Tintype Workshop”, JSU Art Blog, March 30th, 2015

“An Exhibit of Modern Day Tintypes Comes To JSU”, Anniston Star, February 15th, 2015

Mary Napoli, “The Eternal Imagery of Frank Hamrick”, Bayou Life Magazine, January 2015, pp. 72-75

Ashley Kauschinger, “Frank Hamrick”, Light Leaked Online Journal, October 6th, 2014

Lisa Williams, Handmade & Bound Artist Spotlight, HandmadeBoundNashville.com, September 26th, 2014

Kathy Miller Stewart, “Soul and Skill”, DotPhotoZine.com, April 21st, 2014

Seth Muller, “NAU Art Museum exhibit showcases bound-less creativity”, Arizona Daily Sun, September 15th, 2013

“Paper Art”, The Edwardsville Intelligencer, July 13th, 2013

Leigh Anne Chambers, “Featured Gallery Fine Art Center Artist: Frank Hamrick”, Bossier Creates, June 11th, 2013

Susie Kalil, “New Southern Photography” Spot Magazine – Houston Center for Photography, Spring 2013, p. 22

“New Books”, Georgia Magazine, March 2013

“NELAC honors outstanding contributions to the arts” The News Star, Monroe, Louisiana, March 4th, 2013

“Eight from Louisiana Tech Chosen for National Exhibition”, Shreveport Times, February 27th, 2013

Judith Roberts, “Students bind to create books with art professor” News @ Tech, December 19th, 2012

Joe Nolan, “Paper Pushing”, Nashville Scene, Nashville, Tennessee, December 13th, 2012

Cameron Shaw, “Pick of the week: Frank Hamrick”, Pelican Bomb – Online, December 10th, 2012

D. Clarke Evans, “Members’ News”, Texas Photo Society Newsletter, Fall 2012

“Photographing The Landscape” Arkansas Times, Little Rock, November 2nd, 2012

Brittany Biddy & Emily Grant, “Class Notes”, Georgia Magazine, June 2012

John N. Wall, “Frank Hamrick: Photography Is Like Chicken”, The Southern Photographer Blog, May 9th, 2012

Claire O’Neill, “The Visual South”, npr.org, May 8th, 2012

Jim Sherraden, “100 under 100 – The New Superstars of Southern Art …” OxfordAmerican.org, Issue 76, 2012 

Select Publications

“Tesnatee Creek”, Tintype Image, The Sun Magazine, March 2020, Issue 531, p. 44

“It was there all along”, Art Through The Lens Exhibition Catalog, Yeiser Art Center, 2019

“Sand Creek”, Tintype Image, Shots Magazine, Issue 144, Summer 2019, p. 14

Nashville Obsolete, Front & Back Vinyl Album Covers, Dave Rawlings Machine, Acony Records, 2019

“Gulf of Mexico”, Tintype Image, The Sun Magazine, Issue 516, December 2018, p. 26

Tilt & Shine, Front & Back Album Covers, Kevin Gordon, Crowville Records, 2018

“Attic Discovery” Tintype Image, The Sun Magazine, Issue 505, January 2018, p. 34

“Record Player”, Tintype Image, The Sun Magazine, Issue 502, October 2017, p. 3

“Photo of the day”, Don’t Take Pictures Magazine, Online Exhibition, March 5th, 2017

“Sometimes Rivers Flow Backwards”, Ink, Press, Repeat exhibition catalog, August 2016

“Crooked Dogwood & Hungry Dogs”, Don’t Take Pictures Magazine, Glass & Tin Online Exhibition

“Tin Can Telephone”, The Sun Magazine, Issue 483, March 2016, p. 22

“Peaches”, The Sun Magazine, Issue 482, February 2016, p. 1

“Lauren”, Oxford American Magazine, Issue 91, Winter 2015, p. 122

Nashville Obsolete, Front & Back CD and Tape Covers, Dave Rawlings Machine, Acony Records, 2015

“Fan, Water, Feet”, The Sun Magazine, Issue 475, July 2015, p. 22

“Clothesline”, Bethany Raybourn, Self-Titled EP Record, 2015

“Chasing The Sun”, Downtown Art Crawl, Bayou Life Magazine, April 2015, p. 26

Photo Review, Online Exhibition, photoreview.org

“Sometimes Rivers Flow Backwards”, 9th Photographic Image Biennial Exhibition Catalog, East Carolina University, 2015, p. 14

“Griffith Chair at Hideaway”, “Dave Rawlings Machine”, Makers’ Marks Exhibition Promo Material, Masur Museum, 2015

Artist Portfolio, Breaking Ground: Contemporary Photography Exhibition Catalog, College of William & Mary, 2014, p. 55

“Coke Bottles, Garden, Self Portrait”, Pathways Photography Invitational Leaflet, University of South Carolina, 2014

“Moving House”, 2014 Atlanta Celebrates Photography Festival Guide, p. 48

Artist Portfolio, 500 Handmade Books Volume 2, Linda Kopp, Lark Crafts – Sterling Publishing Co, 2013, p. 151

“Letter Never Sent”, Art of Photography, Exhibition Catalogue, San Diego, California, 2013

Artist Portfolio, 1000 Artists’ Books by Sandra Salamony, Rockport Publishers/Quarry Books, 2012, pp. 204-206

“Onion Field” and “Sunflower House”, The Sun Magazine, Issue 442, October, pp. 42, 49

“Haircut”, Creative Quarterly Magazine, Issue 27, Summer 2012, p. 65

“Wet Clothesline”, The Sun Magazine, Issue 437, May 2012, p. 49

Artist Portfolio, The Elements of Photography: 2nd Edition by Angela Faris Belt, Focal Press, pp. 364-367

“Dial”, Creative Quarterly Magazine, Issue 26, Spring 2012, p. 59

“Carrie Mae Weems”, Society for Photographic Education South Central Regional Newsletter, Fall 2011

“Onion Blooms”, Creative Quarterly Magazine, Issue 24, Fall 2011, p. 58

Six Page Artist Portfolio, River Styx Magazine, Issue 86, Fall 2011, pp. 31-36

“Gas Station Sign”, e-book cover image Super America, Anne Panning, University of Georgia Press, 2011

“Mom’s Scar”, McNeese Works on Paper Exhibition Catalogue, McNeese State University, 2011, p. 17 

View Frank Hamrick’s Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP